Leave No Trace: Live in St. Louis
Grade A, live improvised guitar and drum roil from the inimitable Bhutanese string picker Tashi Dorji and superb, free-limbed percussionist Tyler Damon. It can be such a fine line between embarrassing onanism and anticipation-baiting, edge of seat improv, but luckily this pair fall squarely in the latter category. Feral, biting, wickedly unpredictable stuff on Loren Connors’ label.
"When you do something, you should burn yourself completely, like a good bonfire, leaving no trace of yourself." - Shunryu Suzuki
As live albums go, Tashi Dorji and Tyler Damon nail it down. No matter the crowd -- head thrashers, Instagram zombies, shaken jazzniks -- the shadow lines of feedback and bombastic percussive bombs are always at peak intensity. Through telepathic engagement the Bhutanese-born guitarist Dorji and Midwestern drummer Damon act with one-mind destruction as Leave No Trace: Live In St. Louis perfectly captures. It’s a pure sound for these disruptive, politically tumultuous times. Or Marc Masters describes it as -- a power lurching at you “in ways that feel dangerously uncontrolled, like someone playing with a plugged-in toaster over a filled-up bathtub.”
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Grade A, live improvised guitar and drum roil from the inimitable Bhutanese string picker Tashi Dorji and superb, free-limbed percussionist Tyler Damon. It can be such a fine line between embarrassing onanism and anticipation-baiting, edge of seat improv, but luckily this pair fall squarely in the latter category. Feral, biting, wickedly unpredictable stuff on Loren Connors’ label.
"When you do something, you should burn yourself completely, like a good bonfire, leaving no trace of yourself." - Shunryu Suzuki
As live albums go, Tashi Dorji and Tyler Damon nail it down. No matter the crowd -- head thrashers, Instagram zombies, shaken jazzniks -- the shadow lines of feedback and bombastic percussive bombs are always at peak intensity. Through telepathic engagement the Bhutanese-born guitarist Dorji and Midwestern drummer Damon act with one-mind destruction as Leave No Trace: Live In St. Louis perfectly captures. It’s a pure sound for these disruptive, politically tumultuous times. Or Marc Masters describes it as -- a power lurching at you “in ways that feel dangerously uncontrolled, like someone playing with a plugged-in toaster over a filled-up bathtub.”
Grade A, live improvised guitar and drum roil from the inimitable Bhutanese string picker Tashi Dorji and superb, free-limbed percussionist Tyler Damon. It can be such a fine line between embarrassing onanism and anticipation-baiting, edge of seat improv, but luckily this pair fall squarely in the latter category. Feral, biting, wickedly unpredictable stuff on Loren Connors’ label.
"When you do something, you should burn yourself completely, like a good bonfire, leaving no trace of yourself." - Shunryu Suzuki
As live albums go, Tashi Dorji and Tyler Damon nail it down. No matter the crowd -- head thrashers, Instagram zombies, shaken jazzniks -- the shadow lines of feedback and bombastic percussive bombs are always at peak intensity. Through telepathic engagement the Bhutanese-born guitarist Dorji and Midwestern drummer Damon act with one-mind destruction as Leave No Trace: Live In St. Louis perfectly captures. It’s a pure sound for these disruptive, politically tumultuous times. Or Marc Masters describes it as -- a power lurching at you “in ways that feel dangerously uncontrolled, like someone playing with a plugged-in toaster over a filled-up bathtub.”
Grade A, live improvised guitar and drum roil from the inimitable Bhutanese string picker Tashi Dorji and superb, free-limbed percussionist Tyler Damon. It can be such a fine line between embarrassing onanism and anticipation-baiting, edge of seat improv, but luckily this pair fall squarely in the latter category. Feral, biting, wickedly unpredictable stuff on Loren Connors’ label.
"When you do something, you should burn yourself completely, like a good bonfire, leaving no trace of yourself." - Shunryu Suzuki
As live albums go, Tashi Dorji and Tyler Damon nail it down. No matter the crowd -- head thrashers, Instagram zombies, shaken jazzniks -- the shadow lines of feedback and bombastic percussive bombs are always at peak intensity. Through telepathic engagement the Bhutanese-born guitarist Dorji and Midwestern drummer Damon act with one-mind destruction as Leave No Trace: Live In St. Louis perfectly captures. It’s a pure sound for these disruptive, politically tumultuous times. Or Marc Masters describes it as -- a power lurching at you “in ways that feel dangerously uncontrolled, like someone playing with a plugged-in toaster over a filled-up bathtub.”
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Grade A, live improvised guitar and drum roil from the inimitable Bhutanese string picker Tashi Dorji and superb, free-limbed percussionist Tyler Damon. It can be such a fine line between embarrassing onanism and anticipation-baiting, edge of seat improv, but luckily this pair fall squarely in the latter category. Feral, biting, wickedly unpredictable stuff on Loren Connors’ label.
"When you do something, you should burn yourself completely, like a good bonfire, leaving no trace of yourself." - Shunryu Suzuki
As live albums go, Tashi Dorji and Tyler Damon nail it down. No matter the crowd -- head thrashers, Instagram zombies, shaken jazzniks -- the shadow lines of feedback and bombastic percussive bombs are always at peak intensity. Through telepathic engagement the Bhutanese-born guitarist Dorji and Midwestern drummer Damon act with one-mind destruction as Leave No Trace: Live In St. Louis perfectly captures. It’s a pure sound for these disruptive, politically tumultuous times. Or Marc Masters describes it as -- a power lurching at you “in ways that feel dangerously uncontrolled, like someone playing with a plugged-in toaster over a filled-up bathtub.”