Kaspi & Stride supply an unexpected turn of dubbed-out, sidewinding, ambient dance music as the 2nd release on Soda Gong; the label set-up by Students of Decay owner Alex Cobb to explore “work culled from a wider range of genres”.
Moving on from Cobb’s inaugural outing as Etelin with the textured ambient of 2018’s ‘Hui Terra’ side, he brings Justin Tripp (Georgia) and Jimy SeiTang (formerly Psychic Ills) into the label fold with a skudgy batch of dancefloor future-primitivism mashing tribal rhythms with stellar ambient synth strokes and wormy electronics.
The sound is a few shades away from Tripp’s work with Georgia, but miles from what we’ve heard of SeiTang, divining a sweet spot of psychedelic dance music between their own aesthetics, at best in keening electro-jazz hustle of ‘Padonki’, along with nods to tenderly soulful deep house in ‘Dwell Time’, and submerged deep techno structures within ‘Variant.’
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Kaspi & Stride supply an unexpected turn of dubbed-out, sidewinding, ambient dance music as the 2nd release on Soda Gong; the label set-up by Students of Decay owner Alex Cobb to explore “work culled from a wider range of genres”.
Moving on from Cobb’s inaugural outing as Etelin with the textured ambient of 2018’s ‘Hui Terra’ side, he brings Justin Tripp (Georgia) and Jimy SeiTang (formerly Psychic Ills) into the label fold with a skudgy batch of dancefloor future-primitivism mashing tribal rhythms with stellar ambient synth strokes and wormy electronics.
The sound is a few shades away from Tripp’s work with Georgia, but miles from what we’ve heard of SeiTang, divining a sweet spot of psychedelic dance music between their own aesthetics, at best in keening electro-jazz hustle of ‘Padonki’, along with nods to tenderly soulful deep house in ‘Dwell Time’, and submerged deep techno structures within ‘Variant.’
Kaspi & Stride supply an unexpected turn of dubbed-out, sidewinding, ambient dance music as the 2nd release on Soda Gong; the label set-up by Students of Decay owner Alex Cobb to explore “work culled from a wider range of genres”.
Moving on from Cobb’s inaugural outing as Etelin with the textured ambient of 2018’s ‘Hui Terra’ side, he brings Justin Tripp (Georgia) and Jimy SeiTang (formerly Psychic Ills) into the label fold with a skudgy batch of dancefloor future-primitivism mashing tribal rhythms with stellar ambient synth strokes and wormy electronics.
The sound is a few shades away from Tripp’s work with Georgia, but miles from what we’ve heard of SeiTang, divining a sweet spot of psychedelic dance music between their own aesthetics, at best in keening electro-jazz hustle of ‘Padonki’, along with nods to tenderly soulful deep house in ‘Dwell Time’, and submerged deep techno structures within ‘Variant.’
Kaspi & Stride supply an unexpected turn of dubbed-out, sidewinding, ambient dance music as the 2nd release on Soda Gong; the label set-up by Students of Decay owner Alex Cobb to explore “work culled from a wider range of genres”.
Moving on from Cobb’s inaugural outing as Etelin with the textured ambient of 2018’s ‘Hui Terra’ side, he brings Justin Tripp (Georgia) and Jimy SeiTang (formerly Psychic Ills) into the label fold with a skudgy batch of dancefloor future-primitivism mashing tribal rhythms with stellar ambient synth strokes and wormy electronics.
The sound is a few shades away from Tripp’s work with Georgia, but miles from what we’ve heard of SeiTang, divining a sweet spot of psychedelic dance music between their own aesthetics, at best in keening electro-jazz hustle of ‘Padonki’, along with nods to tenderly soulful deep house in ‘Dwell Time’, and submerged deep techno structures within ‘Variant.’
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Kaspi & Stride supply an unexpected turn of dubbed-out, sidewinding, ambient dance music as the 2nd release on Soda Gong; the label set-up by Students of Decay owner Alex Cobb to explore “work culled from a wider range of genres”.
Moving on from Cobb’s inaugural outing as Etelin with the textured ambient of 2018’s ‘Hui Terra’ side, he brings Justin Tripp (Georgia) and Jimy SeiTang (formerly Psychic Ills) into the label fold with a skudgy batch of dancefloor future-primitivism mashing tribal rhythms with stellar ambient synth strokes and wormy electronics.
The sound is a few shades away from Tripp’s work with Georgia, but miles from what we’ve heard of SeiTang, divining a sweet spot of psychedelic dance music between their own aesthetics, at best in keening electro-jazz hustle of ‘Padonki’, along with nods to tenderly soulful deep house in ‘Dwell Time’, and submerged deep techno structures within ‘Variant.’