Guy Brewer revels in the cruddiest ambient noise and messed-up rhythms on his compelling debut as Carrier for The Trilogy Tapes.
Adding to his carousel of pseudonyms (Alexander Lewis, Commix, Covered In sand, Pacific Blue, Shifted), Brewer’s Carrier project explores a more loose-limbed and freeform formula than his usual, bloody-minded focus on a singular thing such as corrosive techno or greyscale noise. Here, granular detail is sprayed into more abstract shapes, underpinned by tight subs and a percussive swing that’s anything but rigid.
The seven bits of ‘Lazy Mechanics’ are alternately hard-nosed and sentimental, brittle and gunky, immersive and OOBE-like as he transitions from the astringent atonalities of ‘Chlorine’ to Thought Broadcast-like elegiac ambient of the title tune, and more nervously switches from the gob of bilgy slow techno in ‘Harsh Features’ to a razor-stepping zinger ‘Product of Environment’, and a superb piece of radioactive nasal drip dissonance in ‘Lost on Me’. ‘Ten by Ten’ sounds like T++ on a slower pulse - all snapped, rattling drums and tight subs, and album closer ‘Biger Skies’ fractures a dose of dappled euphoria for the warmest fuzz.
Definitely the most forward facing and enjoyable Brewer productions we’ve heard in years, trust TTT.
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Guy Brewer revels in the cruddiest ambient noise and messed-up rhythms on his compelling debut as Carrier for The Trilogy Tapes.
Adding to his carousel of pseudonyms (Alexander Lewis, Commix, Covered In sand, Pacific Blue, Shifted), Brewer’s Carrier project explores a more loose-limbed and freeform formula than his usual, bloody-minded focus on a singular thing such as corrosive techno or greyscale noise. Here, granular detail is sprayed into more abstract shapes, underpinned by tight subs and a percussive swing that’s anything but rigid.
The seven bits of ‘Lazy Mechanics’ are alternately hard-nosed and sentimental, brittle and gunky, immersive and OOBE-like as he transitions from the astringent atonalities of ‘Chlorine’ to Thought Broadcast-like elegiac ambient of the title tune, and more nervously switches from the gob of bilgy slow techno in ‘Harsh Features’ to a razor-stepping zinger ‘Product of Environment’, and a superb piece of radioactive nasal drip dissonance in ‘Lost on Me’. ‘Ten by Ten’ sounds like T++ on a slower pulse - all snapped, rattling drums and tight subs, and album closer ‘Biger Skies’ fractures a dose of dappled euphoria for the warmest fuzz.
Definitely the most forward facing and enjoyable Brewer productions we’ve heard in years, trust TTT.
Guy Brewer revels in the cruddiest ambient noise and messed-up rhythms on his compelling debut as Carrier for The Trilogy Tapes.
Adding to his carousel of pseudonyms (Alexander Lewis, Commix, Covered In sand, Pacific Blue, Shifted), Brewer’s Carrier project explores a more loose-limbed and freeform formula than his usual, bloody-minded focus on a singular thing such as corrosive techno or greyscale noise. Here, granular detail is sprayed into more abstract shapes, underpinned by tight subs and a percussive swing that’s anything but rigid.
The seven bits of ‘Lazy Mechanics’ are alternately hard-nosed and sentimental, brittle and gunky, immersive and OOBE-like as he transitions from the astringent atonalities of ‘Chlorine’ to Thought Broadcast-like elegiac ambient of the title tune, and more nervously switches from the gob of bilgy slow techno in ‘Harsh Features’ to a razor-stepping zinger ‘Product of Environment’, and a superb piece of radioactive nasal drip dissonance in ‘Lost on Me’. ‘Ten by Ten’ sounds like T++ on a slower pulse - all snapped, rattling drums and tight subs, and album closer ‘Biger Skies’ fractures a dose of dappled euphoria for the warmest fuzz.
Definitely the most forward facing and enjoyable Brewer productions we’ve heard in years, trust TTT.
Guy Brewer revels in the cruddiest ambient noise and messed-up rhythms on his compelling debut as Carrier for The Trilogy Tapes.
Adding to his carousel of pseudonyms (Alexander Lewis, Commix, Covered In sand, Pacific Blue, Shifted), Brewer’s Carrier project explores a more loose-limbed and freeform formula than his usual, bloody-minded focus on a singular thing such as corrosive techno or greyscale noise. Here, granular detail is sprayed into more abstract shapes, underpinned by tight subs and a percussive swing that’s anything but rigid.
The seven bits of ‘Lazy Mechanics’ are alternately hard-nosed and sentimental, brittle and gunky, immersive and OOBE-like as he transitions from the astringent atonalities of ‘Chlorine’ to Thought Broadcast-like elegiac ambient of the title tune, and more nervously switches from the gob of bilgy slow techno in ‘Harsh Features’ to a razor-stepping zinger ‘Product of Environment’, and a superb piece of radioactive nasal drip dissonance in ‘Lost on Me’. ‘Ten by Ten’ sounds like T++ on a slower pulse - all snapped, rattling drums and tight subs, and album closer ‘Biger Skies’ fractures a dose of dappled euphoria for the warmest fuzz.
Definitely the most forward facing and enjoyable Brewer productions we’ve heard in years, trust TTT.