Comprehensive first vinyl survey of neo-ambient, shoegaze and synth-pop singles by Helen Island, one of many projects revolving Léopold Collin (DJ Prince Scream, Radiante Pourpre, Violent Quand On Aime), and lodged somewhere amidst work by Bianca Scout, Shell Company, a.s.o., Malibu
‘Last Liasse’ is the ultimate compilation of a series of releases thru the artist’s triggermoral recs in 2022-2023. Their dozen cuts add up to the project’s most significant session, joining dots between ambient weft, shoegazy dream-pop a la a.s.o. on ‘u in the red’ and ‘thank you’, to gently propulsive ‘80s synth-pop recalling Bianca Scout’s Marina Zispin gear in ‘it’s so easy’, and classy lines of strung-out vaporwave (‘goosebumps’), screwed downbeats adjacent Rabit mixtape styles (‘dressed to shine’, ‘no witness’, ‘Marian 323’), and a bedroom bop ‘the mirror dance’ shades away from Shell Company on Rainy Miller’s Fixed Abode.
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Comprehensive first vinyl survey of neo-ambient, shoegaze and synth-pop singles by Helen Island, one of many projects revolving Léopold Collin (DJ Prince Scream, Radiante Pourpre, Violent Quand On Aime), and lodged somewhere amidst work by Bianca Scout, Shell Company, a.s.o., Malibu
‘Last Liasse’ is the ultimate compilation of a series of releases thru the artist’s triggermoral recs in 2022-2023. Their dozen cuts add up to the project’s most significant session, joining dots between ambient weft, shoegazy dream-pop a la a.s.o. on ‘u in the red’ and ‘thank you’, to gently propulsive ‘80s synth-pop recalling Bianca Scout’s Marina Zispin gear in ‘it’s so easy’, and classy lines of strung-out vaporwave (‘goosebumps’), screwed downbeats adjacent Rabit mixtape styles (‘dressed to shine’, ‘no witness’, ‘Marian 323’), and a bedroom bop ‘the mirror dance’ shades away from Shell Company on Rainy Miller’s Fixed Abode.
Comprehensive first vinyl survey of neo-ambient, shoegaze and synth-pop singles by Helen Island, one of many projects revolving Léopold Collin (DJ Prince Scream, Radiante Pourpre, Violent Quand On Aime), and lodged somewhere amidst work by Bianca Scout, Shell Company, a.s.o., Malibu
‘Last Liasse’ is the ultimate compilation of a series of releases thru the artist’s triggermoral recs in 2022-2023. Their dozen cuts add up to the project’s most significant session, joining dots between ambient weft, shoegazy dream-pop a la a.s.o. on ‘u in the red’ and ‘thank you’, to gently propulsive ‘80s synth-pop recalling Bianca Scout’s Marina Zispin gear in ‘it’s so easy’, and classy lines of strung-out vaporwave (‘goosebumps’), screwed downbeats adjacent Rabit mixtape styles (‘dressed to shine’, ‘no witness’, ‘Marian 323’), and a bedroom bop ‘the mirror dance’ shades away from Shell Company on Rainy Miller’s Fixed Abode.
Comprehensive first vinyl survey of neo-ambient, shoegaze and synth-pop singles by Helen Island, one of many projects revolving Léopold Collin (DJ Prince Scream, Radiante Pourpre, Violent Quand On Aime), and lodged somewhere amidst work by Bianca Scout, Shell Company, a.s.o., Malibu
‘Last Liasse’ is the ultimate compilation of a series of releases thru the artist’s triggermoral recs in 2022-2023. Their dozen cuts add up to the project’s most significant session, joining dots between ambient weft, shoegazy dream-pop a la a.s.o. on ‘u in the red’ and ‘thank you’, to gently propulsive ‘80s synth-pop recalling Bianca Scout’s Marina Zispin gear in ‘it’s so easy’, and classy lines of strung-out vaporwave (‘goosebumps’), screwed downbeats adjacent Rabit mixtape styles (‘dressed to shine’, ‘no witness’, ‘Marian 323’), and a bedroom bop ‘the mirror dance’ shades away from Shell Company on Rainy Miller’s Fixed Abode.
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Comprehensive first vinyl survey of neo-ambient, shoegaze and synth-pop singles by Helen Island, one of many projects revolving Léopold Collin (DJ Prince Scream, Radiante Pourpre, Violent Quand On Aime), and lodged somewhere amidst work by Bianca Scout, Shell Company, a.s.o., Malibu
‘Last Liasse’ is the ultimate compilation of a series of releases thru the artist’s triggermoral recs in 2022-2023. Their dozen cuts add up to the project’s most significant session, joining dots between ambient weft, shoegazy dream-pop a la a.s.o. on ‘u in the red’ and ‘thank you’, to gently propulsive ‘80s synth-pop recalling Bianca Scout’s Marina Zispin gear in ‘it’s so easy’, and classy lines of strung-out vaporwave (‘goosebumps’), screwed downbeats adjacent Rabit mixtape styles (‘dressed to shine’, ‘no witness’, ‘Marian 323’), and a bedroom bop ‘the mirror dance’ shades away from Shell Company on Rainy Miller’s Fixed Abode.