Haunter’s chief spirit Daniele Guerrini a.k.a Heith turns Indonesian gamelan into spectral, plasmic ambient designs on ’Laguna’, his 2nd vinyl following ‘Silence Will Expire’ [2014]
Coming from the same skool of unsettling ambient thought as Coil and their myriad side projects, ‘Laguna’ is a richly and purposefully meditative session patently in thrall to the complex, chaotic, yet subtly iridescent harmonic qualities of tempered metal alloys and South East Asian scales.
The A-side’s title cut finds him accreting and parsing layers of field recordings into a steeply opiated and viscous slosh resonating somewhere between Kink Gong and Sleazy’s The Threshold HouseBoys Choir, whereas the B-side’s ‘Tree Stand’ appears to invert that radiant effect with unsettling, endothermic dynamics and ‘Maria’ folds in Matthias Girardi a.k.a. Weightausend for a more mystic, tonal variant recalling the atmospheres of John T. Gast and M.C. Boli’s Gossiwor duo.
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Haunter’s chief spirit Daniele Guerrini a.k.a Heith turns Indonesian gamelan into spectral, plasmic ambient designs on ’Laguna’, his 2nd vinyl following ‘Silence Will Expire’ [2014]
Coming from the same skool of unsettling ambient thought as Coil and their myriad side projects, ‘Laguna’ is a richly and purposefully meditative session patently in thrall to the complex, chaotic, yet subtly iridescent harmonic qualities of tempered metal alloys and South East Asian scales.
The A-side’s title cut finds him accreting and parsing layers of field recordings into a steeply opiated and viscous slosh resonating somewhere between Kink Gong and Sleazy’s The Threshold HouseBoys Choir, whereas the B-side’s ‘Tree Stand’ appears to invert that radiant effect with unsettling, endothermic dynamics and ‘Maria’ folds in Matthias Girardi a.k.a. Weightausend for a more mystic, tonal variant recalling the atmospheres of John T. Gast and M.C. Boli’s Gossiwor duo.
Haunter’s chief spirit Daniele Guerrini a.k.a Heith turns Indonesian gamelan into spectral, plasmic ambient designs on ’Laguna’, his 2nd vinyl following ‘Silence Will Expire’ [2014]
Coming from the same skool of unsettling ambient thought as Coil and their myriad side projects, ‘Laguna’ is a richly and purposefully meditative session patently in thrall to the complex, chaotic, yet subtly iridescent harmonic qualities of tempered metal alloys and South East Asian scales.
The A-side’s title cut finds him accreting and parsing layers of field recordings into a steeply opiated and viscous slosh resonating somewhere between Kink Gong and Sleazy’s The Threshold HouseBoys Choir, whereas the B-side’s ‘Tree Stand’ appears to invert that radiant effect with unsettling, endothermic dynamics and ‘Maria’ folds in Matthias Girardi a.k.a. Weightausend for a more mystic, tonal variant recalling the atmospheres of John T. Gast and M.C. Boli’s Gossiwor duo.
Haunter’s chief spirit Daniele Guerrini a.k.a Heith turns Indonesian gamelan into spectral, plasmic ambient designs on ’Laguna’, his 2nd vinyl following ‘Silence Will Expire’ [2014]
Coming from the same skool of unsettling ambient thought as Coil and their myriad side projects, ‘Laguna’ is a richly and purposefully meditative session patently in thrall to the complex, chaotic, yet subtly iridescent harmonic qualities of tempered metal alloys and South East Asian scales.
The A-side’s title cut finds him accreting and parsing layers of field recordings into a steeply opiated and viscous slosh resonating somewhere between Kink Gong and Sleazy’s The Threshold HouseBoys Choir, whereas the B-side’s ‘Tree Stand’ appears to invert that radiant effect with unsettling, endothermic dynamics and ‘Maria’ folds in Matthias Girardi a.k.a. Weightausend for a more mystic, tonal variant recalling the atmospheres of John T. Gast and M.C. Boli’s Gossiwor duo.
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Haunter’s chief spirit Daniele Guerrini a.k.a Heith turns Indonesian gamelan into spectral, plasmic ambient designs on ’Laguna’, his 2nd vinyl following ‘Silence Will Expire’ [2014]
Coming from the same skool of unsettling ambient thought as Coil and their myriad side projects, ‘Laguna’ is a richly and purposefully meditative session patently in thrall to the complex, chaotic, yet subtly iridescent harmonic qualities of tempered metal alloys and South East Asian scales.
The A-side’s title cut finds him accreting and parsing layers of field recordings into a steeply opiated and viscous slosh resonating somewhere between Kink Gong and Sleazy’s The Threshold HouseBoys Choir, whereas the B-side’s ‘Tree Stand’ appears to invert that radiant effect with unsettling, endothermic dynamics and ‘Maria’ folds in Matthias Girardi a.k.a. Weightausend for a more mystic, tonal variant recalling the atmospheres of John T. Gast and M.C. Boli’s Gossiwor duo.