Charlotte Kouklia aka Charlène Darling lands on Disciples with a new album of smokey gallic synthpop tipped if yr into Brigitte Bardot’s ‘Contact!’ via Cate Le Bon and The Raincoats.
“La Porte is the second studio album by Charlotte Kouklia aka Charlène Darling. An exploration of misplaced desire and all-consuming romantic obsession, told through a series of beautifully constructed leftfield pop songs. La Porte finds the artist and her group building a self-contained musical world via French and English language vocals, and a minimalist backing of guitar, organ, bass and drums.
At times recalling the feminist post-punk of The Raincoats, the avant songcraft of Brigitte Fontaine, or the psychedelic vignettes of Cate Le Bon, in truth Charlène Darling sounds like herself. The arrangements are playfully experimental, dubbed out percussion bubbling over the stripped back instrumentation, or rough tape edits disrupting lush harmonies, but never losing sight of the earworm hooks that make these songs so addictively listenable. Step through the door and walk right in."
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Charlotte Kouklia aka Charlène Darling lands on Disciples with a new album of smokey gallic synthpop tipped if yr into Brigitte Bardot’s ‘Contact!’ via Cate Le Bon and The Raincoats.
“La Porte is the second studio album by Charlotte Kouklia aka Charlène Darling. An exploration of misplaced desire and all-consuming romantic obsession, told through a series of beautifully constructed leftfield pop songs. La Porte finds the artist and her group building a self-contained musical world via French and English language vocals, and a minimalist backing of guitar, organ, bass and drums.
At times recalling the feminist post-punk of The Raincoats, the avant songcraft of Brigitte Fontaine, or the psychedelic vignettes of Cate Le Bon, in truth Charlène Darling sounds like herself. The arrangements are playfully experimental, dubbed out percussion bubbling over the stripped back instrumentation, or rough tape edits disrupting lush harmonies, but never losing sight of the earworm hooks that make these songs so addictively listenable. Step through the door and walk right in."
Charlotte Kouklia aka Charlène Darling lands on Disciples with a new album of smokey gallic synthpop tipped if yr into Brigitte Bardot’s ‘Contact!’ via Cate Le Bon and The Raincoats.
“La Porte is the second studio album by Charlotte Kouklia aka Charlène Darling. An exploration of misplaced desire and all-consuming romantic obsession, told through a series of beautifully constructed leftfield pop songs. La Porte finds the artist and her group building a self-contained musical world via French and English language vocals, and a minimalist backing of guitar, organ, bass and drums.
At times recalling the feminist post-punk of The Raincoats, the avant songcraft of Brigitte Fontaine, or the psychedelic vignettes of Cate Le Bon, in truth Charlène Darling sounds like herself. The arrangements are playfully experimental, dubbed out percussion bubbling over the stripped back instrumentation, or rough tape edits disrupting lush harmonies, but never losing sight of the earworm hooks that make these songs so addictively listenable. Step through the door and walk right in."
Charlotte Kouklia aka Charlène Darling lands on Disciples with a new album of smokey gallic synthpop tipped if yr into Brigitte Bardot’s ‘Contact!’ via Cate Le Bon and The Raincoats.
“La Porte is the second studio album by Charlotte Kouklia aka Charlène Darling. An exploration of misplaced desire and all-consuming romantic obsession, told through a series of beautifully constructed leftfield pop songs. La Porte finds the artist and her group building a self-contained musical world via French and English language vocals, and a minimalist backing of guitar, organ, bass and drums.
At times recalling the feminist post-punk of The Raincoats, the avant songcraft of Brigitte Fontaine, or the psychedelic vignettes of Cate Le Bon, in truth Charlène Darling sounds like herself. The arrangements are playfully experimental, dubbed out percussion bubbling over the stripped back instrumentation, or rough tape edits disrupting lush harmonies, but never losing sight of the earworm hooks that make these songs so addictively listenable. Step through the door and walk right in."
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Charlotte Kouklia aka Charlène Darling lands on Disciples with a new album of smokey gallic synthpop tipped if yr into Brigitte Bardot’s ‘Contact!’ via Cate Le Bon and The Raincoats.
“La Porte is the second studio album by Charlotte Kouklia aka Charlène Darling. An exploration of misplaced desire and all-consuming romantic obsession, told through a series of beautifully constructed leftfield pop songs. La Porte finds the artist and her group building a self-contained musical world via French and English language vocals, and a minimalist backing of guitar, organ, bass and drums.
At times recalling the feminist post-punk of The Raincoats, the avant songcraft of Brigitte Fontaine, or the psychedelic vignettes of Cate Le Bon, in truth Charlène Darling sounds like herself. The arrangements are playfully experimental, dubbed out percussion bubbling over the stripped back instrumentation, or rough tape edits disrupting lush harmonies, but never losing sight of the earworm hooks that make these songs so addictively listenable. Step through the door and walk right in."