la nit és fosca, però estic bé
Post-rock is back, baby! Catalan's Andreu G. Serra looks back to peak Montréal-era gloominess for two sides of slow-moving guitar-led ambient devastation.
Constellation cast a considerable shadow over the experimental music world. It's hard to listen to any post-rock at this point, let alone politically motivated material, that doesn't directly reference either Godspeed You! Black Emperor or their many contemporaries and side-projects. And Ubaldo does exactly that, bringing his sound sharply up to date with textural shifts and AutoTuned vocals but keeping his eyes firmly positioned on Montréal.
The first 21-minute composition starts simply enough, with overlaying cascading guitar melodies that form a gentle rhythm. But it gets moving when Suso Saiz's vocals appear in the final act, harmonizing with claire rousay's recent pop diversions. Serra's second side is more blurry, here he elongates his tones, overlaying feedback and saturation to create not crashing quiet-loud explosions in the sky, but tonally complex drone symphonies. Very nice.
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Post-rock is back, baby! Catalan's Andreu G. Serra looks back to peak Montréal-era gloominess for two sides of slow-moving guitar-led ambient devastation.
Constellation cast a considerable shadow over the experimental music world. It's hard to listen to any post-rock at this point, let alone politically motivated material, that doesn't directly reference either Godspeed You! Black Emperor or their many contemporaries and side-projects. And Ubaldo does exactly that, bringing his sound sharply up to date with textural shifts and AutoTuned vocals but keeping his eyes firmly positioned on Montréal.
The first 21-minute composition starts simply enough, with overlaying cascading guitar melodies that form a gentle rhythm. But it gets moving when Suso Saiz's vocals appear in the final act, harmonizing with claire rousay's recent pop diversions. Serra's second side is more blurry, here he elongates his tones, overlaying feedback and saturation to create not crashing quiet-loud explosions in the sky, but tonally complex drone symphonies. Very nice.
Post-rock is back, baby! Catalan's Andreu G. Serra looks back to peak Montréal-era gloominess for two sides of slow-moving guitar-led ambient devastation.
Constellation cast a considerable shadow over the experimental music world. It's hard to listen to any post-rock at this point, let alone politically motivated material, that doesn't directly reference either Godspeed You! Black Emperor or their many contemporaries and side-projects. And Ubaldo does exactly that, bringing his sound sharply up to date with textural shifts and AutoTuned vocals but keeping his eyes firmly positioned on Montréal.
The first 21-minute composition starts simply enough, with overlaying cascading guitar melodies that form a gentle rhythm. But it gets moving when Suso Saiz's vocals appear in the final act, harmonizing with claire rousay's recent pop diversions. Serra's second side is more blurry, here he elongates his tones, overlaying feedback and saturation to create not crashing quiet-loud explosions in the sky, but tonally complex drone symphonies. Very nice.
Post-rock is back, baby! Catalan's Andreu G. Serra looks back to peak Montréal-era gloominess for two sides of slow-moving guitar-led ambient devastation.
Constellation cast a considerable shadow over the experimental music world. It's hard to listen to any post-rock at this point, let alone politically motivated material, that doesn't directly reference either Godspeed You! Black Emperor or their many contemporaries and side-projects. And Ubaldo does exactly that, bringing his sound sharply up to date with textural shifts and AutoTuned vocals but keeping his eyes firmly positioned on Montréal.
The first 21-minute composition starts simply enough, with overlaying cascading guitar melodies that form a gentle rhythm. But it gets moving when Suso Saiz's vocals appear in the final act, harmonizing with claire rousay's recent pop diversions. Serra's second side is more blurry, here he elongates his tones, overlaying feedback and saturation to create not crashing quiet-loud explosions in the sky, but tonally complex drone symphonies. Very nice.