Salford psych rawk collective Gnod murder the meaning on their latest set, recorded through a period of confusion and turbulence. Grizzled, acidic sounds 'ere >> RIYL Melvins, Harvey Milk, Electric Wizard, Neurosis.
There's a disorientating boxed-in quality to "La Mort Du Sense", which makes sense given its recording history. The band laid down the demos back in 2019, but when COVID-19 hit Gnod rethought everything - this gave the tracks fresh motion, and noisy, post-punk mettle. In fact, the album sounds as urgent as Gnod have been in a while, harnessing the rhythmic throb of Joy Division and crossing it with the angular oddness of "Gluey Porch Treatments"-era Melvins.
'Regimental' is angry and charged, but ordered - almost dancefloor-ready with its chunky rhythm section, but 'Pink Champagne Blues' strikes a different chord, increasing the temperature (and the tempo) before burning into ten-ton overdriven riffs. The entire album feels as if it's a slow wind-up to the 12-minute finale, 'Giro Day', that seethes and hisses through noisy feedback, ritual drums, bells and cell-melting stoner drones.
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Salford psych rawk collective Gnod murder the meaning on their latest set, recorded through a period of confusion and turbulence. Grizzled, acidic sounds 'ere >> RIYL Melvins, Harvey Milk, Electric Wizard, Neurosis.
There's a disorientating boxed-in quality to "La Mort Du Sense", which makes sense given its recording history. The band laid down the demos back in 2019, but when COVID-19 hit Gnod rethought everything - this gave the tracks fresh motion, and noisy, post-punk mettle. In fact, the album sounds as urgent as Gnod have been in a while, harnessing the rhythmic throb of Joy Division and crossing it with the angular oddness of "Gluey Porch Treatments"-era Melvins.
'Regimental' is angry and charged, but ordered - almost dancefloor-ready with its chunky rhythm section, but 'Pink Champagne Blues' strikes a different chord, increasing the temperature (and the tempo) before burning into ten-ton overdriven riffs. The entire album feels as if it's a slow wind-up to the 12-minute finale, 'Giro Day', that seethes and hisses through noisy feedback, ritual drums, bells and cell-melting stoner drones.
Salford psych rawk collective Gnod murder the meaning on their latest set, recorded through a period of confusion and turbulence. Grizzled, acidic sounds 'ere >> RIYL Melvins, Harvey Milk, Electric Wizard, Neurosis.
There's a disorientating boxed-in quality to "La Mort Du Sense", which makes sense given its recording history. The band laid down the demos back in 2019, but when COVID-19 hit Gnod rethought everything - this gave the tracks fresh motion, and noisy, post-punk mettle. In fact, the album sounds as urgent as Gnod have been in a while, harnessing the rhythmic throb of Joy Division and crossing it with the angular oddness of "Gluey Porch Treatments"-era Melvins.
'Regimental' is angry and charged, but ordered - almost dancefloor-ready with its chunky rhythm section, but 'Pink Champagne Blues' strikes a different chord, increasing the temperature (and the tempo) before burning into ten-ton overdriven riffs. The entire album feels as if it's a slow wind-up to the 12-minute finale, 'Giro Day', that seethes and hisses through noisy feedback, ritual drums, bells and cell-melting stoner drones.
Salford psych rawk collective Gnod murder the meaning on their latest set, recorded through a period of confusion and turbulence. Grizzled, acidic sounds 'ere >> RIYL Melvins, Harvey Milk, Electric Wizard, Neurosis.
There's a disorientating boxed-in quality to "La Mort Du Sense", which makes sense given its recording history. The band laid down the demos back in 2019, but when COVID-19 hit Gnod rethought everything - this gave the tracks fresh motion, and noisy, post-punk mettle. In fact, the album sounds as urgent as Gnod have been in a while, harnessing the rhythmic throb of Joy Division and crossing it with the angular oddness of "Gluey Porch Treatments"-era Melvins.
'Regimental' is angry and charged, but ordered - almost dancefloor-ready with its chunky rhythm section, but 'Pink Champagne Blues' strikes a different chord, increasing the temperature (and the tempo) before burning into ten-ton overdriven riffs. The entire album feels as if it's a slow wind-up to the 12-minute finale, 'Giro Day', that seethes and hisses through noisy feedback, ritual drums, bells and cell-melting stoner drones.
Blue vinyl.
Out of Stock
Salford psych rawk collective Gnod murder the meaning on their latest set, recorded through a period of confusion and turbulence. Grizzled, acidic sounds 'ere >> RIYL Melvins, Harvey Milk, Electric Wizard, Neurosis.
There's a disorientating boxed-in quality to "La Mort Du Sense", which makes sense given its recording history. The band laid down the demos back in 2019, but when COVID-19 hit Gnod rethought everything - this gave the tracks fresh motion, and noisy, post-punk mettle. In fact, the album sounds as urgent as Gnod have been in a while, harnessing the rhythmic throb of Joy Division and crossing it with the angular oddness of "Gluey Porch Treatments"-era Melvins.
'Regimental' is angry and charged, but ordered - almost dancefloor-ready with its chunky rhythm section, but 'Pink Champagne Blues' strikes a different chord, increasing the temperature (and the tempo) before burning into ten-ton overdriven riffs. The entire album feels as if it's a slow wind-up to the 12-minute finale, 'Giro Day', that seethes and hisses through noisy feedback, ritual drums, bells and cell-melting stoner drones.
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Salford psych rawk collective Gnod murder the meaning on their latest set, recorded through a period of confusion and turbulence. Grizzled, acidic sounds 'ere >> RIYL Melvins, Harvey Milk, Electric Wizard, Neurosis.
There's a disorientating boxed-in quality to "La Mort Du Sense", which makes sense given its recording history. The band laid down the demos back in 2019, but when COVID-19 hit Gnod rethought everything - this gave the tracks fresh motion, and noisy, post-punk mettle. In fact, the album sounds as urgent as Gnod have been in a while, harnessing the rhythmic throb of Joy Division and crossing it with the angular oddness of "Gluey Porch Treatments"-era Melvins.
'Regimental' is angry and charged, but ordered - almost dancefloor-ready with its chunky rhythm section, but 'Pink Champagne Blues' strikes a different chord, increasing the temperature (and the tempo) before burning into ten-ton overdriven riffs. The entire album feels as if it's a slow wind-up to the 12-minute finale, 'Giro Day', that seethes and hisses through noisy feedback, ritual drums, bells and cell-melting stoner drones.