Château Flight
La Folie Studio
Boomkat Product Review:
Quixotic pioneers of french touch house-turned-electronic explorers, Château Flight’s Gilbert Cohen & Nicholas Chaix (I:Cube) push club parameters along classic and experimental axes on their first album in decades
Sensually seductive and psychoactive, ‘La Folie Studio’ firms up the celebrated duo’s whims and dancefloor needs with a concerted application of the studio not just as instrument, but a place for letting go, creating fun. For them, the key to success equates to “midi sync + din sync + external trigs” and we find that simple formula in nine diverse permutations across their 3rd studio album, with Cohen & Chaix inviting the likes of MFM’s Jonny Nash (guitar), Zombie Zombie’s Cosmic Neman (mumbling), John Cravache (special organ) ov Chimère FM, and Crammed Discs’ Bony Bikaye to the party.
Between the killer slow/fast Linn drum percolator ‘Trombe’ and the beat-less flight of ‘Esika Molimo Ezali’ starring Bikaye speaking in tongues, they persist in bending the dancefloor back and forth between experimental and rudely functional grooves that never lose sight of the ’floor. The supple swing of ‘Fordizm’ trades in classical deep house peppered with congas and layered into psychedelic swirl, whilst ‘Clair de Lune à Mykonos’ explores opulent slow-mo drug chug bliss, and their title tune resets to air-stepping ambient electro-dub elegance laced with sublime string arrangement.
Jonny Nash chimes in with country-accented guitar twang on the Balearic stroller ‘Allô’, and their specialist strain of percolated ambient stepper surely recalls fellow ‘90s notables Air in ‘Theâtre de Verdure’. The expansive space opened out over powerful house throb in ‘Mange’ likewise marks distance travelled, lessons learned, in the studio since the ‘90s, and we can surely expect to hear the grizzled acidic downstroke of ‘Satanique Musette’, featuring John Cravache’s detuned organ, nestled in a Vladimir Ivkovic set.
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Boomkat Product Review:
Quixotic pioneers of french touch house-turned-electronic explorers, Château Flight’s Gilbert Cohen & Nicholas Chaix (I:Cube) push club parameters along classic and experimental axes on their first album in decades
Sensually seductive and psychoactive, ‘La Folie Studio’ firms up the celebrated duo’s whims and dancefloor needs with a concerted application of the studio not just as instrument, but a place for letting go, creating fun. For them, the key to success equates to “midi sync + din sync + external trigs” and we find that simple formula in nine diverse permutations across their 3rd studio album, with Cohen & Chaix inviting the likes of MFM’s Jonny Nash (guitar), Zombie Zombie’s Cosmic Neman (mumbling), John Cravache (special organ) ov Chimère FM, and Crammed Discs’ Bony Bikaye to the party.
Between the killer slow/fast Linn drum percolator ‘Trombe’ and the beat-less flight of ‘Esika Molimo Ezali’ starring Bikaye speaking in tongues, they persist in bending the dancefloor back and forth between experimental and rudely functional grooves that never lose sight of the ’floor. The supple swing of ‘Fordizm’ trades in classical deep house peppered with congas and layered into psychedelic swirl, whilst ‘Clair de Lune à Mykonos’ explores opulent slow-mo drug chug bliss, and their title tune resets to air-stepping ambient electro-dub elegance laced with sublime string arrangement.
Jonny Nash chimes in with country-accented guitar twang on the Balearic stroller ‘Allô’, and their specialist strain of percolated ambient stepper surely recalls fellow ‘90s notables Air in ‘Theâtre de Verdure’. The expansive space opened out over powerful house throb in ‘Mange’ likewise marks distance travelled, lessons learned, in the studio since the ‘90s, and we can surely expect to hear the grizzled acidic downstroke of ‘Satanique Musette’, featuring John Cravache’s detuned organ, nestled in a Vladimir Ivkovic set.
Boomkat Product Review:
Quixotic pioneers of french touch house-turned-electronic explorers, Château Flight’s Gilbert Cohen & Nicholas Chaix (I:Cube) push club parameters along classic and experimental axes on their first album in decades
Sensually seductive and psychoactive, ‘La Folie Studio’ firms up the celebrated duo’s whims and dancefloor needs with a concerted application of the studio not just as instrument, but a place for letting go, creating fun. For them, the key to success equates to “midi sync + din sync + external trigs” and we find that simple formula in nine diverse permutations across their 3rd studio album, with Cohen & Chaix inviting the likes of MFM’s Jonny Nash (guitar), Zombie Zombie’s Cosmic Neman (mumbling), John Cravache (special organ) ov Chimère FM, and Crammed Discs’ Bony Bikaye to the party.
Between the killer slow/fast Linn drum percolator ‘Trombe’ and the beat-less flight of ‘Esika Molimo Ezali’ starring Bikaye speaking in tongues, they persist in bending the dancefloor back and forth between experimental and rudely functional grooves that never lose sight of the ’floor. The supple swing of ‘Fordizm’ trades in classical deep house peppered with congas and layered into psychedelic swirl, whilst ‘Clair de Lune à Mykonos’ explores opulent slow-mo drug chug bliss, and their title tune resets to air-stepping ambient electro-dub elegance laced with sublime string arrangement.
Jonny Nash chimes in with country-accented guitar twang on the Balearic stroller ‘Allô’, and their specialist strain of percolated ambient stepper surely recalls fellow ‘90s notables Air in ‘Theâtre de Verdure’. The expansive space opened out over powerful house throb in ‘Mange’ likewise marks distance travelled, lessons learned, in the studio since the ‘90s, and we can surely expect to hear the grizzled acidic downstroke of ‘Satanique Musette’, featuring John Cravache’s detuned organ, nestled in a Vladimir Ivkovic set.
Boomkat Product Review:
Quixotic pioneers of french touch house-turned-electronic explorers, Château Flight’s Gilbert Cohen & Nicholas Chaix (I:Cube) push club parameters along classic and experimental axes on their first album in decades
Sensually seductive and psychoactive, ‘La Folie Studio’ firms up the celebrated duo’s whims and dancefloor needs with a concerted application of the studio not just as instrument, but a place for letting go, creating fun. For them, the key to success equates to “midi sync + din sync + external trigs” and we find that simple formula in nine diverse permutations across their 3rd studio album, with Cohen & Chaix inviting the likes of MFM’s Jonny Nash (guitar), Zombie Zombie’s Cosmic Neman (mumbling), John Cravache (special organ) ov Chimère FM, and Crammed Discs’ Bony Bikaye to the party.
Between the killer slow/fast Linn drum percolator ‘Trombe’ and the beat-less flight of ‘Esika Molimo Ezali’ starring Bikaye speaking in tongues, they persist in bending the dancefloor back and forth between experimental and rudely functional grooves that never lose sight of the ’floor. The supple swing of ‘Fordizm’ trades in classical deep house peppered with congas and layered into psychedelic swirl, whilst ‘Clair de Lune à Mykonos’ explores opulent slow-mo drug chug bliss, and their title tune resets to air-stepping ambient electro-dub elegance laced with sublime string arrangement.
Jonny Nash chimes in with country-accented guitar twang on the Balearic stroller ‘Allô’, and their specialist strain of percolated ambient stepper surely recalls fellow ‘90s notables Air in ‘Theâtre de Verdure’. The expansive space opened out over powerful house throb in ‘Mange’ likewise marks distance travelled, lessons learned, in the studio since the ‘90s, and we can surely expect to hear the grizzled acidic downstroke of ‘Satanique Musette’, featuring John Cravache’s detuned organ, nestled in a Vladimir Ivkovic set.
2x12" with printed sleeve and inners.
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Boomkat Product Review:
Quixotic pioneers of french touch house-turned-electronic explorers, Château Flight’s Gilbert Cohen & Nicholas Chaix (I:Cube) push club parameters along classic and experimental axes on their first album in decades
Sensually seductive and psychoactive, ‘La Folie Studio’ firms up the celebrated duo’s whims and dancefloor needs with a concerted application of the studio not just as instrument, but a place for letting go, creating fun. For them, the key to success equates to “midi sync + din sync + external trigs” and we find that simple formula in nine diverse permutations across their 3rd studio album, with Cohen & Chaix inviting the likes of MFM’s Jonny Nash (guitar), Zombie Zombie’s Cosmic Neman (mumbling), John Cravache (special organ) ov Chimère FM, and Crammed Discs’ Bony Bikaye to the party.
Between the killer slow/fast Linn drum percolator ‘Trombe’ and the beat-less flight of ‘Esika Molimo Ezali’ starring Bikaye speaking in tongues, they persist in bending the dancefloor back and forth between experimental and rudely functional grooves that never lose sight of the ’floor. The supple swing of ‘Fordizm’ trades in classical deep house peppered with congas and layered into psychedelic swirl, whilst ‘Clair de Lune à Mykonos’ explores opulent slow-mo drug chug bliss, and their title tune resets to air-stepping ambient electro-dub elegance laced with sublime string arrangement.
Jonny Nash chimes in with country-accented guitar twang on the Balearic stroller ‘Allô’, and their specialist strain of percolated ambient stepper surely recalls fellow ‘90s notables Air in ‘Theâtre de Verdure’. The expansive space opened out over powerful house throb in ‘Mange’ likewise marks distance travelled, lessons learned, in the studio since the ‘90s, and we can surely expect to hear the grizzled acidic downstroke of ‘Satanique Musette’, featuring John Cravache’s detuned organ, nestled in a Vladimir Ivkovic set.
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