L'aurore
Acid Arab affiliates Gilb’r Cohen and Judah Warsky hustle a classy fusion of gallic-Arab style and pattern in an album of dreamy chanson and microtonal whorls for Versatile.
Working a richly analogue lather of vibes, Cohen & Warsky’s first meeting since ‘Hadad’ on Acid Arab’s ‘Collection’ (2013) compilation locates them adapting that aesthetic along fresh retro-vintage angles, perfusing Warsky’s Gauloise-infused croon over supple 303s and Cohen’s signature discoid-house lust in lush geometric permutations.
Cohen’s studio craft is at its best, classic sound here, most psychedelic in the stripped back percussion and hazy vision of the album’s title track, and most sensuous in the balmy slow jam ‘Pasmado’, whose syrupy charms are also found sloshing into the albums’ other downstrokes on the Mick Karn-like fretless bass of ‘Le serpent’, and a killer slow-fast vocoder jam ‘Comme Nicolas Ker’. But if you’re after the pure club table, make sure to clock the purring acid chanson of ‘L’appel du pied’.
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Acid Arab affiliates Gilb’r Cohen and Judah Warsky hustle a classy fusion of gallic-Arab style and pattern in an album of dreamy chanson and microtonal whorls for Versatile.
Working a richly analogue lather of vibes, Cohen & Warsky’s first meeting since ‘Hadad’ on Acid Arab’s ‘Collection’ (2013) compilation locates them adapting that aesthetic along fresh retro-vintage angles, perfusing Warsky’s Gauloise-infused croon over supple 303s and Cohen’s signature discoid-house lust in lush geometric permutations.
Cohen’s studio craft is at its best, classic sound here, most psychedelic in the stripped back percussion and hazy vision of the album’s title track, and most sensuous in the balmy slow jam ‘Pasmado’, whose syrupy charms are also found sloshing into the albums’ other downstrokes on the Mick Karn-like fretless bass of ‘Le serpent’, and a killer slow-fast vocoder jam ‘Comme Nicolas Ker’. But if you’re after the pure club table, make sure to clock the purring acid chanson of ‘L’appel du pied’.
Acid Arab affiliates Gilb’r Cohen and Judah Warsky hustle a classy fusion of gallic-Arab style and pattern in an album of dreamy chanson and microtonal whorls for Versatile.
Working a richly analogue lather of vibes, Cohen & Warsky’s first meeting since ‘Hadad’ on Acid Arab’s ‘Collection’ (2013) compilation locates them adapting that aesthetic along fresh retro-vintage angles, perfusing Warsky’s Gauloise-infused croon over supple 303s and Cohen’s signature discoid-house lust in lush geometric permutations.
Cohen’s studio craft is at its best, classic sound here, most psychedelic in the stripped back percussion and hazy vision of the album’s title track, and most sensuous in the balmy slow jam ‘Pasmado’, whose syrupy charms are also found sloshing into the albums’ other downstrokes on the Mick Karn-like fretless bass of ‘Le serpent’, and a killer slow-fast vocoder jam ‘Comme Nicolas Ker’. But if you’re after the pure club table, make sure to clock the purring acid chanson of ‘L’appel du pied’.
Acid Arab affiliates Gilb’r Cohen and Judah Warsky hustle a classy fusion of gallic-Arab style and pattern in an album of dreamy chanson and microtonal whorls for Versatile.
Working a richly analogue lather of vibes, Cohen & Warsky’s first meeting since ‘Hadad’ on Acid Arab’s ‘Collection’ (2013) compilation locates them adapting that aesthetic along fresh retro-vintage angles, perfusing Warsky’s Gauloise-infused croon over supple 303s and Cohen’s signature discoid-house lust in lush geometric permutations.
Cohen’s studio craft is at its best, classic sound here, most psychedelic in the stripped back percussion and hazy vision of the album’s title track, and most sensuous in the balmy slow jam ‘Pasmado’, whose syrupy charms are also found sloshing into the albums’ other downstrokes on the Mick Karn-like fretless bass of ‘Le serpent’, and a killer slow-fast vocoder jam ‘Comme Nicolas Ker’. But if you’re after the pure club table, make sure to clock the purring acid chanson of ‘L’appel du pied’.
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Acid Arab affiliates Gilb’r Cohen and Judah Warsky hustle a classy fusion of gallic-Arab style and pattern in an album of dreamy chanson and microtonal whorls for Versatile.
Working a richly analogue lather of vibes, Cohen & Warsky’s first meeting since ‘Hadad’ on Acid Arab’s ‘Collection’ (2013) compilation locates them adapting that aesthetic along fresh retro-vintage angles, perfusing Warsky’s Gauloise-infused croon over supple 303s and Cohen’s signature discoid-house lust in lush geometric permutations.
Cohen’s studio craft is at its best, classic sound here, most psychedelic in the stripped back percussion and hazy vision of the album’s title track, and most sensuous in the balmy slow jam ‘Pasmado’, whose syrupy charms are also found sloshing into the albums’ other downstrokes on the Mick Karn-like fretless bass of ‘Le serpent’, and a killer slow-fast vocoder jam ‘Comme Nicolas Ker’. But if you’re after the pure club table, make sure to clock the purring acid chanson of ‘L’appel du pied’.