Hungarian mystic Hortobágyi graces avant classical titan ECM in trio with his Hortogonals, György Kurtág Jr. and Miklós Lengyelfi for an exquisite elision of deep space and spectralist musicks with remarkable runs into dub techno, for all intents and purposes like some stray ~scape or MVO Trio wonder
Originally issued beyond our peripheral vision in 2009, the trio’s only release to date plugs a hole in our collections that we didn’t even realise existed until recently. Their ‘Kurtágonals’ form a lattice like bridge between disciplines and worlds, discretely weaving formerly exclusive bedfellows into a richly imaginative soundsphere fizzing with influence from Romanian spectralist traditions and Hortobágyi’s worldly research of alternate tunings and modes, as much as the deepest German dub techno abstractions. It’s a totally unexpected but entirely welcome direction of exploration to our ears, seemingly manifesting an idea that we’d wager many of us have longed for, but never heard executed quite so well.
‘Kurtágonals’ is released by Manfred Eicher’s legendary ECM label, highly regarded for their production values, and as such patently benefits from an opulent sound staging, with Hortobágyi assisted in the August 2008 recording and engineering by Ferenc Haász at the Guo Manor, Budapest. Between them they conjure an unfathomably wide and vertiginous soundfield strafed by acéphalic chorales and sliding electronic pitches, and arced with resonant string harmonics, but really given depth by its ultra subtle layers of distant dub chords and padded subbass ballast, both of which we never really expected to hear on an ECM recording, and especially in this sort of seamless, playthru arrangement resembling a dream mixtape.
We could offer any number of add n to x allegories for this sound, but they’d all fall short of the stylistically transcendent end product. It’s simply extraordinary stuff that needs to experienced in highest possible fidelity and with good speakers to reveal its spellbinding nuance.
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Hungarian mystic Hortobágyi graces avant classical titan ECM in trio with his Hortogonals, György Kurtág Jr. and Miklós Lengyelfi for an exquisite elision of deep space and spectralist musicks with remarkable runs into dub techno, for all intents and purposes like some stray ~scape or MVO Trio wonder
Originally issued beyond our peripheral vision in 2009, the trio’s only release to date plugs a hole in our collections that we didn’t even realise existed until recently. Their ‘Kurtágonals’ form a lattice like bridge between disciplines and worlds, discretely weaving formerly exclusive bedfellows into a richly imaginative soundsphere fizzing with influence from Romanian spectralist traditions and Hortobágyi’s worldly research of alternate tunings and modes, as much as the deepest German dub techno abstractions. It’s a totally unexpected but entirely welcome direction of exploration to our ears, seemingly manifesting an idea that we’d wager many of us have longed for, but never heard executed quite so well.
‘Kurtágonals’ is released by Manfred Eicher’s legendary ECM label, highly regarded for their production values, and as such patently benefits from an opulent sound staging, with Hortobágyi assisted in the August 2008 recording and engineering by Ferenc Haász at the Guo Manor, Budapest. Between them they conjure an unfathomably wide and vertiginous soundfield strafed by acéphalic chorales and sliding electronic pitches, and arced with resonant string harmonics, but really given depth by its ultra subtle layers of distant dub chords and padded subbass ballast, both of which we never really expected to hear on an ECM recording, and especially in this sort of seamless, playthru arrangement resembling a dream mixtape.
We could offer any number of add n to x allegories for this sound, but they’d all fall short of the stylistically transcendent end product. It’s simply extraordinary stuff that needs to experienced in highest possible fidelity and with good speakers to reveal its spellbinding nuance.