Deadbeat
Kübler-Ross Soliloquies
Boomkat Product Review:
Dub disciple Deadbeat yields his first solo LP in six years, continuing to locate marbled variation with his chosen prism, and here guided by extra musical inspiration from the five stages of grief outlined in the Kübler-Ross model
Stepping thru stages of denial, anger, bargaining, depression and acceptance, Deadbeat wraps up some of his most club focussed gear in concepts that may not be immediately apparent, but lend the album an extra layer of curiosity for those willing to get right into it. Intended as “a soul cleansing, poignant sound track to the fears and hardships of a world gone mad”, on the most upfront, instictive level, the eight tracks of ‘Kübler-Ross Soliloquies’ suggest dancing it off, while the album and track titles may prompt a deeper reading of one’s psychic distress in the modern world.
Now more than two decades deep in his personalised echo chamber, Deadbeat speaks his mind with a supple fluency of style and vibe here after some half a decade collaborating with everyone from Om Unit to Paul St. Hilaire (Tikiman) and The Mole. Opening with rootsy charms of smoked-out melodica, amp noise and worm-charm subs under a chess/ganja punning title ‘The Double Bong Cloud (Denial I)’, the steppers dub-techno momentum is in weighty effect, deftly carrying his ideas between variations of acid garage-techno-dub like a blunted Martyn in ‘Straight No Chaser (Denial II)’, a the ravey variant ‘Tough Love (Anger I)’, thru the lagging dub poetry of Blakc Noble Oluokun (fka LordTunji)’ in ‘Brick Stick Blick Blade (Anger II)’, and a room-raising deep dub techno gem ‘Huey Lewis Voters Dub (Negotiation)’. At its most strung out, we find the spirit-kushioning psych-jazz-dub whorl ‘Things Fall Apart (Depression)’ channelling his deep worship of Augustus Pablo via Rhythm & Sound, while the sturdy modal dub roller ‘With Grand Trepidation (Acceptance I)’ weaves rich subcontinental inspiration, plus acid and optimistic whistling into the blend for a resolute conclusion.
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Boomkat Product Review:
Dub disciple Deadbeat yields his first solo LP in six years, continuing to locate marbled variation with his chosen prism, and here guided by extra musical inspiration from the five stages of grief outlined in the Kübler-Ross model
Stepping thru stages of denial, anger, bargaining, depression and acceptance, Deadbeat wraps up some of his most club focussed gear in concepts that may not be immediately apparent, but lend the album an extra layer of curiosity for those willing to get right into it. Intended as “a soul cleansing, poignant sound track to the fears and hardships of a world gone mad”, on the most upfront, instictive level, the eight tracks of ‘Kübler-Ross Soliloquies’ suggest dancing it off, while the album and track titles may prompt a deeper reading of one’s psychic distress in the modern world.
Now more than two decades deep in his personalised echo chamber, Deadbeat speaks his mind with a supple fluency of style and vibe here after some half a decade collaborating with everyone from Om Unit to Paul St. Hilaire (Tikiman) and The Mole. Opening with rootsy charms of smoked-out melodica, amp noise and worm-charm subs under a chess/ganja punning title ‘The Double Bong Cloud (Denial I)’, the steppers dub-techno momentum is in weighty effect, deftly carrying his ideas between variations of acid garage-techno-dub like a blunted Martyn in ‘Straight No Chaser (Denial II)’, a the ravey variant ‘Tough Love (Anger I)’, thru the lagging dub poetry of Blakc Noble Oluokun (fka LordTunji)’ in ‘Brick Stick Blick Blade (Anger II)’, and a room-raising deep dub techno gem ‘Huey Lewis Voters Dub (Negotiation)’. At its most strung out, we find the spirit-kushioning psych-jazz-dub whorl ‘Things Fall Apart (Depression)’ channelling his deep worship of Augustus Pablo via Rhythm & Sound, while the sturdy modal dub roller ‘With Grand Trepidation (Acceptance I)’ weaves rich subcontinental inspiration, plus acid and optimistic whistling into the blend for a resolute conclusion.
Boomkat Product Review:
Dub disciple Deadbeat yields his first solo LP in six years, continuing to locate marbled variation with his chosen prism, and here guided by extra musical inspiration from the five stages of grief outlined in the Kübler-Ross model
Stepping thru stages of denial, anger, bargaining, depression and acceptance, Deadbeat wraps up some of his most club focussed gear in concepts that may not be immediately apparent, but lend the album an extra layer of curiosity for those willing to get right into it. Intended as “a soul cleansing, poignant sound track to the fears and hardships of a world gone mad”, on the most upfront, instictive level, the eight tracks of ‘Kübler-Ross Soliloquies’ suggest dancing it off, while the album and track titles may prompt a deeper reading of one’s psychic distress in the modern world.
Now more than two decades deep in his personalised echo chamber, Deadbeat speaks his mind with a supple fluency of style and vibe here after some half a decade collaborating with everyone from Om Unit to Paul St. Hilaire (Tikiman) and The Mole. Opening with rootsy charms of smoked-out melodica, amp noise and worm-charm subs under a chess/ganja punning title ‘The Double Bong Cloud (Denial I)’, the steppers dub-techno momentum is in weighty effect, deftly carrying his ideas between variations of acid garage-techno-dub like a blunted Martyn in ‘Straight No Chaser (Denial II)’, a the ravey variant ‘Tough Love (Anger I)’, thru the lagging dub poetry of Blakc Noble Oluokun (fka LordTunji)’ in ‘Brick Stick Blick Blade (Anger II)’, and a room-raising deep dub techno gem ‘Huey Lewis Voters Dub (Negotiation)’. At its most strung out, we find the spirit-kushioning psych-jazz-dub whorl ‘Things Fall Apart (Depression)’ channelling his deep worship of Augustus Pablo via Rhythm & Sound, while the sturdy modal dub roller ‘With Grand Trepidation (Acceptance I)’ weaves rich subcontinental inspiration, plus acid and optimistic whistling into the blend for a resolute conclusion.
Boomkat Product Review:
Dub disciple Deadbeat yields his first solo LP in six years, continuing to locate marbled variation with his chosen prism, and here guided by extra musical inspiration from the five stages of grief outlined in the Kübler-Ross model
Stepping thru stages of denial, anger, bargaining, depression and acceptance, Deadbeat wraps up some of his most club focussed gear in concepts that may not be immediately apparent, but lend the album an extra layer of curiosity for those willing to get right into it. Intended as “a soul cleansing, poignant sound track to the fears and hardships of a world gone mad”, on the most upfront, instictive level, the eight tracks of ‘Kübler-Ross Soliloquies’ suggest dancing it off, while the album and track titles may prompt a deeper reading of one’s psychic distress in the modern world.
Now more than two decades deep in his personalised echo chamber, Deadbeat speaks his mind with a supple fluency of style and vibe here after some half a decade collaborating with everyone from Om Unit to Paul St. Hilaire (Tikiman) and The Mole. Opening with rootsy charms of smoked-out melodica, amp noise and worm-charm subs under a chess/ganja punning title ‘The Double Bong Cloud (Denial I)’, the steppers dub-techno momentum is in weighty effect, deftly carrying his ideas between variations of acid garage-techno-dub like a blunted Martyn in ‘Straight No Chaser (Denial II)’, a the ravey variant ‘Tough Love (Anger I)’, thru the lagging dub poetry of Blakc Noble Oluokun (fka LordTunji)’ in ‘Brick Stick Blick Blade (Anger II)’, and a room-raising deep dub techno gem ‘Huey Lewis Voters Dub (Negotiation)’. At its most strung out, we find the spirit-kushioning psych-jazz-dub whorl ‘Things Fall Apart (Depression)’ channelling his deep worship of Augustus Pablo via Rhythm & Sound, while the sturdy modal dub roller ‘With Grand Trepidation (Acceptance I)’ weaves rich subcontinental inspiration, plus acid and optimistic whistling into the blend for a resolute conclusion.
Out of Stock
Boomkat Product Review:
Dub disciple Deadbeat yields his first solo LP in six years, continuing to locate marbled variation with his chosen prism, and here guided by extra musical inspiration from the five stages of grief outlined in the Kübler-Ross model
Stepping thru stages of denial, anger, bargaining, depression and acceptance, Deadbeat wraps up some of his most club focussed gear in concepts that may not be immediately apparent, but lend the album an extra layer of curiosity for those willing to get right into it. Intended as “a soul cleansing, poignant sound track to the fears and hardships of a world gone mad”, on the most upfront, instictive level, the eight tracks of ‘Kübler-Ross Soliloquies’ suggest dancing it off, while the album and track titles may prompt a deeper reading of one’s psychic distress in the modern world.
Now more than two decades deep in his personalised echo chamber, Deadbeat speaks his mind with a supple fluency of style and vibe here after some half a decade collaborating with everyone from Om Unit to Paul St. Hilaire (Tikiman) and The Mole. Opening with rootsy charms of smoked-out melodica, amp noise and worm-charm subs under a chess/ganja punning title ‘The Double Bong Cloud (Denial I)’, the steppers dub-techno momentum is in weighty effect, deftly carrying his ideas between variations of acid garage-techno-dub like a blunted Martyn in ‘Straight No Chaser (Denial II)’, a the ravey variant ‘Tough Love (Anger I)’, thru the lagging dub poetry of Blakc Noble Oluokun (fka LordTunji)’ in ‘Brick Stick Blick Blade (Anger II)’, and a room-raising deep dub techno gem ‘Huey Lewis Voters Dub (Negotiation)’. At its most strung out, we find the spirit-kushioning psych-jazz-dub whorl ‘Things Fall Apart (Depression)’ channelling his deep worship of Augustus Pablo via Rhythm & Sound, while the sturdy modal dub roller ‘With Grand Trepidation (Acceptance I)’ weaves rich subcontinental inspiration, plus acid and optimistic whistling into the blend for a resolute conclusion.
Back in stock.
Out of Stock
Boomkat Product Review:
Dub disciple Deadbeat yields his first solo LP in six years, continuing to locate marbled variation with his chosen prism, and here guided by extra musical inspiration from the five stages of grief outlined in the Kübler-Ross model
Stepping thru stages of denial, anger, bargaining, depression and acceptance, Deadbeat wraps up some of his most club focussed gear in concepts that may not be immediately apparent, but lend the album an extra layer of curiosity for those willing to get right into it. Intended as “a soul cleansing, poignant sound track to the fears and hardships of a world gone mad”, on the most upfront, instictive level, the eight tracks of ‘Kübler-Ross Soliloquies’ suggest dancing it off, while the album and track titles may prompt a deeper reading of one’s psychic distress in the modern world.
Now more than two decades deep in his personalised echo chamber, Deadbeat speaks his mind with a supple fluency of style and vibe here after some half a decade collaborating with everyone from Om Unit to Paul St. Hilaire (Tikiman) and The Mole. Opening with rootsy charms of smoked-out melodica, amp noise and worm-charm subs under a chess/ganja punning title ‘The Double Bong Cloud (Denial I)’, the steppers dub-techno momentum is in weighty effect, deftly carrying his ideas between variations of acid garage-techno-dub like a blunted Martyn in ‘Straight No Chaser (Denial II)’, a the ravey variant ‘Tough Love (Anger I)’, thru the lagging dub poetry of Blakc Noble Oluokun (fka LordTunji)’ in ‘Brick Stick Blick Blade (Anger II)’, and a room-raising deep dub techno gem ‘Huey Lewis Voters Dub (Negotiation)’. At its most strung out, we find the spirit-kushioning psych-jazz-dub whorl ‘Things Fall Apart (Depression)’ channelling his deep worship of Augustus Pablo via Rhythm & Sound, while the sturdy modal dub roller ‘With Grand Trepidation (Acceptance I)’ weaves rich subcontinental inspiration, plus acid and optimistic whistling into the blend for a resolute conclusion.
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