Boomkat Product Review:
A new addition to the Hakuna Kulala family, Congolese producer Chrisman torches the borders between gqom, trap, taraxina and Afrohouse on his debut release 'Ku Mwezi' - a potent club cocktail that's one part Slikback, one part DJ Lag and one part DJ Plead = next gen dancefloor futurism.
Erupting in a haze of trance arps, gqom-influenced kicks and convulsing synths, 'Hewa' is an apt introduction to Chrisman's musical star system. Currently the in-house engineer at Nyege Nyege's villa studio - having recently replaced Don Zilla - he brings serious technical knowhow to the kind of cybernetic next-wave intensity familiar from Kenyan wunderkind Slikback, slowing gqom to a ruff crawl, cross pollenating it with Atlanta trap and double-timing it into frenetic hard dance.
The title track offers a curveball; a collab with Egyptian mahraganat alchemist Yunis that evolves from a molasses-slow Cairo template into eerie, synth-led 2CB nightmare fuel. It's a midpoint between 3Phaz's furious electro-mahraganat hybrids and Jasmine Infiniti's aerated, midnight electronix, but without any easy payoffs. 'Lamuka' and 'Mukwano Gwange' lock into a Durban rattle, slicing into the template and introducing weightless vocals and synths, anxious percussion and nauseous atmospherics.
Chrisman once again demonstrates East Africa’s rich seam of delirious club invention. The Hakuna/Nyege axis is basically untouchable, still.