Jo’burg’s brilliant Afrosynth label highlight the charms of Kamazu, charting his ouevre in transition from the bubblegum flavours of his 1985 debut thru to the slow Kwaito of his 1997 comeback album
Replete with extensive liner notes that chart Kamazu’s role in South African dance music, and its integral ties to the Anti-Apartheid movement between the mid ‘80s and mid ‘90s, ‘Korobela’ is peppered with peaches ranging from the Chicago House-alike pianos and bubblegum bounce of ‘Indaba Kabani’, to the breezy flow and radiant vocal harmonies of ‘Why’ to the deep midnight house of ‘Mjukeit’, and the slower Kwaito grind of 1997’s ‘Atikatareni’.
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Jo’burg’s brilliant Afrosynth label highlight the charms of Kamazu, charting his ouevre in transition from the bubblegum flavours of his 1985 debut thru to the slow Kwaito of his 1997 comeback album
Replete with extensive liner notes that chart Kamazu’s role in South African dance music, and its integral ties to the Anti-Apartheid movement between the mid ‘80s and mid ‘90s, ‘Korobela’ is peppered with peaches ranging from the Chicago House-alike pianos and bubblegum bounce of ‘Indaba Kabani’, to the breezy flow and radiant vocal harmonies of ‘Why’ to the deep midnight house of ‘Mjukeit’, and the slower Kwaito grind of 1997’s ‘Atikatareni’.
Jo’burg’s brilliant Afrosynth label highlight the charms of Kamazu, charting his ouevre in transition from the bubblegum flavours of his 1985 debut thru to the slow Kwaito of his 1997 comeback album
Replete with extensive liner notes that chart Kamazu’s role in South African dance music, and its integral ties to the Anti-Apartheid movement between the mid ‘80s and mid ‘90s, ‘Korobela’ is peppered with peaches ranging from the Chicago House-alike pianos and bubblegum bounce of ‘Indaba Kabani’, to the breezy flow and radiant vocal harmonies of ‘Why’ to the deep midnight house of ‘Mjukeit’, and the slower Kwaito grind of 1997’s ‘Atikatareni’.
Jo’burg’s brilliant Afrosynth label highlight the charms of Kamazu, charting his ouevre in transition from the bubblegum flavours of his 1985 debut thru to the slow Kwaito of his 1997 comeback album
Replete with extensive liner notes that chart Kamazu’s role in South African dance music, and its integral ties to the Anti-Apartheid movement between the mid ‘80s and mid ‘90s, ‘Korobela’ is peppered with peaches ranging from the Chicago House-alike pianos and bubblegum bounce of ‘Indaba Kabani’, to the breezy flow and radiant vocal harmonies of ‘Why’ to the deep midnight house of ‘Mjukeit’, and the slower Kwaito grind of 1997’s ‘Atikatareni’.
Includes 12x12” double-sided insert
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Jo’burg’s brilliant Afrosynth label highlight the charms of Kamazu, charting his ouevre in transition from the bubblegum flavours of his 1985 debut thru to the slow Kwaito of his 1997 comeback album
Replete with extensive liner notes that chart Kamazu’s role in South African dance music, and its integral ties to the Anti-Apartheid movement between the mid ‘80s and mid ‘90s, ‘Korobela’ is peppered with peaches ranging from the Chicago House-alike pianos and bubblegum bounce of ‘Indaba Kabani’, to the breezy flow and radiant vocal harmonies of ‘Why’ to the deep midnight house of ‘Mjukeit’, and the slower Kwaito grind of 1997’s ‘Atikatareni’.