Boomkat Product Review:
Chromatic conjurer Tim Hecker meets traditional Japanese Gagaku musicians from the Tokyo Gakuso ensemble on ‘Konoyo’, a dreamlike dramaturgy of noise, dissonance and aching melody recorded during several trips to Japan
The Canadian’s 9th solo release ‘Konoyo’, like its predecessor, ‘Love Streams’  also finds Hecker drawn to acoustic instruments and collaboration with a larger ensemble or collective, this time working with the Tokyo Gakuso ensemble after commanding an Icelandic choir on his previous album. However, the results here have a different purpose, swapping out ecstatic density for an intently refined and spacious approach, allowing his processed sources to ring out beautifully un/true in a sort of parallel dimensional harmonic spectrum.
In ‘Konoyo’ Tim Hecker effectively establishes a whole new set and lighting design to stage his patented play of paradoxes - lone/collective; organic/synthesised; consonant/dissonant - with the synaesthetically heightened skill of director, set designer and conductor rolled into one. The results are thus among his most subtly yet richly theatrical or cinematic, riddled with romantic, if abstract, narrative and a yearning pathos, and effectively collapsing myriad traditions - electronic, acoustic, Western, Eastern, classical and new age - into a spellbindingly sonorous, mercurial triumph.