The classic ’98 Gas evergreen is back in print - but it never really left the imagination - to cast its sublime magick made up from modulated bass drum and cosmic sigh string loops.
We’re probably preaching to the choir here, but this album is simply one of the most impactful, meditative deep techno immersions of the modern era. As the 3rd work in a legendary saga started in 1996 with ‘GAS’, the breathtaking realm of ‘Königsforest’ is a definitive chapter in the project’s history, not least for its titular evocation of Voigt’s stomping grounds, but also its puristic realisation of this sound, which effectively added extra layers of gauze resembling the Black Forest, to the dub techno templates hashed out a few years prior by the likes of Basic Channel.
In the billowing, densely textured space between, Voigt would encourage the mind’s ear to defocus, zone-out, and ramble, and we, like so many, have followed his cues for decades now. While originally conceived as a come-down to the peaks of the ‘90s techno scene it was borne into, it has continued to do so, whilst also working ideally as a soundtrack to daydreaming. And, perhaps as Voigt would prefer, as a perfect headphone accompaniment to stretching your legs in the idyllic Bavarian countryside, or even the UK’s bridleways and byways that criss cross dogging sites and fly-tipped beauty spots. Whatever way you take it, this is a real one for the journey.
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The classic ’98 Gas evergreen is back in print - but it never really left the imagination - to cast its sublime magick made up from modulated bass drum and cosmic sigh string loops.
We’re probably preaching to the choir here, but this album is simply one of the most impactful, meditative deep techno immersions of the modern era. As the 3rd work in a legendary saga started in 1996 with ‘GAS’, the breathtaking realm of ‘Königsforest’ is a definitive chapter in the project’s history, not least for its titular evocation of Voigt’s stomping grounds, but also its puristic realisation of this sound, which effectively added extra layers of gauze resembling the Black Forest, to the dub techno templates hashed out a few years prior by the likes of Basic Channel.
In the billowing, densely textured space between, Voigt would encourage the mind’s ear to defocus, zone-out, and ramble, and we, like so many, have followed his cues for decades now. While originally conceived as a come-down to the peaks of the ‘90s techno scene it was borne into, it has continued to do so, whilst also working ideally as a soundtrack to daydreaming. And, perhaps as Voigt would prefer, as a perfect headphone accompaniment to stretching your legs in the idyllic Bavarian countryside, or even the UK’s bridleways and byways that criss cross dogging sites and fly-tipped beauty spots. Whatever way you take it, this is a real one for the journey.
The classic ’98 Gas evergreen is back in print - but it never really left the imagination - to cast its sublime magick made up from modulated bass drum and cosmic sigh string loops.
We’re probably preaching to the choir here, but this album is simply one of the most impactful, meditative deep techno immersions of the modern era. As the 3rd work in a legendary saga started in 1996 with ‘GAS’, the breathtaking realm of ‘Königsforest’ is a definitive chapter in the project’s history, not least for its titular evocation of Voigt’s stomping grounds, but also its puristic realisation of this sound, which effectively added extra layers of gauze resembling the Black Forest, to the dub techno templates hashed out a few years prior by the likes of Basic Channel.
In the billowing, densely textured space between, Voigt would encourage the mind’s ear to defocus, zone-out, and ramble, and we, like so many, have followed his cues for decades now. While originally conceived as a come-down to the peaks of the ‘90s techno scene it was borne into, it has continued to do so, whilst also working ideally as a soundtrack to daydreaming. And, perhaps as Voigt would prefer, as a perfect headphone accompaniment to stretching your legs in the idyllic Bavarian countryside, or even the UK’s bridleways and byways that criss cross dogging sites and fly-tipped beauty spots. Whatever way you take it, this is a real one for the journey.
The classic ’98 Gas evergreen is back in print - but it never really left the imagination - to cast its sublime magick made up from modulated bass drum and cosmic sigh string loops.
We’re probably preaching to the choir here, but this album is simply one of the most impactful, meditative deep techno immersions of the modern era. As the 3rd work in a legendary saga started in 1996 with ‘GAS’, the breathtaking realm of ‘Königsforest’ is a definitive chapter in the project’s history, not least for its titular evocation of Voigt’s stomping grounds, but also its puristic realisation of this sound, which effectively added extra layers of gauze resembling the Black Forest, to the dub techno templates hashed out a few years prior by the likes of Basic Channel.
In the billowing, densely textured space between, Voigt would encourage the mind’s ear to defocus, zone-out, and ramble, and we, like so many, have followed his cues for decades now. While originally conceived as a come-down to the peaks of the ‘90s techno scene it was borne into, it has continued to do so, whilst also working ideally as a soundtrack to daydreaming. And, perhaps as Voigt would prefer, as a perfect headphone accompaniment to stretching your legs in the idyllic Bavarian countryside, or even the UK’s bridleways and byways that criss cross dogging sites and fly-tipped beauty spots. Whatever way you take it, this is a real one for the journey.
2024 Pressing - back in stock
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
The classic ’98 Gas evergreen is back in print - but it never really left the imagination - to cast its sublime magick made up from modulated bass drum and cosmic sigh string loops.
We’re probably preaching to the choir here, but this album is simply one of the most impactful, meditative deep techno immersions of the modern era. As the 3rd work in a legendary saga started in 1996 with ‘GAS’, the breathtaking realm of ‘Königsforest’ is a definitive chapter in the project’s history, not least for its titular evocation of Voigt’s stomping grounds, but also its puristic realisation of this sound, which effectively added extra layers of gauze resembling the Black Forest, to the dub techno templates hashed out a few years prior by the likes of Basic Channel.
In the billowing, densely textured space between, Voigt would encourage the mind’s ear to defocus, zone-out, and ramble, and we, like so many, have followed his cues for decades now. While originally conceived as a come-down to the peaks of the ‘90s techno scene it was borne into, it has continued to do so, whilst also working ideally as a soundtrack to daydreaming. And, perhaps as Voigt would prefer, as a perfect headphone accompaniment to stretching your legs in the idyllic Bavarian countryside, or even the UK’s bridleways and byways that criss cross dogging sites and fly-tipped beauty spots. Whatever way you take it, this is a real one for the journey.
Back in stock.
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
The classic ’98 Gas evergreen is back in print - but it never really left the imagination - to cast its sublime magick made up from modulated bass drum and cosmic sigh string loops.
We’re probably preaching to the choir here, but this album is simply one of the most impactful, meditative deep techno immersions of the modern era. As the 3rd work in a legendary saga started in 1996 with ‘GAS’, the breathtaking realm of ‘Königsforest’ is a definitive chapter in the project’s history, not least for its titular evocation of Voigt’s stomping grounds, but also its puristic realisation of this sound, which effectively added extra layers of gauze resembling the Black Forest, to the dub techno templates hashed out a few years prior by the likes of Basic Channel.
In the billowing, densely textured space between, Voigt would encourage the mind’s ear to defocus, zone-out, and ramble, and we, like so many, have followed his cues for decades now. While originally conceived as a come-down to the peaks of the ‘90s techno scene it was borne into, it has continued to do so, whilst also working ideally as a soundtrack to daydreaming. And, perhaps as Voigt would prefer, as a perfect headphone accompaniment to stretching your legs in the idyllic Bavarian countryside, or even the UK’s bridleways and byways that criss cross dogging sites and fly-tipped beauty spots. Whatever way you take it, this is a real one for the journey.