Boomkat Product Review:
Tolouse Low Trax plucks out obscure slow-mo zingers across time and place for a class taste of the Salon Des Amateurs style he was instrumental in shaping alongside Vladimir Ivkovic and Lena Willikens
Commanding a perfectly groggy collection for the latest Bureau B compilation, Düsseldorf’s Detlef Weinrich aka Tolouse Low Trax (and catalyst of Toresch) joins the dots between 11 artists and groups who are all new to our ears, at the least, and all share a seuctive grasp of downtempo motion and elegance. It’s all the kind of sultry late night gear that one might hear at Salon Des Amateurs, the low-key bar tucked away in a Düsseldorf art museum, where he honed an inimitable style of slow, post-kraurock dance music before the joint shut in 2018 after 14 years in business.
Playing it close to home for local label Bureau B, Weinrich sums up the Salon spirit with a breezy selection that we’re sure will be ideal for a long night of drinking and unravelling conversation. From the kinky gloom of Macromassa’s ’92 Spanish gem ‘El Consecuente Aspecto de Geometría’ to the gorgeous synth ethers of Viola Renea’s ’85 Japanese obscurity ‘Chariot of Palace’, it’s all A++ material, extending necessary introductions to Techno Twins with the screwed synth-pop of ‘Donald and Julie Go Boating’ and US poet Lydia Tomkiw with the rippling marimbas and droll delivery of ‘Hot June Evening,’ with the creepy 11 minute ace ‘Basset’ by The Stupid Set recalling an extension of Conny Plank & Holger Czukay’s Les Vampyrettes, and an unmissable cut of parping 1990 midi fanfare by Italy’s DsorDNE.
No doubt this is a low-key masterclass in the art of thematic, but unblinkered, curation that both prompts and leaves lots to the imagination. An absolute must check!