Keyboard Fantasies
Finally available once again, "Keyboard Fantasies" was originally self-released on tape in 1986 and contains some of Beverly Glenn-Copeland's most fascinating material. An FM-synthesized combo of new age private press eccentricity and accidentally prophetic Detroit techno futurism. So good!
'Keyboard Fantasies' was entirely recorded using a Yamaha DX-7 synthesizer and a Roland TR-707 drum machine, giving Glenn-Copeland's third album a glassy, robust character that sets it apart from many of its contemporaries. Tangentially, he was working in the new age sphere, but his eerie homespun compositions pointed at far more more mind-expanding, idiosyncratic places.
While opener 'Ever New' (a highlight of last year's fantastic Glenn-Copeland primer "Transmissions") is charmingly light-hearted, with Glenn-Copeland's vocals layered over chiming BBC Radiophonic Workshop synths, 'Slow Dance' sounds more like slow techno, operating in the same realm as Yellow Magic Orchestra with synth bells and voices spun around a grinding 707 beat. Elsewhere, the jazzy 'Old Melody' sounds like a discarded cue from Angelo Badalamenti's "Twin Peaks" soundtrack, or an interlude from Air's "Moon Safari". Lovely.
View more
Finally available once again, "Keyboard Fantasies" was originally self-released on tape in 1986 and contains some of Beverly Glenn-Copeland's most fascinating material. An FM-synthesized combo of new age private press eccentricity and accidentally prophetic Detroit techno futurism. So good!
'Keyboard Fantasies' was entirely recorded using a Yamaha DX-7 synthesizer and a Roland TR-707 drum machine, giving Glenn-Copeland's third album a glassy, robust character that sets it apart from many of its contemporaries. Tangentially, he was working in the new age sphere, but his eerie homespun compositions pointed at far more more mind-expanding, idiosyncratic places.
While opener 'Ever New' (a highlight of last year's fantastic Glenn-Copeland primer "Transmissions") is charmingly light-hearted, with Glenn-Copeland's vocals layered over chiming BBC Radiophonic Workshop synths, 'Slow Dance' sounds more like slow techno, operating in the same realm as Yellow Magic Orchestra with synth bells and voices spun around a grinding 707 beat. Elsewhere, the jazzy 'Old Melody' sounds like a discarded cue from Angelo Badalamenti's "Twin Peaks" soundtrack, or an interlude from Air's "Moon Safari". Lovely.
Finally available once again, "Keyboard Fantasies" was originally self-released on tape in 1986 and contains some of Beverly Glenn-Copeland's most fascinating material. An FM-synthesized combo of new age private press eccentricity and accidentally prophetic Detroit techno futurism. So good!
'Keyboard Fantasies' was entirely recorded using a Yamaha DX-7 synthesizer and a Roland TR-707 drum machine, giving Glenn-Copeland's third album a glassy, robust character that sets it apart from many of its contemporaries. Tangentially, he was working in the new age sphere, but his eerie homespun compositions pointed at far more more mind-expanding, idiosyncratic places.
While opener 'Ever New' (a highlight of last year's fantastic Glenn-Copeland primer "Transmissions") is charmingly light-hearted, with Glenn-Copeland's vocals layered over chiming BBC Radiophonic Workshop synths, 'Slow Dance' sounds more like slow techno, operating in the same realm as Yellow Magic Orchestra with synth bells and voices spun around a grinding 707 beat. Elsewhere, the jazzy 'Old Melody' sounds like a discarded cue from Angelo Badalamenti's "Twin Peaks" soundtrack, or an interlude from Air's "Moon Safari". Lovely.
Finally available once again, "Keyboard Fantasies" was originally self-released on tape in 1986 and contains some of Beverly Glenn-Copeland's most fascinating material. An FM-synthesized combo of new age private press eccentricity and accidentally prophetic Detroit techno futurism. So good!
'Keyboard Fantasies' was entirely recorded using a Yamaha DX-7 synthesizer and a Roland TR-707 drum machine, giving Glenn-Copeland's third album a glassy, robust character that sets it apart from many of its contemporaries. Tangentially, he was working in the new age sphere, but his eerie homespun compositions pointed at far more more mind-expanding, idiosyncratic places.
While opener 'Ever New' (a highlight of last year's fantastic Glenn-Copeland primer "Transmissions") is charmingly light-hearted, with Glenn-Copeland's vocals layered over chiming BBC Radiophonic Workshop synths, 'Slow Dance' sounds more like slow techno, operating in the same realm as Yellow Magic Orchestra with synth bells and voices spun around a grinding 707 beat. Elsewhere, the jazzy 'Old Melody' sounds like a discarded cue from Angelo Badalamenti's "Twin Peaks" soundtrack, or an interlude from Air's "Moon Safari". Lovely.
35th Anniversary Edition. Housed in a gatefold sleeve with spot gloss detail, printed inner sleeve, 180g black vinyl + download code
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Finally available once again, "Keyboard Fantasies" was originally self-released on tape in 1986 and contains some of Beverly Glenn-Copeland's most fascinating material. An FM-synthesized combo of new age private press eccentricity and accidentally prophetic Detroit techno futurism. So good!
'Keyboard Fantasies' was entirely recorded using a Yamaha DX-7 synthesizer and a Roland TR-707 drum machine, giving Glenn-Copeland's third album a glassy, robust character that sets it apart from many of its contemporaries. Tangentially, he was working in the new age sphere, but his eerie homespun compositions pointed at far more more mind-expanding, idiosyncratic places.
While opener 'Ever New' (a highlight of last year's fantastic Glenn-Copeland primer "Transmissions") is charmingly light-hearted, with Glenn-Copeland's vocals layered over chiming BBC Radiophonic Workshop synths, 'Slow Dance' sounds more like slow techno, operating in the same realm as Yellow Magic Orchestra with synth bells and voices spun around a grinding 707 beat. Elsewhere, the jazzy 'Old Melody' sounds like a discarded cue from Angelo Badalamenti's "Twin Peaks" soundtrack, or an interlude from Air's "Moon Safari". Lovely.
Digi-sleeve with spot gloss detail + 8-page booklet.
Available To Order (Estimated Shipping between 1-3 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Finally available once again, "Keyboard Fantasies" was originally self-released on tape in 1986 and contains some of Beverly Glenn-Copeland's most fascinating material. An FM-synthesized combo of new age private press eccentricity and accidentally prophetic Detroit techno futurism. So good!
'Keyboard Fantasies' was entirely recorded using a Yamaha DX-7 synthesizer and a Roland TR-707 drum machine, giving Glenn-Copeland's third album a glassy, robust character that sets it apart from many of its contemporaries. Tangentially, he was working in the new age sphere, but his eerie homespun compositions pointed at far more more mind-expanding, idiosyncratic places.
While opener 'Ever New' (a highlight of last year's fantastic Glenn-Copeland primer "Transmissions") is charmingly light-hearted, with Glenn-Copeland's vocals layered over chiming BBC Radiophonic Workshop synths, 'Slow Dance' sounds more like slow techno, operating in the same realm as Yellow Magic Orchestra with synth bells and voices spun around a grinding 707 beat. Elsewhere, the jazzy 'Old Melody' sounds like a discarded cue from Angelo Badalamenti's "Twin Peaks" soundtrack, or an interlude from Air's "Moon Safari". Lovely.
Out of Stock
Finally available once again, "Keyboard Fantasies" was originally self-released on tape in 1986 and contains some of Beverly Glenn-Copeland's most fascinating material. An FM-synthesized combo of new age private press eccentricity and accidentally prophetic Detroit techno futurism. So good!
'Keyboard Fantasies' was entirely recorded using a Yamaha DX-7 synthesizer and a Roland TR-707 drum machine, giving Glenn-Copeland's third album a glassy, robust character that sets it apart from many of its contemporaries. Tangentially, he was working in the new age sphere, but his eerie homespun compositions pointed at far more more mind-expanding, idiosyncratic places.
While opener 'Ever New' (a highlight of last year's fantastic Glenn-Copeland primer "Transmissions") is charmingly light-hearted, with Glenn-Copeland's vocals layered over chiming BBC Radiophonic Workshop synths, 'Slow Dance' sounds more like slow techno, operating in the same realm as Yellow Magic Orchestra with synth bells and voices spun around a grinding 707 beat. Elsewhere, the jazzy 'Old Melody' sounds like a discarded cue from Angelo Badalamenti's "Twin Peaks" soundtrack, or an interlude from Air's "Moon Safari". Lovely.