Grouchiest Muslimgauze in effect in this posthumous set, subsuming 1995’s ‘Nadir of Purdah’ EP into a showcase of Bryn Jones’ latter phase, working with rugged, red-lining drum loops. Heavy!
‘Kashmiri Queen’ was first issued in the years following Bryn Jones’ untimely passing, and it’s one of those where it’s difficult to know whether he intended it to appear quite in this way. In any event, it’s symptomatic of a strain of his interests during that era, with gantleted digits on the mixing board, wreathing barbed loops into daisy chains of ground-down drums spiced with instrumental loops and vocals.
Tracks from ‘Nadir of Purdah’ are strewn across the set, most notably a highlight in the vocal loop vignette ‘The Taliban’, here as ‘Untiled (9)’, and in the crunchy but hypnotic title tune retitled ‘Untitled (3)’. sBut if you’re looking for the exclusive goodness, run check the 10 minutes of swaggering tabla break and bittersweet pipe drone to ‘Untitled (2)’, or its seasick shanty-esque accordions on ‘Untitled (8)’.
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Grouchiest Muslimgauze in effect in this posthumous set, subsuming 1995’s ‘Nadir of Purdah’ EP into a showcase of Bryn Jones’ latter phase, working with rugged, red-lining drum loops. Heavy!
‘Kashmiri Queen’ was first issued in the years following Bryn Jones’ untimely passing, and it’s one of those where it’s difficult to know whether he intended it to appear quite in this way. In any event, it’s symptomatic of a strain of his interests during that era, with gantleted digits on the mixing board, wreathing barbed loops into daisy chains of ground-down drums spiced with instrumental loops and vocals.
Tracks from ‘Nadir of Purdah’ are strewn across the set, most notably a highlight in the vocal loop vignette ‘The Taliban’, here as ‘Untiled (9)’, and in the crunchy but hypnotic title tune retitled ‘Untitled (3)’. sBut if you’re looking for the exclusive goodness, run check the 10 minutes of swaggering tabla break and bittersweet pipe drone to ‘Untitled (2)’, or its seasick shanty-esque accordions on ‘Untitled (8)’.
Grouchiest Muslimgauze in effect in this posthumous set, subsuming 1995’s ‘Nadir of Purdah’ EP into a showcase of Bryn Jones’ latter phase, working with rugged, red-lining drum loops. Heavy!
‘Kashmiri Queen’ was first issued in the years following Bryn Jones’ untimely passing, and it’s one of those where it’s difficult to know whether he intended it to appear quite in this way. In any event, it’s symptomatic of a strain of his interests during that era, with gantleted digits on the mixing board, wreathing barbed loops into daisy chains of ground-down drums spiced with instrumental loops and vocals.
Tracks from ‘Nadir of Purdah’ are strewn across the set, most notably a highlight in the vocal loop vignette ‘The Taliban’, here as ‘Untiled (9)’, and in the crunchy but hypnotic title tune retitled ‘Untitled (3)’. sBut if you’re looking for the exclusive goodness, run check the 10 minutes of swaggering tabla break and bittersweet pipe drone to ‘Untitled (2)’, or its seasick shanty-esque accordions on ‘Untitled (8)’.
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Grouchiest Muslimgauze in effect in this posthumous set, subsuming 1995’s ‘Nadir of Purdah’ EP into a showcase of Bryn Jones’ latter phase, working with rugged, red-lining drum loops. Heavy!
‘Kashmiri Queen’ was first issued in the years following Bryn Jones’ untimely passing, and it’s one of those where it’s difficult to know whether he intended it to appear quite in this way. In any event, it’s symptomatic of a strain of his interests during that era, with gantleted digits on the mixing board, wreathing barbed loops into daisy chains of ground-down drums spiced with instrumental loops and vocals.
Tracks from ‘Nadir of Purdah’ are strewn across the set, most notably a highlight in the vocal loop vignette ‘The Taliban’, here as ‘Untiled (9)’, and in the crunchy but hypnotic title tune retitled ‘Untitled (3)’. sBut if you’re looking for the exclusive goodness, run check the 10 minutes of swaggering tabla break and bittersweet pipe drone to ‘Untitled (2)’, or its seasick shanty-esque accordions on ‘Untitled (8)’.