Hague-based electroacoustic composer Seina pulverizes field recordings, analog synths and human voices on her glitchy debut, gesturing towards the early Mille Plateaux run, or Fennesz's most pastoral gear.
It's ambient music, of a sort, but thankfully not the billowing Eno-esque gear that seems to clog up the release schedules right now. Seina's influences are the glory days of Raster-Noton and Mille Plateaux, and she's taken her time to analyze and update the canon, layering her Supercollider generations with subtle, almost invisible environmental recordings and additional synthwork. The result is four mixed tracks that hark back to the past but don't repeat it exactly; Seina never lets her ambience stagnate, instead interrupting the granulated throbs with scratchy noise or itinerant glitches. Fans of KMRU would do well to investigate this one further.
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Hague-based electroacoustic composer Seina pulverizes field recordings, analog synths and human voices on her glitchy debut, gesturing towards the early Mille Plateaux run, or Fennesz's most pastoral gear.
It's ambient music, of a sort, but thankfully not the billowing Eno-esque gear that seems to clog up the release schedules right now. Seina's influences are the glory days of Raster-Noton and Mille Plateaux, and she's taken her time to analyze and update the canon, layering her Supercollider generations with subtle, almost invisible environmental recordings and additional synthwork. The result is four mixed tracks that hark back to the past but don't repeat it exactly; Seina never lets her ambience stagnate, instead interrupting the granulated throbs with scratchy noise or itinerant glitches. Fans of KMRU would do well to investigate this one further.
Hague-based electroacoustic composer Seina pulverizes field recordings, analog synths and human voices on her glitchy debut, gesturing towards the early Mille Plateaux run, or Fennesz's most pastoral gear.
It's ambient music, of a sort, but thankfully not the billowing Eno-esque gear that seems to clog up the release schedules right now. Seina's influences are the glory days of Raster-Noton and Mille Plateaux, and she's taken her time to analyze and update the canon, layering her Supercollider generations with subtle, almost invisible environmental recordings and additional synthwork. The result is four mixed tracks that hark back to the past but don't repeat it exactly; Seina never lets her ambience stagnate, instead interrupting the granulated throbs with scratchy noise or itinerant glitches. Fans of KMRU would do well to investigate this one further.
Hague-based electroacoustic composer Seina pulverizes field recordings, analog synths and human voices on her glitchy debut, gesturing towards the early Mille Plateaux run, or Fennesz's most pastoral gear.
It's ambient music, of a sort, but thankfully not the billowing Eno-esque gear that seems to clog up the release schedules right now. Seina's influences are the glory days of Raster-Noton and Mille Plateaux, and she's taken her time to analyze and update the canon, layering her Supercollider generations with subtle, almost invisible environmental recordings and additional synthwork. The result is four mixed tracks that hark back to the past but don't repeat it exactly; Seina never lets her ambience stagnate, instead interrupting the granulated throbs with scratchy noise or itinerant glitches. Fans of KMRU would do well to investigate this one further.
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Hague-based electroacoustic composer Seina pulverizes field recordings, analog synths and human voices on her glitchy debut, gesturing towards the early Mille Plateaux run, or Fennesz's most pastoral gear.
It's ambient music, of a sort, but thankfully not the billowing Eno-esque gear that seems to clog up the release schedules right now. Seina's influences are the glory days of Raster-Noton and Mille Plateaux, and she's taken her time to analyze and update the canon, layering her Supercollider generations with subtle, almost invisible environmental recordings and additional synthwork. The result is four mixed tracks that hark back to the past but don't repeat it exactly; Seina never lets her ambience stagnate, instead interrupting the granulated throbs with scratchy noise or itinerant glitches. Fans of KMRU would do well to investigate this one further.