Dan 'Caribou' Snaith's enormously successful house project Daphni deservedly gets its own album across which to express itself. Daphni started out as an excuse to re-edit and beef up afrobeat and outernational obscurities for peaktime DJ use, and that rough 'n ready, functionalist spirit persists here, even on some of the slightly more polished cuts - but it's not just about inserting a 4/4 kick, it's also about unusual textural fusions which happen before your very ears: for instance the zig-zagging, Belgian-style electro synths of 'Yes, I Know' peeling back to reveal salty, funked-up horns and beaming soul vocals. Snaith nails it best when he pursues an off-road psychedelic tip: witness the lysergic organ loops and dusty drum breaks powering his re-lick of Cos Ber Zam's 'Ne Noya', or the pure percussion work-out of 'Pairs', or even the wigged-out mnml crunch of 'Jiao'. This fella knows how to keep a crowd entertained, and this LP effectively makes public his cache of secret weapons.
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Dan 'Caribou' Snaith's enormously successful house project Daphni deservedly gets its own album across which to express itself. Daphni started out as an excuse to re-edit and beef up afrobeat and outernational obscurities for peaktime DJ use, and that rough 'n ready, functionalist spirit persists here, even on some of the slightly more polished cuts - but it's not just about inserting a 4/4 kick, it's also about unusual textural fusions which happen before your very ears: for instance the zig-zagging, Belgian-style electro synths of 'Yes, I Know' peeling back to reveal salty, funked-up horns and beaming soul vocals. Snaith nails it best when he pursues an off-road psychedelic tip: witness the lysergic organ loops and dusty drum breaks powering his re-lick of Cos Ber Zam's 'Ne Noya', or the pure percussion work-out of 'Pairs', or even the wigged-out mnml crunch of 'Jiao'. This fella knows how to keep a crowd entertained, and this LP effectively makes public his cache of secret weapons.
Dan 'Caribou' Snaith's enormously successful house project Daphni deservedly gets its own album across which to express itself. Daphni started out as an excuse to re-edit and beef up afrobeat and outernational obscurities for peaktime DJ use, and that rough 'n ready, functionalist spirit persists here, even on some of the slightly more polished cuts - but it's not just about inserting a 4/4 kick, it's also about unusual textural fusions which happen before your very ears: for instance the zig-zagging, Belgian-style electro synths of 'Yes, I Know' peeling back to reveal salty, funked-up horns and beaming soul vocals. Snaith nails it best when he pursues an off-road psychedelic tip: witness the lysergic organ loops and dusty drum breaks powering his re-lick of Cos Ber Zam's 'Ne Noya', or the pure percussion work-out of 'Pairs', or even the wigged-out mnml crunch of 'Jiao'. This fella knows how to keep a crowd entertained, and this LP effectively makes public his cache of secret weapons.
Dan 'Caribou' Snaith's enormously successful house project Daphni deservedly gets its own album across which to express itself. Daphni started out as an excuse to re-edit and beef up afrobeat and outernational obscurities for peaktime DJ use, and that rough 'n ready, functionalist spirit persists here, even on some of the slightly more polished cuts - but it's not just about inserting a 4/4 kick, it's also about unusual textural fusions which happen before your very ears: for instance the zig-zagging, Belgian-style electro synths of 'Yes, I Know' peeling back to reveal salty, funked-up horns and beaming soul vocals. Snaith nails it best when he pursues an off-road psychedelic tip: witness the lysergic organ loops and dusty drum breaks powering his re-lick of Cos Ber Zam's 'Ne Noya', or the pure percussion work-out of 'Pairs', or even the wigged-out mnml crunch of 'Jiao'. This fella knows how to keep a crowd entertained, and this LP effectively makes public his cache of secret weapons.
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Dan 'Caribou' Snaith's enormously successful house project Daphni deservedly gets its own album across which to express itself. Daphni started out as an excuse to re-edit and beef up afrobeat and outernational obscurities for peaktime DJ use, and that rough 'n ready, functionalist spirit persists here, even on some of the slightly more polished cuts - but it's not just about inserting a 4/4 kick, it's also about unusual textural fusions which happen before your very ears: for instance the zig-zagging, Belgian-style electro synths of 'Yes, I Know' peeling back to reveal salty, funked-up horns and beaming soul vocals. Snaith nails it best when he pursues an off-road psychedelic tip: witness the lysergic organ loops and dusty drum breaks powering his re-lick of Cos Ber Zam's 'Ne Noya', or the pure percussion work-out of 'Pairs', or even the wigged-out mnml crunch of 'Jiao'. This fella knows how to keep a crowd entertained, and this LP effectively makes public his cache of secret weapons.