Berlin's Annegret Perel Fiedler enlists deadpan Quebecois producer and vocalist Marie Davidson to assist on her second full-length.
Following releases on DFA, Perel looks to the electro house era (think Simian Mobile Disco) to inspire the awkwardly titled "Jesus Was an Alien". “Jesus Was An Alien is a discourse about whether Jesus was an actual alien,” she explains, “but also a social debate about what is and implies religion today.”
The music itself is pretty rudimentary electro pop, produced well enough and seemingly inspired by the Italians Do It Better crew. The Marie Davidson-featuring title track is probably the album's most successful moment, evoking a cocaine-fueled '70s (or early '80s?) where Erich von Däniken books sounded almost reasonable.
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Berlin's Annegret Perel Fiedler enlists deadpan Quebecois producer and vocalist Marie Davidson to assist on her second full-length.
Following releases on DFA, Perel looks to the electro house era (think Simian Mobile Disco) to inspire the awkwardly titled "Jesus Was an Alien". “Jesus Was An Alien is a discourse about whether Jesus was an actual alien,” she explains, “but also a social debate about what is and implies religion today.”
The music itself is pretty rudimentary electro pop, produced well enough and seemingly inspired by the Italians Do It Better crew. The Marie Davidson-featuring title track is probably the album's most successful moment, evoking a cocaine-fueled '70s (or early '80s?) where Erich von Däniken books sounded almost reasonable.
Berlin's Annegret Perel Fiedler enlists deadpan Quebecois producer and vocalist Marie Davidson to assist on her second full-length.
Following releases on DFA, Perel looks to the electro house era (think Simian Mobile Disco) to inspire the awkwardly titled "Jesus Was an Alien". “Jesus Was An Alien is a discourse about whether Jesus was an actual alien,” she explains, “but also a social debate about what is and implies religion today.”
The music itself is pretty rudimentary electro pop, produced well enough and seemingly inspired by the Italians Do It Better crew. The Marie Davidson-featuring title track is probably the album's most successful moment, evoking a cocaine-fueled '70s (or early '80s?) where Erich von Däniken books sounded almost reasonable.
Berlin's Annegret Perel Fiedler enlists deadpan Quebecois producer and vocalist Marie Davidson to assist on her second full-length.
Following releases on DFA, Perel looks to the electro house era (think Simian Mobile Disco) to inspire the awkwardly titled "Jesus Was an Alien". “Jesus Was An Alien is a discourse about whether Jesus was an actual alien,” she explains, “but also a social debate about what is and implies religion today.”
The music itself is pretty rudimentary electro pop, produced well enough and seemingly inspired by the Italians Do It Better crew. The Marie Davidson-featuring title track is probably the album's most successful moment, evoking a cocaine-fueled '70s (or early '80s?) where Erich von Däniken books sounded almost reasonable.
Gatefold black vinyl LP. Includes download card.
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Berlin's Annegret Perel Fiedler enlists deadpan Quebecois producer and vocalist Marie Davidson to assist on her second full-length.
Following releases on DFA, Perel looks to the electro house era (think Simian Mobile Disco) to inspire the awkwardly titled "Jesus Was an Alien". “Jesus Was An Alien is a discourse about whether Jesus was an actual alien,” she explains, “but also a social debate about what is and implies religion today.”
The music itself is pretty rudimentary electro pop, produced well enough and seemingly inspired by the Italians Do It Better crew. The Marie Davidson-featuring title track is probably the album's most successful moment, evoking a cocaine-fueled '70s (or early '80s?) where Erich von Däniken books sounded almost reasonable.
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Berlin's Annegret Perel Fiedler enlists deadpan Quebecois producer and vocalist Marie Davidson to assist on her second full-length.
Following releases on DFA, Perel looks to the electro house era (think Simian Mobile Disco) to inspire the awkwardly titled "Jesus Was an Alien". “Jesus Was An Alien is a discourse about whether Jesus was an actual alien,” she explains, “but also a social debate about what is and implies religion today.”
The music itself is pretty rudimentary electro pop, produced well enough and seemingly inspired by the Italians Do It Better crew. The Marie Davidson-featuring title track is probably the album's most successful moment, evoking a cocaine-fueled '70s (or early '80s?) where Erich von Däniken books sounded almost reasonable.