Jean Claude Vannier et son orchestre de mandolines
Vannier's first album in years, 'et son orchestre de mandolines' is a selection of poetic compositions for mandolin and accordion that echoes, like the holy grail of French psychedelic pop 'L'Enfant Assassin Des Mouches'.
New material from Jean-Claude Vannier is always worth a closer look, and it seems as if the 2019 'Corpse Flower' team-up with Mike Patton was fruitful enough to inspire a further collaboration. He returns to Ipecac with an orchestra of mandolins in tow - sort of, at least. Writing for the instrument for the first time, he invited award winning mandolin player and composer Vincent Beer-Demander to perform the music, recording long takes and multiplying them to create a virtual ensemble.
And just to amplify the Gallic charm, he brought in accordionist Grégory Daltin to add the atmospheric, cinematic finishing touches. Your tolerance for this one is going to depend on your interest in the mandolin, but Vannier approaches it with his usual charm; it's less lavishly psychedelic than his material with Serge Gainsbourg, but the pivotal melodic lilt is still present. Working with such a stripped-down sound palette, Vannier relies on using the mandolin to mimic the intensity of a full orchestra, layering the strings and rolls to create sweeping harmonies and bendable pizzicato runs.
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Vannier's first album in years, 'et son orchestre de mandolines' is a selection of poetic compositions for mandolin and accordion that echoes, like the holy grail of French psychedelic pop 'L'Enfant Assassin Des Mouches'.
New material from Jean-Claude Vannier is always worth a closer look, and it seems as if the 2019 'Corpse Flower' team-up with Mike Patton was fruitful enough to inspire a further collaboration. He returns to Ipecac with an orchestra of mandolins in tow - sort of, at least. Writing for the instrument for the first time, he invited award winning mandolin player and composer Vincent Beer-Demander to perform the music, recording long takes and multiplying them to create a virtual ensemble.
And just to amplify the Gallic charm, he brought in accordionist Grégory Daltin to add the atmospheric, cinematic finishing touches. Your tolerance for this one is going to depend on your interest in the mandolin, but Vannier approaches it with his usual charm; it's less lavishly psychedelic than his material with Serge Gainsbourg, but the pivotal melodic lilt is still present. Working with such a stripped-down sound palette, Vannier relies on using the mandolin to mimic the intensity of a full orchestra, layering the strings and rolls to create sweeping harmonies and bendable pizzicato runs.
Vannier's first album in years, 'et son orchestre de mandolines' is a selection of poetic compositions for mandolin and accordion that echoes, like the holy grail of French psychedelic pop 'L'Enfant Assassin Des Mouches'.
New material from Jean-Claude Vannier is always worth a closer look, and it seems as if the 2019 'Corpse Flower' team-up with Mike Patton was fruitful enough to inspire a further collaboration. He returns to Ipecac with an orchestra of mandolins in tow - sort of, at least. Writing for the instrument for the first time, he invited award winning mandolin player and composer Vincent Beer-Demander to perform the music, recording long takes and multiplying them to create a virtual ensemble.
And just to amplify the Gallic charm, he brought in accordionist Grégory Daltin to add the atmospheric, cinematic finishing touches. Your tolerance for this one is going to depend on your interest in the mandolin, but Vannier approaches it with his usual charm; it's less lavishly psychedelic than his material with Serge Gainsbourg, but the pivotal melodic lilt is still present. Working with such a stripped-down sound palette, Vannier relies on using the mandolin to mimic the intensity of a full orchestra, layering the strings and rolls to create sweeping harmonies and bendable pizzicato runs.
Vannier's first album in years, 'et son orchestre de mandolines' is a selection of poetic compositions for mandolin and accordion that echoes, like the holy grail of French psychedelic pop 'L'Enfant Assassin Des Mouches'.
New material from Jean-Claude Vannier is always worth a closer look, and it seems as if the 2019 'Corpse Flower' team-up with Mike Patton was fruitful enough to inspire a further collaboration. He returns to Ipecac with an orchestra of mandolins in tow - sort of, at least. Writing for the instrument for the first time, he invited award winning mandolin player and composer Vincent Beer-Demander to perform the music, recording long takes and multiplying them to create a virtual ensemble.
And just to amplify the Gallic charm, he brought in accordionist Grégory Daltin to add the atmospheric, cinematic finishing touches. Your tolerance for this one is going to depend on your interest in the mandolin, but Vannier approaches it with his usual charm; it's less lavishly psychedelic than his material with Serge Gainsbourg, but the pivotal melodic lilt is still present. Working with such a stripped-down sound palette, Vannier relies on using the mandolin to mimic the intensity of a full orchestra, layering the strings and rolls to create sweeping harmonies and bendable pizzicato runs.
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Vannier's first album in years, 'et son orchestre de mandolines' is a selection of poetic compositions for mandolin and accordion that echoes, like the holy grail of French psychedelic pop 'L'Enfant Assassin Des Mouches'.
New material from Jean-Claude Vannier is always worth a closer look, and it seems as if the 2019 'Corpse Flower' team-up with Mike Patton was fruitful enough to inspire a further collaboration. He returns to Ipecac with an orchestra of mandolins in tow - sort of, at least. Writing for the instrument for the first time, he invited award winning mandolin player and composer Vincent Beer-Demander to perform the music, recording long takes and multiplying them to create a virtual ensemble.
And just to amplify the Gallic charm, he brought in accordionist Grégory Daltin to add the atmospheric, cinematic finishing touches. Your tolerance for this one is going to depend on your interest in the mandolin, but Vannier approaches it with his usual charm; it's less lavishly psychedelic than his material with Serge Gainsbourg, but the pivotal melodic lilt is still present. Working with such a stripped-down sound palette, Vannier relies on using the mandolin to mimic the intensity of a full orchestra, layering the strings and rolls to create sweeping harmonies and bendable pizzicato runs.
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Vannier's first album in years, 'et son orchestre de mandolines' is a selection of poetic compositions for mandolin and accordion that echoes, like the holy grail of French psychedelic pop 'L'Enfant Assassin Des Mouches'.
New material from Jean-Claude Vannier is always worth a closer look, and it seems as if the 2019 'Corpse Flower' team-up with Mike Patton was fruitful enough to inspire a further collaboration. He returns to Ipecac with an orchestra of mandolins in tow - sort of, at least. Writing for the instrument for the first time, he invited award winning mandolin player and composer Vincent Beer-Demander to perform the music, recording long takes and multiplying them to create a virtual ensemble.
And just to amplify the Gallic charm, he brought in accordionist Grégory Daltin to add the atmospheric, cinematic finishing touches. Your tolerance for this one is going to depend on your interest in the mandolin, but Vannier approaches it with his usual charm; it's less lavishly psychedelic than his material with Serge Gainsbourg, but the pivotal melodic lilt is still present. Working with such a stripped-down sound palette, Vannier relies on using the mandolin to mimic the intensity of a full orchestra, layering the strings and rolls to create sweeping harmonies and bendable pizzicato runs.