Jay Glass Dubs Vs. Guerilla Toss
Jay Glass Dubs melts Guerrilla Toss’ hyperactive post punk styles into air on this killer overhaul of tracks from the Boston band’s GT Ultra LP with DFA, resulting a spellbinding sound holding etheric space between Maximum Joy and Golden Teacher, for example.
If you know anything of either act, you’ll be aware of the gulf between their respective styles. And while it’s maybe fair to say that Guerrilla Toss have refined their sound slightly for the new DFA release, when compared with the zaniness of their Tzadik, NNA Tapes and Feeding Tube Records releases, Jay Glass Dubs has radically diffused their mad energy into something practically unrecognisable, far more elusive here.
Like Mad Professor with Massive Attack or Dennis Bovell with Golden Teacher, the selected song structures of GT Ultra are progressively dissolved and and sublimated in the echo chamber in a woozy declension from the D&B-style intro and thunderous pressure of Skull Dub to the nagging, almost Forest Swords-like plangency and steppers roil of String Dub, then coming to pool in the horizontal scan of TV Do Dub, and letting it all ride out for ten minutes of reclined trip-hop in Can I Get The Real Dub.
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Jay Glass Dubs melts Guerrilla Toss’ hyperactive post punk styles into air on this killer overhaul of tracks from the Boston band’s GT Ultra LP with DFA, resulting a spellbinding sound holding etheric space between Maximum Joy and Golden Teacher, for example.
If you know anything of either act, you’ll be aware of the gulf between their respective styles. And while it’s maybe fair to say that Guerrilla Toss have refined their sound slightly for the new DFA release, when compared with the zaniness of their Tzadik, NNA Tapes and Feeding Tube Records releases, Jay Glass Dubs has radically diffused their mad energy into something practically unrecognisable, far more elusive here.
Like Mad Professor with Massive Attack or Dennis Bovell with Golden Teacher, the selected song structures of GT Ultra are progressively dissolved and and sublimated in the echo chamber in a woozy declension from the D&B-style intro and thunderous pressure of Skull Dub to the nagging, almost Forest Swords-like plangency and steppers roil of String Dub, then coming to pool in the horizontal scan of TV Do Dub, and letting it all ride out for ten minutes of reclined trip-hop in Can I Get The Real Dub.
Jay Glass Dubs melts Guerrilla Toss’ hyperactive post punk styles into air on this killer overhaul of tracks from the Boston band’s GT Ultra LP with DFA, resulting a spellbinding sound holding etheric space between Maximum Joy and Golden Teacher, for example.
If you know anything of either act, you’ll be aware of the gulf between their respective styles. And while it’s maybe fair to say that Guerrilla Toss have refined their sound slightly for the new DFA release, when compared with the zaniness of their Tzadik, NNA Tapes and Feeding Tube Records releases, Jay Glass Dubs has radically diffused their mad energy into something practically unrecognisable, far more elusive here.
Like Mad Professor with Massive Attack or Dennis Bovell with Golden Teacher, the selected song structures of GT Ultra are progressively dissolved and and sublimated in the echo chamber in a woozy declension from the D&B-style intro and thunderous pressure of Skull Dub to the nagging, almost Forest Swords-like plangency and steppers roil of String Dub, then coming to pool in the horizontal scan of TV Do Dub, and letting it all ride out for ten minutes of reclined trip-hop in Can I Get The Real Dub.
Jay Glass Dubs melts Guerrilla Toss’ hyperactive post punk styles into air on this killer overhaul of tracks from the Boston band’s GT Ultra LP with DFA, resulting a spellbinding sound holding etheric space between Maximum Joy and Golden Teacher, for example.
If you know anything of either act, you’ll be aware of the gulf between their respective styles. And while it’s maybe fair to say that Guerrilla Toss have refined their sound slightly for the new DFA release, when compared with the zaniness of their Tzadik, NNA Tapes and Feeding Tube Records releases, Jay Glass Dubs has radically diffused their mad energy into something practically unrecognisable, far more elusive here.
Like Mad Professor with Massive Attack or Dennis Bovell with Golden Teacher, the selected song structures of GT Ultra are progressively dissolved and and sublimated in the echo chamber in a woozy declension from the D&B-style intro and thunderous pressure of Skull Dub to the nagging, almost Forest Swords-like plangency and steppers roil of String Dub, then coming to pool in the horizontal scan of TV Do Dub, and letting it all ride out for ten minutes of reclined trip-hop in Can I Get The Real Dub.
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Jay Glass Dubs melts Guerrilla Toss’ hyperactive post punk styles into air on this killer overhaul of tracks from the Boston band’s GT Ultra LP with DFA, resulting a spellbinding sound holding etheric space between Maximum Joy and Golden Teacher, for example.
If you know anything of either act, you’ll be aware of the gulf between their respective styles. And while it’s maybe fair to say that Guerrilla Toss have refined their sound slightly for the new DFA release, when compared with the zaniness of their Tzadik, NNA Tapes and Feeding Tube Records releases, Jay Glass Dubs has radically diffused their mad energy into something practically unrecognisable, far more elusive here.
Like Mad Professor with Massive Attack or Dennis Bovell with Golden Teacher, the selected song structures of GT Ultra are progressively dissolved and and sublimated in the echo chamber in a woozy declension from the D&B-style intro and thunderous pressure of Skull Dub to the nagging, almost Forest Swords-like plangency and steppers roil of String Dub, then coming to pool in the horizontal scan of TV Do Dub, and letting it all ride out for ten minutes of reclined trip-hop in Can I Get The Real Dub.