Greeen Linez do that buttered boogie thang again with 2nd album 'Izu King Street' for the Diskotopia label. Greased up thicker than a cross-channel swimmer, it's a beaming celebration of vintage future disco packed with all the horny sax bleats, chime tree washes, and electro-soul pivots you could hope for - perfect for cruising Tokyo at night, or any major metropolis for that matter. It's very much indebted to that shiny strain of early '80s Japanese electronics a la Haruomi Hosono and co, as much as late '80s/early '90s British and American sould spectrum, from boogie-soul thru house and jungle, basically sounding smoother than a gynoid's ass. Evidently, they don't shy away from the shiniest electronic textures and production, unlike so many who prefer to swaddle their sounds in tape hiss, and it's perhaps a pragmatic choice, where like a wipe-clean love hotel room, you come in, get your shiny fill to the max, and leave at the other end, clean but dirty, dirty but clean. RIYL Space Dimension Controller, Luke Vibert, Boxcutter/The Host.
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Greeen Linez do that buttered boogie thang again with 2nd album 'Izu King Street' for the Diskotopia label. Greased up thicker than a cross-channel swimmer, it's a beaming celebration of vintage future disco packed with all the horny sax bleats, chime tree washes, and electro-soul pivots you could hope for - perfect for cruising Tokyo at night, or any major metropolis for that matter. It's very much indebted to that shiny strain of early '80s Japanese electronics a la Haruomi Hosono and co, as much as late '80s/early '90s British and American sould spectrum, from boogie-soul thru house and jungle, basically sounding smoother than a gynoid's ass. Evidently, they don't shy away from the shiniest electronic textures and production, unlike so many who prefer to swaddle their sounds in tape hiss, and it's perhaps a pragmatic choice, where like a wipe-clean love hotel room, you come in, get your shiny fill to the max, and leave at the other end, clean but dirty, dirty but clean. RIYL Space Dimension Controller, Luke Vibert, Boxcutter/The Host.
Greeen Linez do that buttered boogie thang again with 2nd album 'Izu King Street' for the Diskotopia label. Greased up thicker than a cross-channel swimmer, it's a beaming celebration of vintage future disco packed with all the horny sax bleats, chime tree washes, and electro-soul pivots you could hope for - perfect for cruising Tokyo at night, or any major metropolis for that matter. It's very much indebted to that shiny strain of early '80s Japanese electronics a la Haruomi Hosono and co, as much as late '80s/early '90s British and American sould spectrum, from boogie-soul thru house and jungle, basically sounding smoother than a gynoid's ass. Evidently, they don't shy away from the shiniest electronic textures and production, unlike so many who prefer to swaddle their sounds in tape hiss, and it's perhaps a pragmatic choice, where like a wipe-clean love hotel room, you come in, get your shiny fill to the max, and leave at the other end, clean but dirty, dirty but clean. RIYL Space Dimension Controller, Luke Vibert, Boxcutter/The Host.