Cyber-punkish, freestyling industro-house pressure from Iueke on his maiden mission for L.I.E.S.
Never one to fit in a box, the Parisian producer churns up a pair of free-handed jakbeat oddities in the wayward model of Jamal Moss or Noleian Reusse, but added dub flux, letting his drum machine and sequencer patterns rove on and off the beat in waves of viscous bass and rhythm.
They both take over 10 minutes to say their piece, with ‘Les super des cendres’ hustling a hovering strings and flapping drums into a labyrinthine, psychedelic club cut that gets progressively psychedelic, and ‘Des fureurs héroïques’ follows thru with tangled square bass and frayed, Afro-centric rhythm suss.
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Cyber-punkish, freestyling industro-house pressure from Iueke on his maiden mission for L.I.E.S.
Never one to fit in a box, the Parisian producer churns up a pair of free-handed jakbeat oddities in the wayward model of Jamal Moss or Noleian Reusse, but added dub flux, letting his drum machine and sequencer patterns rove on and off the beat in waves of viscous bass and rhythm.
They both take over 10 minutes to say their piece, with ‘Les super des cendres’ hustling a hovering strings and flapping drums into a labyrinthine, psychedelic club cut that gets progressively psychedelic, and ‘Des fureurs héroïques’ follows thru with tangled square bass and frayed, Afro-centric rhythm suss.
Cyber-punkish, freestyling industro-house pressure from Iueke on his maiden mission for L.I.E.S.
Never one to fit in a box, the Parisian producer churns up a pair of free-handed jakbeat oddities in the wayward model of Jamal Moss or Noleian Reusse, but added dub flux, letting his drum machine and sequencer patterns rove on and off the beat in waves of viscous bass and rhythm.
They both take over 10 minutes to say their piece, with ‘Les super des cendres’ hustling a hovering strings and flapping drums into a labyrinthine, psychedelic club cut that gets progressively psychedelic, and ‘Des fureurs héroïques’ follows thru with tangled square bass and frayed, Afro-centric rhythm suss.
Cyber-punkish, freestyling industro-house pressure from Iueke on his maiden mission for L.I.E.S.
Never one to fit in a box, the Parisian producer churns up a pair of free-handed jakbeat oddities in the wayward model of Jamal Moss or Noleian Reusse, but added dub flux, letting his drum machine and sequencer patterns rove on and off the beat in waves of viscous bass and rhythm.
They both take over 10 minutes to say their piece, with ‘Les super des cendres’ hustling a hovering strings and flapping drums into a labyrinthine, psychedelic club cut that gets progressively psychedelic, and ‘Des fureurs héroïques’ follows thru with tangled square bass and frayed, Afro-centric rhythm suss.
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Cyber-punkish, freestyling industro-house pressure from Iueke on his maiden mission for L.I.E.S.
Never one to fit in a box, the Parisian producer churns up a pair of free-handed jakbeat oddities in the wayward model of Jamal Moss or Noleian Reusse, but added dub flux, letting his drum machine and sequencer patterns rove on and off the beat in waves of viscous bass and rhythm.
They both take over 10 minutes to say their piece, with ‘Les super des cendres’ hustling a hovering strings and flapping drums into a labyrinthine, psychedelic club cut that gets progressively psychedelic, and ‘Des fureurs héroïques’ follows thru with tangled square bass and frayed, Afro-centric rhythm suss.