MM and Suda reconvene as Async Figure for a bombastic set of baroque club-trap hybrids that sound as upfront as HudMo and as squashed, symphonic and wonky as Lorenzo Senni. Neon, bolshy and playable as all fuck.
The latest in a series of Async Figure releases for Tzusing's Sea Cucumber imprint, 'It's Pulling My Strings' is the duo's most coherent statement yet, a fully upfront, melody-forward mutation of familiar club motifs that's injected with an unmistakably British sense of humor. Lead single 'Rover' is maybe the record's moodiest moment, a distorted, grimey fake-out that doesn't really scratch the surface. 'Gen' hands us more fireworks, lavishing the duo's expertly-engineered and masterfully-compressed post-trap rhythms with overdramatic trance risers and cheeky drops.
'Bad Gateway' is even better, ditching the loping ATL framework in favor of a swinging 4/4, choppy raps and squishy, lo-fidelity French touch synths. But our fave is 'Evangel', a delightfully melancholy, Senni-esque hyper-trance colorbomb that never completely explodes, constantly teasing a drop that never actually appears.
View more
MM and Suda reconvene as Async Figure for a bombastic set of baroque club-trap hybrids that sound as upfront as HudMo and as squashed, symphonic and wonky as Lorenzo Senni. Neon, bolshy and playable as all fuck.
The latest in a series of Async Figure releases for Tzusing's Sea Cucumber imprint, 'It's Pulling My Strings' is the duo's most coherent statement yet, a fully upfront, melody-forward mutation of familiar club motifs that's injected with an unmistakably British sense of humor. Lead single 'Rover' is maybe the record's moodiest moment, a distorted, grimey fake-out that doesn't really scratch the surface. 'Gen' hands us more fireworks, lavishing the duo's expertly-engineered and masterfully-compressed post-trap rhythms with overdramatic trance risers and cheeky drops.
'Bad Gateway' is even better, ditching the loping ATL framework in favor of a swinging 4/4, choppy raps and squishy, lo-fidelity French touch synths. But our fave is 'Evangel', a delightfully melancholy, Senni-esque hyper-trance colorbomb that never completely explodes, constantly teasing a drop that never actually appears.
MM and Suda reconvene as Async Figure for a bombastic set of baroque club-trap hybrids that sound as upfront as HudMo and as squashed, symphonic and wonky as Lorenzo Senni. Neon, bolshy and playable as all fuck.
The latest in a series of Async Figure releases for Tzusing's Sea Cucumber imprint, 'It's Pulling My Strings' is the duo's most coherent statement yet, a fully upfront, melody-forward mutation of familiar club motifs that's injected with an unmistakably British sense of humor. Lead single 'Rover' is maybe the record's moodiest moment, a distorted, grimey fake-out that doesn't really scratch the surface. 'Gen' hands us more fireworks, lavishing the duo's expertly-engineered and masterfully-compressed post-trap rhythms with overdramatic trance risers and cheeky drops.
'Bad Gateway' is even better, ditching the loping ATL framework in favor of a swinging 4/4, choppy raps and squishy, lo-fidelity French touch synths. But our fave is 'Evangel', a delightfully melancholy, Senni-esque hyper-trance colorbomb that never completely explodes, constantly teasing a drop that never actually appears.
MM and Suda reconvene as Async Figure for a bombastic set of baroque club-trap hybrids that sound as upfront as HudMo and as squashed, symphonic and wonky as Lorenzo Senni. Neon, bolshy and playable as all fuck.
The latest in a series of Async Figure releases for Tzusing's Sea Cucumber imprint, 'It's Pulling My Strings' is the duo's most coherent statement yet, a fully upfront, melody-forward mutation of familiar club motifs that's injected with an unmistakably British sense of humor. Lead single 'Rover' is maybe the record's moodiest moment, a distorted, grimey fake-out that doesn't really scratch the surface. 'Gen' hands us more fireworks, lavishing the duo's expertly-engineered and masterfully-compressed post-trap rhythms with overdramatic trance risers and cheeky drops.
'Bad Gateway' is even better, ditching the loping ATL framework in favor of a swinging 4/4, choppy raps and squishy, lo-fidelity French touch synths. But our fave is 'Evangel', a delightfully melancholy, Senni-esque hyper-trance colorbomb that never completely explodes, constantly teasing a drop that never actually appears.