Florentine artist Lorenzo Fortino wields drones and krautische motorik guitar patterns on new Roman label Miniera, for fans of Konrad Sprenger, Julia Reidy, Oren Ambarchi
With a sophisticated grasp of his instruments’ tone, Fortini’s 4th solo album since his 2016 debut shapes up a smart introduction for those outside the Italian underground, and likewise a fine maiden voyage for the Miniera label. Its seven parts showcase the range of his sound between cusp-of-ambient urges, more intense, avant, minimalist rock angles and pulsating motorik electronics that intersect each other in iridescent permutations.
There’s kinetic vitality and emotional cadence to proceedings that really allows one into Fortini’s sound and singles him out as a promising artist coming into his own. Cyclical in nature, the album flows from lush, sloshing abstraction in ‘Richiamo Dal Passato’ to more pointillist arrangements like Lorezno Senni regressing to renaissance styles on ‘Arte Povera’, while covering hugely variegated terrain in between. The gnashing high-wire shred of ‘Fuori Dalle Regole’ expresses a sort of ecstatic agitation, while the twinkling motorik pulses of ‘Idoli Banditi’ keep it tremulously up, before plunging into cosmic vastness on ‘Pomeriggio Rallentato’. His mighty cascade of polychromatic flux in ‘Futustoria’ is a big highlight, comparable with a possessed jam between Konrad Sprenger and Julia Reidy, and the tender lather of ‘Nonna Isotta’ characterises his emotive range and ability to tell a compelling story with minimalist efficiency.
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Limited clear vinyl.
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Florentine artist Lorenzo Fortino wields drones and krautische motorik guitar patterns on new Roman label Miniera, for fans of Konrad Sprenger, Julia Reidy, Oren Ambarchi
With a sophisticated grasp of his instruments’ tone, Fortini’s 4th solo album since his 2016 debut shapes up a smart introduction for those outside the Italian underground, and likewise a fine maiden voyage for the Miniera label. Its seven parts showcase the range of his sound between cusp-of-ambient urges, more intense, avant, minimalist rock angles and pulsating motorik electronics that intersect each other in iridescent permutations.
There’s kinetic vitality and emotional cadence to proceedings that really allows one into Fortini’s sound and singles him out as a promising artist coming into his own. Cyclical in nature, the album flows from lush, sloshing abstraction in ‘Richiamo Dal Passato’ to more pointillist arrangements like Lorezno Senni regressing to renaissance styles on ‘Arte Povera’, while covering hugely variegated terrain in between. The gnashing high-wire shred of ‘Fuori Dalle Regole’ expresses a sort of ecstatic agitation, while the twinkling motorik pulses of ‘Idoli Banditi’ keep it tremulously up, before plunging into cosmic vastness on ‘Pomeriggio Rallentato’. His mighty cascade of polychromatic flux in ‘Futustoria’ is a big highlight, comparable with a possessed jam between Konrad Sprenger and Julia Reidy, and the tender lather of ‘Nonna Isotta’ characterises his emotive range and ability to tell a compelling story with minimalist efficiency.