Hardcore darkside steppers pressure by Bryn Jones on a first reissue of his debut with Staalplaat, who would turn out to be his hardest supporters for decades to come
Originally presented in 1988, ‘Iran’ is coltishly adored for its 10 minute lead cut ‘Lion of Kandahar (Extended Re-Mix)’, where pounding UK steppers dub effectively encounters industrial synth music and Arabic inspirations in what became a signature style for Muslimgauze. It gets some serious traction from porto-techno kicks offset on the 3rd in a steppers lope, and syncopated with recoiling loops evoking traditional Persian drumming, all bedding a glowering bass drone. Proper, killer sauce, this! ‘Qom(Short Version’ is far more relaxed, atmospheric, and ‘Intifadah (Extended Re-Mix)’ wears its politics on its title sleeve in a 17 minute echo of the A-side that leans on/off the pressure according to the artist’s singular logic, dropping out to passages of sitar and other strings, and back to the beat, with a hands-on-desk, live dubbed linearity.
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Hardcore darkside steppers pressure by Bryn Jones on a first reissue of his debut with Staalplaat, who would turn out to be his hardest supporters for decades to come
Originally presented in 1988, ‘Iran’ is coltishly adored for its 10 minute lead cut ‘Lion of Kandahar (Extended Re-Mix)’, where pounding UK steppers dub effectively encounters industrial synth music and Arabic inspirations in what became a signature style for Muslimgauze. It gets some serious traction from porto-techno kicks offset on the 3rd in a steppers lope, and syncopated with recoiling loops evoking traditional Persian drumming, all bedding a glowering bass drone. Proper, killer sauce, this! ‘Qom(Short Version’ is far more relaxed, atmospheric, and ‘Intifadah (Extended Re-Mix)’ wears its politics on its title sleeve in a 17 minute echo of the A-side that leans on/off the pressure according to the artist’s singular logic, dropping out to passages of sitar and other strings, and back to the beat, with a hands-on-desk, live dubbed linearity.
Hardcore darkside steppers pressure by Bryn Jones on a first reissue of his debut with Staalplaat, who would turn out to be his hardest supporters for decades to come
Originally presented in 1988, ‘Iran’ is coltishly adored for its 10 minute lead cut ‘Lion of Kandahar (Extended Re-Mix)’, where pounding UK steppers dub effectively encounters industrial synth music and Arabic inspirations in what became a signature style for Muslimgauze. It gets some serious traction from porto-techno kicks offset on the 3rd in a steppers lope, and syncopated with recoiling loops evoking traditional Persian drumming, all bedding a glowering bass drone. Proper, killer sauce, this! ‘Qom(Short Version’ is far more relaxed, atmospheric, and ‘Intifadah (Extended Re-Mix)’ wears its politics on its title sleeve in a 17 minute echo of the A-side that leans on/off the pressure according to the artist’s singular logic, dropping out to passages of sitar and other strings, and back to the beat, with a hands-on-desk, live dubbed linearity.
Hardcore darkside steppers pressure by Bryn Jones on a first reissue of his debut with Staalplaat, who would turn out to be his hardest supporters for decades to come
Originally presented in 1988, ‘Iran’ is coltishly adored for its 10 minute lead cut ‘Lion of Kandahar (Extended Re-Mix)’, where pounding UK steppers dub effectively encounters industrial synth music and Arabic inspirations in what became a signature style for Muslimgauze. It gets some serious traction from porto-techno kicks offset on the 3rd in a steppers lope, and syncopated with recoiling loops evoking traditional Persian drumming, all bedding a glowering bass drone. Proper, killer sauce, this! ‘Qom(Short Version’ is far more relaxed, atmospheric, and ‘Intifadah (Extended Re-Mix)’ wears its politics on its title sleeve in a 17 minute echo of the A-side that leans on/off the pressure according to the artist’s singular logic, dropping out to passages of sitar and other strings, and back to the beat, with a hands-on-desk, live dubbed linearity.