Memotone
Invisible Cities
Boomkat Product Review:
Ambient sound design meets rustic neo-classical composition in Memotone’s Invisible Cities
“Informed by the atmosphere of the Italo Calvino novel of the same name, the ten tracks on Invisible Cities mutably shimmer somewhere between neo-classical-leaning ambient, fourth-world new-age exotica, and post-krautrock OSTs. By intermixing the different timbres of live string and wind instruments with astute synthesizer touches and skittish drum machine strokes, Yates has created an organic and ethereal magnum opus in which a brooding but graceful energy is manipulated into a delicately interwoven narrative.
The album opens with the spiritualist fusion of Eusapia, where a sensorial Saint-Saënsesque cello melody gets tangled between passages of Rhodes and piano, which in turn play call and response with Messiaen-Oiseaux clarinet phrases. Shadowed Grass provides an excellent minimalist second movement, evoking a collaborative live performance from Martin Denny, Yasuaki Shimizu, and Delia Derbyshire.
These two tracks provide the perfect prologue for Where Memory is Traded, a beautiful and evocative standout piece recalling the impressionistic-period soundtrack work of Alberto Iglesias, Mark Isham, and Mychael Danna that really demonstrates Yates’s exceptional composition & production skills, as well as his protean high-calibre musicianship.
Other highlights include Measure for Measure, a Nurse-With-Wound-plays-the-hits-of-Weather-Report number, and two tracks that teleport us to different periods of Bristol’s modern-music history; firstly Niigghht, a forest-floor, tribal-yet-jazzy downtempo gem reminiscent of the 90s work of Hooper, Marshall et al. and later Hidden Cities with its jittery electronic percussion recalling the circa-2010 prime of the city’s dubstep scene. The album closes with the serene Wrapped One Within the Other featuring enchanting vocals from Stac Dowdeswell, a halcyon lullaby that eases us reluctantly back from the illusory world of the Invisible Cities to the stark reality from whence we came.”
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Boomkat Product Review:
Ambient sound design meets rustic neo-classical composition in Memotone’s Invisible Cities
“Informed by the atmosphere of the Italo Calvino novel of the same name, the ten tracks on Invisible Cities mutably shimmer somewhere between neo-classical-leaning ambient, fourth-world new-age exotica, and post-krautrock OSTs. By intermixing the different timbres of live string and wind instruments with astute synthesizer touches and skittish drum machine strokes, Yates has created an organic and ethereal magnum opus in which a brooding but graceful energy is manipulated into a delicately interwoven narrative.
The album opens with the spiritualist fusion of Eusapia, where a sensorial Saint-Saënsesque cello melody gets tangled between passages of Rhodes and piano, which in turn play call and response with Messiaen-Oiseaux clarinet phrases. Shadowed Grass provides an excellent minimalist second movement, evoking a collaborative live performance from Martin Denny, Yasuaki Shimizu, and Delia Derbyshire.
These two tracks provide the perfect prologue for Where Memory is Traded, a beautiful and evocative standout piece recalling the impressionistic-period soundtrack work of Alberto Iglesias, Mark Isham, and Mychael Danna that really demonstrates Yates’s exceptional composition & production skills, as well as his protean high-calibre musicianship.
Other highlights include Measure for Measure, a Nurse-With-Wound-plays-the-hits-of-Weather-Report number, and two tracks that teleport us to different periods of Bristol’s modern-music history; firstly Niigghht, a forest-floor, tribal-yet-jazzy downtempo gem reminiscent of the 90s work of Hooper, Marshall et al. and later Hidden Cities with its jittery electronic percussion recalling the circa-2010 prime of the city’s dubstep scene. The album closes with the serene Wrapped One Within the Other featuring enchanting vocals from Stac Dowdeswell, a halcyon lullaby that eases us reluctantly back from the illusory world of the Invisible Cities to the stark reality from whence we came.”
Boomkat Product Review:
Ambient sound design meets rustic neo-classical composition in Memotone’s Invisible Cities
“Informed by the atmosphere of the Italo Calvino novel of the same name, the ten tracks on Invisible Cities mutably shimmer somewhere between neo-classical-leaning ambient, fourth-world new-age exotica, and post-krautrock OSTs. By intermixing the different timbres of live string and wind instruments with astute synthesizer touches and skittish drum machine strokes, Yates has created an organic and ethereal magnum opus in which a brooding but graceful energy is manipulated into a delicately interwoven narrative.
The album opens with the spiritualist fusion of Eusapia, where a sensorial Saint-Saënsesque cello melody gets tangled between passages of Rhodes and piano, which in turn play call and response with Messiaen-Oiseaux clarinet phrases. Shadowed Grass provides an excellent minimalist second movement, evoking a collaborative live performance from Martin Denny, Yasuaki Shimizu, and Delia Derbyshire.
These two tracks provide the perfect prologue for Where Memory is Traded, a beautiful and evocative standout piece recalling the impressionistic-period soundtrack work of Alberto Iglesias, Mark Isham, and Mychael Danna that really demonstrates Yates’s exceptional composition & production skills, as well as his protean high-calibre musicianship.
Other highlights include Measure for Measure, a Nurse-With-Wound-plays-the-hits-of-Weather-Report number, and two tracks that teleport us to different periods of Bristol’s modern-music history; firstly Niigghht, a forest-floor, tribal-yet-jazzy downtempo gem reminiscent of the 90s work of Hooper, Marshall et al. and later Hidden Cities with its jittery electronic percussion recalling the circa-2010 prime of the city’s dubstep scene. The album closes with the serene Wrapped One Within the Other featuring enchanting vocals from Stac Dowdeswell, a halcyon lullaby that eases us reluctantly back from the illusory world of the Invisible Cities to the stark reality from whence we came.”
Boomkat Product Review:
Ambient sound design meets rustic neo-classical composition in Memotone’s Invisible Cities
“Informed by the atmosphere of the Italo Calvino novel of the same name, the ten tracks on Invisible Cities mutably shimmer somewhere between neo-classical-leaning ambient, fourth-world new-age exotica, and post-krautrock OSTs. By intermixing the different timbres of live string and wind instruments with astute synthesizer touches and skittish drum machine strokes, Yates has created an organic and ethereal magnum opus in which a brooding but graceful energy is manipulated into a delicately interwoven narrative.
The album opens with the spiritualist fusion of Eusapia, where a sensorial Saint-Saënsesque cello melody gets tangled between passages of Rhodes and piano, which in turn play call and response with Messiaen-Oiseaux clarinet phrases. Shadowed Grass provides an excellent minimalist second movement, evoking a collaborative live performance from Martin Denny, Yasuaki Shimizu, and Delia Derbyshire.
These two tracks provide the perfect prologue for Where Memory is Traded, a beautiful and evocative standout piece recalling the impressionistic-period soundtrack work of Alberto Iglesias, Mark Isham, and Mychael Danna that really demonstrates Yates’s exceptional composition & production skills, as well as his protean high-calibre musicianship.
Other highlights include Measure for Measure, a Nurse-With-Wound-plays-the-hits-of-Weather-Report number, and two tracks that teleport us to different periods of Bristol’s modern-music history; firstly Niigghht, a forest-floor, tribal-yet-jazzy downtempo gem reminiscent of the 90s work of Hooper, Marshall et al. and later Hidden Cities with its jittery electronic percussion recalling the circa-2010 prime of the city’s dubstep scene. The album closes with the serene Wrapped One Within the Other featuring enchanting vocals from Stac Dowdeswell, a halcyon lullaby that eases us reluctantly back from the illusory world of the Invisible Cities to the stark reality from whence we came.”
Out of Stock
Boomkat Product Review:
Ambient sound design meets rustic neo-classical composition in Memotone’s Invisible Cities
“Informed by the atmosphere of the Italo Calvino novel of the same name, the ten tracks on Invisible Cities mutably shimmer somewhere between neo-classical-leaning ambient, fourth-world new-age exotica, and post-krautrock OSTs. By intermixing the different timbres of live string and wind instruments with astute synthesizer touches and skittish drum machine strokes, Yates has created an organic and ethereal magnum opus in which a brooding but graceful energy is manipulated into a delicately interwoven narrative.
The album opens with the spiritualist fusion of Eusapia, where a sensorial Saint-Saënsesque cello melody gets tangled between passages of Rhodes and piano, which in turn play call and response with Messiaen-Oiseaux clarinet phrases. Shadowed Grass provides an excellent minimalist second movement, evoking a collaborative live performance from Martin Denny, Yasuaki Shimizu, and Delia Derbyshire.
These two tracks provide the perfect prologue for Where Memory is Traded, a beautiful and evocative standout piece recalling the impressionistic-period soundtrack work of Alberto Iglesias, Mark Isham, and Mychael Danna that really demonstrates Yates’s exceptional composition & production skills, as well as his protean high-calibre musicianship.
Other highlights include Measure for Measure, a Nurse-With-Wound-plays-the-hits-of-Weather-Report number, and two tracks that teleport us to different periods of Bristol’s modern-music history; firstly Niigghht, a forest-floor, tribal-yet-jazzy downtempo gem reminiscent of the 90s work of Hooper, Marshall et al. and later Hidden Cities with its jittery electronic percussion recalling the circa-2010 prime of the city’s dubstep scene. The album closes with the serene Wrapped One Within the Other featuring enchanting vocals from Stac Dowdeswell, a halcyon lullaby that eases us reluctantly back from the illusory world of the Invisible Cities to the stark reality from whence we came.”
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