Suicide’s late industrial rock ’n roll engine unleashes the beast of his unreleased LP, built in mid ‘90s Brookyn between ’Mutator’ and ’2007’, and roughly circa his work with Panasonic as Vainio / Väisänen / Vega
Alongside Martin Rev in Suicide, Alan Vega was a foremost pilot of NYC’s transition from no wave to industrial, capturing and reframing rock ’n roll thrust for a new, technoid generation. ‘Insurrection’ is Vega’s previously unreleased salvo from a mid-period peak of his powers, then edging into his ’60s but still packing more swag and growl than mutts a fraction of his age. It was produced in the wake of ‘Mutator’, which received its first (posthumous) release in 2021 via Sacred Bones, and follows suit with a savant savage suite of damaged rock ’n roll spurred by an industrial clinamen, and lyrics reflecting the feral state of an NYC that, whilst in the process of being cleaned up by mob boss Mayor Giuliani, was still “rife with crime, killing, hate, fascism, racism, and moral bankruptcy”, as stated by his wife and collaborator Liz Lamere.
The 11 tracks manifest Vega’s minimalist mastery thru a range of concentrated, sinewy drum machine and synth noise jags galvanised and stamped with his signature vocal exhortations that channel mad rock ’n roll howlers and huffers with a Gotham City steez. LA label In The Red trailed this release back in 2020 with ‘Murder One’, a killer piece of industrial storytelling replete in its entirety here alongside 10 unheard bits of restive gristle. The trench footed ’Sewer’ opens a dank account that takes in the fanfare hook of ‘Invasion’ and Ballardian sauce of ‘Crash’, a torrent of clangorous hell in ‘Fireballer Fever’ and the hurtling ‘Genocide’, shearing computer music noise miniature ‘Jet Lord’, and the cyber-skiffle of ‘Mercy’, plus the masticating, flanged noise of ‘Fireballer Spirit’ as a prime finishing move.
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Suicide’s late industrial rock ’n roll engine unleashes the beast of his unreleased LP, built in mid ‘90s Brookyn between ’Mutator’ and ’2007’, and roughly circa his work with Panasonic as Vainio / Väisänen / Vega
Alongside Martin Rev in Suicide, Alan Vega was a foremost pilot of NYC’s transition from no wave to industrial, capturing and reframing rock ’n roll thrust for a new, technoid generation. ‘Insurrection’ is Vega’s previously unreleased salvo from a mid-period peak of his powers, then edging into his ’60s but still packing more swag and growl than mutts a fraction of his age. It was produced in the wake of ‘Mutator’, which received its first (posthumous) release in 2021 via Sacred Bones, and follows suit with a savant savage suite of damaged rock ’n roll spurred by an industrial clinamen, and lyrics reflecting the feral state of an NYC that, whilst in the process of being cleaned up by mob boss Mayor Giuliani, was still “rife with crime, killing, hate, fascism, racism, and moral bankruptcy”, as stated by his wife and collaborator Liz Lamere.
The 11 tracks manifest Vega’s minimalist mastery thru a range of concentrated, sinewy drum machine and synth noise jags galvanised and stamped with his signature vocal exhortations that channel mad rock ’n roll howlers and huffers with a Gotham City steez. LA label In The Red trailed this release back in 2020 with ‘Murder One’, a killer piece of industrial storytelling replete in its entirety here alongside 10 unheard bits of restive gristle. The trench footed ’Sewer’ opens a dank account that takes in the fanfare hook of ‘Invasion’ and Ballardian sauce of ‘Crash’, a torrent of clangorous hell in ‘Fireballer Fever’ and the hurtling ‘Genocide’, shearing computer music noise miniature ‘Jet Lord’, and the cyber-skiffle of ‘Mercy’, plus the masticating, flanged noise of ‘Fireballer Spirit’ as a prime finishing move.
Suicide’s late industrial rock ’n roll engine unleashes the beast of his unreleased LP, built in mid ‘90s Brookyn between ’Mutator’ and ’2007’, and roughly circa his work with Panasonic as Vainio / Väisänen / Vega
Alongside Martin Rev in Suicide, Alan Vega was a foremost pilot of NYC’s transition from no wave to industrial, capturing and reframing rock ’n roll thrust for a new, technoid generation. ‘Insurrection’ is Vega’s previously unreleased salvo from a mid-period peak of his powers, then edging into his ’60s but still packing more swag and growl than mutts a fraction of his age. It was produced in the wake of ‘Mutator’, which received its first (posthumous) release in 2021 via Sacred Bones, and follows suit with a savant savage suite of damaged rock ’n roll spurred by an industrial clinamen, and lyrics reflecting the feral state of an NYC that, whilst in the process of being cleaned up by mob boss Mayor Giuliani, was still “rife with crime, killing, hate, fascism, racism, and moral bankruptcy”, as stated by his wife and collaborator Liz Lamere.
The 11 tracks manifest Vega’s minimalist mastery thru a range of concentrated, sinewy drum machine and synth noise jags galvanised and stamped with his signature vocal exhortations that channel mad rock ’n roll howlers and huffers with a Gotham City steez. LA label In The Red trailed this release back in 2020 with ‘Murder One’, a killer piece of industrial storytelling replete in its entirety here alongside 10 unheard bits of restive gristle. The trench footed ’Sewer’ opens a dank account that takes in the fanfare hook of ‘Invasion’ and Ballardian sauce of ‘Crash’, a torrent of clangorous hell in ‘Fireballer Fever’ and the hurtling ‘Genocide’, shearing computer music noise miniature ‘Jet Lord’, and the cyber-skiffle of ‘Mercy’, plus the masticating, flanged noise of ‘Fireballer Spirit’ as a prime finishing move.
Suicide’s late industrial rock ’n roll engine unleashes the beast of his unreleased LP, built in mid ‘90s Brookyn between ’Mutator’ and ’2007’, and roughly circa his work with Panasonic as Vainio / Väisänen / Vega
Alongside Martin Rev in Suicide, Alan Vega was a foremost pilot of NYC’s transition from no wave to industrial, capturing and reframing rock ’n roll thrust for a new, technoid generation. ‘Insurrection’ is Vega’s previously unreleased salvo from a mid-period peak of his powers, then edging into his ’60s but still packing more swag and growl than mutts a fraction of his age. It was produced in the wake of ‘Mutator’, which received its first (posthumous) release in 2021 via Sacred Bones, and follows suit with a savant savage suite of damaged rock ’n roll spurred by an industrial clinamen, and lyrics reflecting the feral state of an NYC that, whilst in the process of being cleaned up by mob boss Mayor Giuliani, was still “rife with crime, killing, hate, fascism, racism, and moral bankruptcy”, as stated by his wife and collaborator Liz Lamere.
The 11 tracks manifest Vega’s minimalist mastery thru a range of concentrated, sinewy drum machine and synth noise jags galvanised and stamped with his signature vocal exhortations that channel mad rock ’n roll howlers and huffers with a Gotham City steez. LA label In The Red trailed this release back in 2020 with ‘Murder One’, a killer piece of industrial storytelling replete in its entirety here alongside 10 unheard bits of restive gristle. The trench footed ’Sewer’ opens a dank account that takes in the fanfare hook of ‘Invasion’ and Ballardian sauce of ‘Crash’, a torrent of clangorous hell in ‘Fireballer Fever’ and the hurtling ‘Genocide’, shearing computer music noise miniature ‘Jet Lord’, and the cyber-skiffle of ‘Mercy’, plus the masticating, flanged noise of ‘Fireballer Spirit’ as a prime finishing move.
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Suicide’s late industrial rock ’n roll engine unleashes the beast of his unreleased LP, built in mid ‘90s Brookyn between ’Mutator’ and ’2007’, and roughly circa his work with Panasonic as Vainio / Väisänen / Vega
Alongside Martin Rev in Suicide, Alan Vega was a foremost pilot of NYC’s transition from no wave to industrial, capturing and reframing rock ’n roll thrust for a new, technoid generation. ‘Insurrection’ is Vega’s previously unreleased salvo from a mid-period peak of his powers, then edging into his ’60s but still packing more swag and growl than mutts a fraction of his age. It was produced in the wake of ‘Mutator’, which received its first (posthumous) release in 2021 via Sacred Bones, and follows suit with a savant savage suite of damaged rock ’n roll spurred by an industrial clinamen, and lyrics reflecting the feral state of an NYC that, whilst in the process of being cleaned up by mob boss Mayor Giuliani, was still “rife with crime, killing, hate, fascism, racism, and moral bankruptcy”, as stated by his wife and collaborator Liz Lamere.
The 11 tracks manifest Vega’s minimalist mastery thru a range of concentrated, sinewy drum machine and synth noise jags galvanised and stamped with his signature vocal exhortations that channel mad rock ’n roll howlers and huffers with a Gotham City steez. LA label In The Red trailed this release back in 2020 with ‘Murder One’, a killer piece of industrial storytelling replete in its entirety here alongside 10 unheard bits of restive gristle. The trench footed ’Sewer’ opens a dank account that takes in the fanfare hook of ‘Invasion’ and Ballardian sauce of ‘Crash’, a torrent of clangorous hell in ‘Fireballer Fever’ and the hurtling ‘Genocide’, shearing computer music noise miniature ‘Jet Lord’, and the cyber-skiffle of ‘Mercy’, plus the masticating, flanged noise of ‘Fireballer Spirit’ as a prime finishing move.
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Suicide’s late industrial rock ’n roll engine unleashes the beast of his unreleased LP, built in mid ‘90s Brookyn between ’Mutator’ and ’2007’, and roughly circa his work with Panasonic as Vainio / Väisänen / Vega
Alongside Martin Rev in Suicide, Alan Vega was a foremost pilot of NYC’s transition from no wave to industrial, capturing and reframing rock ’n roll thrust for a new, technoid generation. ‘Insurrection’ is Vega’s previously unreleased salvo from a mid-period peak of his powers, then edging into his ’60s but still packing more swag and growl than mutts a fraction of his age. It was produced in the wake of ‘Mutator’, which received its first (posthumous) release in 2021 via Sacred Bones, and follows suit with a savant savage suite of damaged rock ’n roll spurred by an industrial clinamen, and lyrics reflecting the feral state of an NYC that, whilst in the process of being cleaned up by mob boss Mayor Giuliani, was still “rife with crime, killing, hate, fascism, racism, and moral bankruptcy”, as stated by his wife and collaborator Liz Lamere.
The 11 tracks manifest Vega’s minimalist mastery thru a range of concentrated, sinewy drum machine and synth noise jags galvanised and stamped with his signature vocal exhortations that channel mad rock ’n roll howlers and huffers with a Gotham City steez. LA label In The Red trailed this release back in 2020 with ‘Murder One’, a killer piece of industrial storytelling replete in its entirety here alongside 10 unheard bits of restive gristle. The trench footed ’Sewer’ opens a dank account that takes in the fanfare hook of ‘Invasion’ and Ballardian sauce of ‘Crash’, a torrent of clangorous hell in ‘Fireballer Fever’ and the hurtling ‘Genocide’, shearing computer music noise miniature ‘Jet Lord’, and the cyber-skiffle of ‘Mercy’, plus the masticating, flanged noise of ‘Fireballer Spirit’ as a prime finishing move.