Inside The Light World: Sun Ra Meets The OVC
The first release of Sun Ra's supposedly lost sessions with rocket scientist Bill Sebastian's keyboard-controlled light projector - the Outer Space Visual Communicator - 'Inside the Light World' is an expectedly dazzling set, featuring previously unheard versions of 'Calling Planet Earth', 'Sunset on the Nile' and others.
It was in the late 1970s when Sun Ra first came across Sebastian's invention. The scientist had developed the OVC to allow artists to create light patterns as easily as musicians play notes, using their hands and feet to control what amounted to a colour organ, with touch sensitive buttons that shifted the size, sharpness and symmetry of the lights. It was Sun Ra himself who named the device; he experimented with it extensively for a few years as an accompaniment to his shows. Some of the material surfaced on two beat-up VHS tapes, but the original recordings were assumed to be gone until Sun Ra's catalog manager Irwin Chusid tracked down Sebastian and found out that he was still in Boston, surprisingly still working on new iterations of the OVC.
These particular sessions were dubbed in 1986 at Mission Control Studios in Massachusetts, and since they were never intended for release they'd never been properly mixed. Chusid got together with engineer Joe Lizzi and they gave the material the royal treatment, making sure the Arkestra's visceral performance was rendered precisely. And it's phenomenal stuff - crystal clear, with Sun Ra's bizarre organ parts and oddball DX7 interludes taking the focus. There are renditions of plenty of well-known Sun Ra standards here, but the cherry is a blistering 22-minute performance of 'Discipline 27-11'. So good!
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The first release of Sun Ra's supposedly lost sessions with rocket scientist Bill Sebastian's keyboard-controlled light projector - the Outer Space Visual Communicator - 'Inside the Light World' is an expectedly dazzling set, featuring previously unheard versions of 'Calling Planet Earth', 'Sunset on the Nile' and others.
It was in the late 1970s when Sun Ra first came across Sebastian's invention. The scientist had developed the OVC to allow artists to create light patterns as easily as musicians play notes, using their hands and feet to control what amounted to a colour organ, with touch sensitive buttons that shifted the size, sharpness and symmetry of the lights. It was Sun Ra himself who named the device; he experimented with it extensively for a few years as an accompaniment to his shows. Some of the material surfaced on two beat-up VHS tapes, but the original recordings were assumed to be gone until Sun Ra's catalog manager Irwin Chusid tracked down Sebastian and found out that he was still in Boston, surprisingly still working on new iterations of the OVC.
These particular sessions were dubbed in 1986 at Mission Control Studios in Massachusetts, and since they were never intended for release they'd never been properly mixed. Chusid got together with engineer Joe Lizzi and they gave the material the royal treatment, making sure the Arkestra's visceral performance was rendered precisely. And it's phenomenal stuff - crystal clear, with Sun Ra's bizarre organ parts and oddball DX7 interludes taking the focus. There are renditions of plenty of well-known Sun Ra standards here, but the cherry is a blistering 22-minute performance of 'Discipline 27-11'. So good!
The first release of Sun Ra's supposedly lost sessions with rocket scientist Bill Sebastian's keyboard-controlled light projector - the Outer Space Visual Communicator - 'Inside the Light World' is an expectedly dazzling set, featuring previously unheard versions of 'Calling Planet Earth', 'Sunset on the Nile' and others.
It was in the late 1970s when Sun Ra first came across Sebastian's invention. The scientist had developed the OVC to allow artists to create light patterns as easily as musicians play notes, using their hands and feet to control what amounted to a colour organ, with touch sensitive buttons that shifted the size, sharpness and symmetry of the lights. It was Sun Ra himself who named the device; he experimented with it extensively for a few years as an accompaniment to his shows. Some of the material surfaced on two beat-up VHS tapes, but the original recordings were assumed to be gone until Sun Ra's catalog manager Irwin Chusid tracked down Sebastian and found out that he was still in Boston, surprisingly still working on new iterations of the OVC.
These particular sessions were dubbed in 1986 at Mission Control Studios in Massachusetts, and since they were never intended for release they'd never been properly mixed. Chusid got together with engineer Joe Lizzi and they gave the material the royal treatment, making sure the Arkestra's visceral performance was rendered precisely. And it's phenomenal stuff - crystal clear, with Sun Ra's bizarre organ parts and oddball DX7 interludes taking the focus. There are renditions of plenty of well-known Sun Ra standards here, but the cherry is a blistering 22-minute performance of 'Discipline 27-11'. So good!
The first release of Sun Ra's supposedly lost sessions with rocket scientist Bill Sebastian's keyboard-controlled light projector - the Outer Space Visual Communicator - 'Inside the Light World' is an expectedly dazzling set, featuring previously unheard versions of 'Calling Planet Earth', 'Sunset on the Nile' and others.
It was in the late 1970s when Sun Ra first came across Sebastian's invention. The scientist had developed the OVC to allow artists to create light patterns as easily as musicians play notes, using their hands and feet to control what amounted to a colour organ, with touch sensitive buttons that shifted the size, sharpness and symmetry of the lights. It was Sun Ra himself who named the device; he experimented with it extensively for a few years as an accompaniment to his shows. Some of the material surfaced on two beat-up VHS tapes, but the original recordings were assumed to be gone until Sun Ra's catalog manager Irwin Chusid tracked down Sebastian and found out that he was still in Boston, surprisingly still working on new iterations of the OVC.
These particular sessions were dubbed in 1986 at Mission Control Studios in Massachusetts, and since they were never intended for release they'd never been properly mixed. Chusid got together with engineer Joe Lizzi and they gave the material the royal treatment, making sure the Arkestra's visceral performance was rendered precisely. And it's phenomenal stuff - crystal clear, with Sun Ra's bizarre organ parts and oddball DX7 interludes taking the focus. There are renditions of plenty of well-known Sun Ra standards here, but the cherry is a blistering 22-minute performance of 'Discipline 27-11'. So good!
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The first release of Sun Ra's supposedly lost sessions with rocket scientist Bill Sebastian's keyboard-controlled light projector - the Outer Space Visual Communicator - 'Inside the Light World' is an expectedly dazzling set, featuring previously unheard versions of 'Calling Planet Earth', 'Sunset on the Nile' and others.
It was in the late 1970s when Sun Ra first came across Sebastian's invention. The scientist had developed the OVC to allow artists to create light patterns as easily as musicians play notes, using their hands and feet to control what amounted to a colour organ, with touch sensitive buttons that shifted the size, sharpness and symmetry of the lights. It was Sun Ra himself who named the device; he experimented with it extensively for a few years as an accompaniment to his shows. Some of the material surfaced on two beat-up VHS tapes, but the original recordings were assumed to be gone until Sun Ra's catalog manager Irwin Chusid tracked down Sebastian and found out that he was still in Boston, surprisingly still working on new iterations of the OVC.
These particular sessions were dubbed in 1986 at Mission Control Studios in Massachusetts, and since they were never intended for release they'd never been properly mixed. Chusid got together with engineer Joe Lizzi and they gave the material the royal treatment, making sure the Arkestra's visceral performance was rendered precisely. And it's phenomenal stuff - crystal clear, with Sun Ra's bizarre organ parts and oddball DX7 interludes taking the focus. There are renditions of plenty of well-known Sun Ra standards here, but the cherry is a blistering 22-minute performance of 'Discipline 27-11'. So good!