Boomkat Product Review:
Magisterial, psilocybic stuff from Windy City electro-acoustic explorer Olivia Block, returning to Room 40 with a filmic new album inspired by mushy trips during lockdown.
‘Innocent Passage in the Territorial Sea’ plots out a mental projection of pulsating Mellotron synth scapes that build on over 20 years of diverse practice involving composition for chamber instrumentation, field recording and explorative synthesis, as released by esteemed labels such as Sedimental, NNA Tapes, and Another Timbre. Reflecting on a process of listening “somatically”, as inspired by her “regular practice of listening with intention while on psychedelic mushrooms”, the results form an escape pod from lockdown, shaped into something like a sort of “speculative science fiction film” that now firmly lends themselves to use as your own shuttle to other dimensions.
Using the warped tonal colour of a broken Mellotron synth, Olivia was drawn to its low end possibilities which underline and propel the album from its elegant lift off ‘Axiolite’ across the oceanic ‘Laika’ to really take flight with heart-in-mouth sensation on the Alessandro Cortini-esque grandeur of ‘Great Northern, 34428’, and with Eleh-like thrum nagged by icicular patterns in ‘En Echelon’. The narrative takes a more blissed turn into keening new agey chamber styles like a frosty Laraaji with ‘Through Houses’ and ultimately leads up to the iridescent ice caves of the album’s 10 min climax ‘Rivers in Reverse’ where she acts as chilly fleshly conduit for the Mellotron’s off kilter voice to really sing out its strange dream.