Boomkat Product Review:
Inna Babalon is perhaps the strongest indictment of John T. Gast’s eldritch, even medieval-tinged take on UK-bassed dub themes, ‘fessed up for the natty, mystic 5 Gate Temple label.
Firmly pushing a personalised furrow of rolling, stepping drum machines and near-baroque choral arrangements, the follow-up album to Excerpts for Planet Mu is more defined by a consistent, tangible thread of logic than its predecessor, working like the soundtrack to a lo-fi, time-travelling Brit-flick set between modern day Brixton and some stone circle in Cornwall circa the 17th century.
It’s very fair to say he’s in his own world here, working away at a cauldron of bubbling drum machines and oxidised synths to reveal a sort of nostalgic regression for parallel dimensions in eight parts.
We’re totally smitten with this guy’s work, it’s kinda hard to put into words how much he’s nailing a sound we hold so dearly. And if you’re on the same tip, we urge you to check his amazing Blowing Up the Workshop mix-turned-LP if you haven’t already.