Dekmantel wrest an album of hard working techno from Anthony Parasole, a mainstay of the NYC scene for decades, proprietor of The Corner label, and more recently a regular figure on the decks at Berghain.
Building on five years of productions for Ostgut Ton and the labels of Levon Vincent and Marcel Dettmann, he ploughs out a haul of ruggedly hypnotic gear inside infrared Vision, with tuffened highlights in the spiny jacker, Explode and the reticulated swerve of So Alive, but also leaving lots of room for experimentation, most successfully with the slippery wormholes of Zenith and Bizarre Part 2.
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Dekmantel wrest an album of hard working techno from Anthony Parasole, a mainstay of the NYC scene for decades, proprietor of The Corner label, and more recently a regular figure on the decks at Berghain.
Building on five years of productions for Ostgut Ton and the labels of Levon Vincent and Marcel Dettmann, he ploughs out a haul of ruggedly hypnotic gear inside infrared Vision, with tuffened highlights in the spiny jacker, Explode and the reticulated swerve of So Alive, but also leaving lots of room for experimentation, most successfully with the slippery wormholes of Zenith and Bizarre Part 2.
Dekmantel wrest an album of hard working techno from Anthony Parasole, a mainstay of the NYC scene for decades, proprietor of The Corner label, and more recently a regular figure on the decks at Berghain.
Building on five years of productions for Ostgut Ton and the labels of Levon Vincent and Marcel Dettmann, he ploughs out a haul of ruggedly hypnotic gear inside infrared Vision, with tuffened highlights in the spiny jacker, Explode and the reticulated swerve of So Alive, but also leaving lots of room for experimentation, most successfully with the slippery wormholes of Zenith and Bizarre Part 2.
Dekmantel wrest an album of hard working techno from Anthony Parasole, a mainstay of the NYC scene for decades, proprietor of The Corner label, and more recently a regular figure on the decks at Berghain.
Building on five years of productions for Ostgut Ton and the labels of Levon Vincent and Marcel Dettmann, he ploughs out a haul of ruggedly hypnotic gear inside infrared Vision, with tuffened highlights in the spiny jacker, Explode and the reticulated swerve of So Alive, but also leaving lots of room for experimentation, most successfully with the slippery wormholes of Zenith and Bizarre Part 2.
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Dekmantel wrest an album of hard working techno from Anthony Parasole, a mainstay of the NYC scene for decades, proprietor of The Corner label, and more recently a regular figure on the decks at Berghain.
Building on five years of productions for Ostgut Ton and the labels of Levon Vincent and Marcel Dettmann, he ploughs out a haul of ruggedly hypnotic gear inside infrared Vision, with tuffened highlights in the spiny jacker, Explode and the reticulated swerve of So Alive, but also leaving lots of room for experimentation, most successfully with the slippery wormholes of Zenith and Bizarre Part 2.