Boomkat Product Review:
Vancouver lasses Minimal Violence are bang on the £$¥ with the EBM/rave/techno collisions of ‘InDreams’, their startling debut album for Technicolour
We were late to MV’s game, only clocking on with their ‘MVX/U41A’ bombs, but we’re full backing ‘InDreams’, one of the fiercest sets of hardcore techno in circulation this side of Live Adult Entertainment. In nine original productions plus a Cardopusher remix and a Powermoves megamix, they absolutely take the skin off it with a wild-eyed and ruthless barrage of hi-impact heavyweights.
They’re not necessarily remaking the wheel, but we haven’t heard this sound executed with so much gnashing energy and style in years. Trust it’s no piss-weak revivalism or slap-a-tinny-break-on-it dilettantism, but the real fucking thing, ravenous and ravishing, chomping at the bit, not hanging in the smoking area cos it’s actually shit inside, where everyone’s going thru the motions, waiting for a good tune.
‘InDreams’ is rave techno as punk music inspired by sci-fi literature and cinema. It’s highly visual stuff, connoting imagery of cenobites at Thunderdome, darkroom chase scenes and dancers pushing themselves to exhaustion between massive highlights in the hard acid trance peak of ‘InDreams’, the mentasmic gush of ‘L.A.P.’, and the lockjaw scally bounce of ‘June Anthem’ or the clattering skullduggery of ‘Persuasive Behaviour’.
Sometimes, it’s hard for us to reconcile first hand experience of older raves, when folk were far less self-conscious and more up-for-it, with many of rave’s current iterations, but ‘InDreams’ is the kind of record that could bring the joy of utter, unbuttoned abandonment back to the centre of the ‘floor. Just imagine a horde of fleggin’ Morley scallies invading your space. That sort of feeling.