Marina Rosenfeld
Index
Boomkat Product Review:
Maverick electro-acoustic composer Marina Rosenfeld returns to Room 40, host of 2009’s standout ‘P.A./Hard Love’ album, with an investigation of dub plate decay and the haptic, physical interaction of skin, sweat and grime on acetate, with results recalling Bellows, Stephan Mathieu, early Wanda Group
“For over two decades, New York-based artist and composer Marina Rosenfeld has pioneered a specific language for turntable music, based on an ever-expanding collection of dub plates she creates.
The dubplate is a one-off, hand-cut record. Each dubplate can be made to contain any array of sounds decided on by its creator. For Rosenfeld, her discovery of the dubplate in the late 1990s was a pivotal moment, when she recognised the material instability of the medium as critical tool for performance and composition.
On Index, the investigation of this materiality is paramount. The physical intimacy that colors the relation between the hand and the plate is revealed through a very particular reading of the turntable, one which sits in parallel to the more recognised ways in which that technology has been deployed as a performative tool.
This edition features a series of live recordings and related materials that trace the development of Rosenfeld’s tactile approach and her shifting collection of sound materials. The recordings are published alongside a book featuring extensive archival documentation, photography and a long-form conversation between Marina Rosenfeld and Lawrence English.”
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Boomkat Product Review:
Maverick electro-acoustic composer Marina Rosenfeld returns to Room 40, host of 2009’s standout ‘P.A./Hard Love’ album, with an investigation of dub plate decay and the haptic, physical interaction of skin, sweat and grime on acetate, with results recalling Bellows, Stephan Mathieu, early Wanda Group
“For over two decades, New York-based artist and composer Marina Rosenfeld has pioneered a specific language for turntable music, based on an ever-expanding collection of dub plates she creates.
The dubplate is a one-off, hand-cut record. Each dubplate can be made to contain any array of sounds decided on by its creator. For Rosenfeld, her discovery of the dubplate in the late 1990s was a pivotal moment, when she recognised the material instability of the medium as critical tool for performance and composition.
On Index, the investigation of this materiality is paramount. The physical intimacy that colors the relation between the hand and the plate is revealed through a very particular reading of the turntable, one which sits in parallel to the more recognised ways in which that technology has been deployed as a performative tool.
This edition features a series of live recordings and related materials that trace the development of Rosenfeld’s tactile approach and her shifting collection of sound materials. The recordings are published alongside a book featuring extensive archival documentation, photography and a long-form conversation between Marina Rosenfeld and Lawrence English.”
Boomkat Product Review:
Maverick electro-acoustic composer Marina Rosenfeld returns to Room 40, host of 2009’s standout ‘P.A./Hard Love’ album, with an investigation of dub plate decay and the haptic, physical interaction of skin, sweat and grime on acetate, with results recalling Bellows, Stephan Mathieu, early Wanda Group
“For over two decades, New York-based artist and composer Marina Rosenfeld has pioneered a specific language for turntable music, based on an ever-expanding collection of dub plates she creates.
The dubplate is a one-off, hand-cut record. Each dubplate can be made to contain any array of sounds decided on by its creator. For Rosenfeld, her discovery of the dubplate in the late 1990s was a pivotal moment, when she recognised the material instability of the medium as critical tool for performance and composition.
On Index, the investigation of this materiality is paramount. The physical intimacy that colors the relation between the hand and the plate is revealed through a very particular reading of the turntable, one which sits in parallel to the more recognised ways in which that technology has been deployed as a performative tool.
This edition features a series of live recordings and related materials that trace the development of Rosenfeld’s tactile approach and her shifting collection of sound materials. The recordings are published alongside a book featuring extensive archival documentation, photography and a long-form conversation between Marina Rosenfeld and Lawrence English.”
Boomkat Product Review:
Maverick electro-acoustic composer Marina Rosenfeld returns to Room 40, host of 2009’s standout ‘P.A./Hard Love’ album, with an investigation of dub plate decay and the haptic, physical interaction of skin, sweat and grime on acetate, with results recalling Bellows, Stephan Mathieu, early Wanda Group
“For over two decades, New York-based artist and composer Marina Rosenfeld has pioneered a specific language for turntable music, based on an ever-expanding collection of dub plates she creates.
The dubplate is a one-off, hand-cut record. Each dubplate can be made to contain any array of sounds decided on by its creator. For Rosenfeld, her discovery of the dubplate in the late 1990s was a pivotal moment, when she recognised the material instability of the medium as critical tool for performance and composition.
On Index, the investigation of this materiality is paramount. The physical intimacy that colors the relation between the hand and the plate is revealed through a very particular reading of the turntable, one which sits in parallel to the more recognised ways in which that technology has been deployed as a performative tool.
This edition features a series of live recordings and related materials that trace the development of Rosenfeld’s tactile approach and her shifting collection of sound materials. The recordings are published alongside a book featuring extensive archival documentation, photography and a long-form conversation between Marina Rosenfeld and Lawrence English.”
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Matte laminated and embossed CD with insert card plus 32 page book featuring an in conversation between Marina Rosenfeld and Lawrence English, and archival photographs and other materials.
Boomkat Product Review:
Maverick electro-acoustic composer Marina Rosenfeld returns to Room 40, host of 2009’s standout ‘P.A./Hard Love’ album, with an investigation of dub plate decay and the haptic, physical interaction of skin, sweat and grime on acetate, with results recalling Bellows, Stephan Mathieu, early Wanda Group
“For over two decades, New York-based artist and composer Marina Rosenfeld has pioneered a specific language for turntable music, based on an ever-expanding collection of dub plates she creates.
The dubplate is a one-off, hand-cut record. Each dubplate can be made to contain any array of sounds decided on by its creator. For Rosenfeld, her discovery of the dubplate in the late 1990s was a pivotal moment, when she recognised the material instability of the medium as critical tool for performance and composition.
On Index, the investigation of this materiality is paramount. The physical intimacy that colors the relation between the hand and the plate is revealed through a very particular reading of the turntable, one which sits in parallel to the more recognised ways in which that technology has been deployed as a performative tool.
This edition features a series of live recordings and related materials that trace the development of Rosenfeld’s tactile approach and her shifting collection of sound materials. The recordings are published alongside a book featuring extensive archival documentation, photography and a long-form conversation between Marina Rosenfeld and Lawrence English.”
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