In The Middle of the Night
Sleazy, night-stalking house trax from Romania’s Khidja for NYC’s DFA
Opener ‘Don’t Feed the Animals (Hiding In Your Room)’ channels John Carpenter into the club; ‘Devil Dance’ massages muscular modular tones into a clipped and trippy swing; ‘I Can Never Relax’ weaves EBM inspirations into a throbbing electro-house chassis; and ‘I’m So Bored’ works splashy, fluid percussion into a sizzling darkroom frolic.
“Having established themselves with previous releases on labels like Hivern Discs and Malka Tuti, Khidja get darker, dubbier, and more twisted on In The Middle Of The Night. We find the record in the witching hour, and the tracks represent the cycle of nighttime mentalities, revealing the various directions the mind can wander in the place between consciousness and unconsciousness – mania, paranoia, even boredom. It all makes for a raucous dancefloor experience, with the duo bringing something new and heavy to the DFA roster.”
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Sleazy, night-stalking house trax from Romania’s Khidja for NYC’s DFA
Opener ‘Don’t Feed the Animals (Hiding In Your Room)’ channels John Carpenter into the club; ‘Devil Dance’ massages muscular modular tones into a clipped and trippy swing; ‘I Can Never Relax’ weaves EBM inspirations into a throbbing electro-house chassis; and ‘I’m So Bored’ works splashy, fluid percussion into a sizzling darkroom frolic.
“Having established themselves with previous releases on labels like Hivern Discs and Malka Tuti, Khidja get darker, dubbier, and more twisted on In The Middle Of The Night. We find the record in the witching hour, and the tracks represent the cycle of nighttime mentalities, revealing the various directions the mind can wander in the place between consciousness and unconsciousness – mania, paranoia, even boredom. It all makes for a raucous dancefloor experience, with the duo bringing something new and heavy to the DFA roster.”
Sleazy, night-stalking house trax from Romania’s Khidja for NYC’s DFA
Opener ‘Don’t Feed the Animals (Hiding In Your Room)’ channels John Carpenter into the club; ‘Devil Dance’ massages muscular modular tones into a clipped and trippy swing; ‘I Can Never Relax’ weaves EBM inspirations into a throbbing electro-house chassis; and ‘I’m So Bored’ works splashy, fluid percussion into a sizzling darkroom frolic.
“Having established themselves with previous releases on labels like Hivern Discs and Malka Tuti, Khidja get darker, dubbier, and more twisted on In The Middle Of The Night. We find the record in the witching hour, and the tracks represent the cycle of nighttime mentalities, revealing the various directions the mind can wander in the place between consciousness and unconsciousness – mania, paranoia, even boredom. It all makes for a raucous dancefloor experience, with the duo bringing something new and heavy to the DFA roster.”
Sleazy, night-stalking house trax from Romania’s Khidja for NYC’s DFA
Opener ‘Don’t Feed the Animals (Hiding In Your Room)’ channels John Carpenter into the club; ‘Devil Dance’ massages muscular modular tones into a clipped and trippy swing; ‘I Can Never Relax’ weaves EBM inspirations into a throbbing electro-house chassis; and ‘I’m So Bored’ works splashy, fluid percussion into a sizzling darkroom frolic.
“Having established themselves with previous releases on labels like Hivern Discs and Malka Tuti, Khidja get darker, dubbier, and more twisted on In The Middle Of The Night. We find the record in the witching hour, and the tracks represent the cycle of nighttime mentalities, revealing the various directions the mind can wander in the place between consciousness and unconsciousness – mania, paranoia, even boredom. It all makes for a raucous dancefloor experience, with the duo bringing something new and heavy to the DFA roster.”
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Sleazy, night-stalking house trax from Romania’s Khidja for NYC’s DFA
Opener ‘Don’t Feed the Animals (Hiding In Your Room)’ channels John Carpenter into the club; ‘Devil Dance’ massages muscular modular tones into a clipped and trippy swing; ‘I Can Never Relax’ weaves EBM inspirations into a throbbing electro-house chassis; and ‘I’m So Bored’ works splashy, fluid percussion into a sizzling darkroom frolic.
“Having established themselves with previous releases on labels like Hivern Discs and Malka Tuti, Khidja get darker, dubbier, and more twisted on In The Middle Of The Night. We find the record in the witching hour, and the tracks represent the cycle of nighttime mentalities, revealing the various directions the mind can wander in the place between consciousness and unconsciousness – mania, paranoia, even boredom. It all makes for a raucous dancefloor experience, with the duo bringing something new and heavy to the DFA roster.”