In The Earth (Original Music)
CLINT MANSELL
In The Earth (Original Music)
Boomkat Product Review:
Clint Mansell impresses with another moody electronic movie score, this time in collaboration with eccentric "Field in England" director Ben Wheatley.
Since collaborating with Darren Aronofsky on "Pi" in 1998, when he was apparently sleeping on a sofa in New York City, Clint Mansell has barely stopped to breathe, firing out scores for "The Wrestler", "Black Swan", "Ghost in the Shell" and "Mute". On "In the Earth", Mansell joins forces with Ben Wheatley again, after working with him on "High-Rise", "Rebecca", and "Happy New Year, Colin Burstead". Mansell is in his element working on a horror score; the film is set outside Bristol and languishes in pandemic paranoia, spiked with more than a little of Wheatley's psychedelic English eccentricity.
Mansell's score conducts an atmosphere of appropriate dread, throbbing with analog tension and mimicking vintage John Carpenter scores like the ominous "Prince of Darkness" and Ennio Morricone collaboration "The Thing". Mansell spices things up by meeting creeping monosynth basslines and Carpenter-esque Prophet pads with choral vocals and overdriven oscillator burps on 'Spirit of the Woods', and recalls Mogwai's recent albums on the remarkably hopeful 'In The Earth I+II'.
View more
Boomkat Product Review:
Clint Mansell impresses with another moody electronic movie score, this time in collaboration with eccentric "Field in England" director Ben Wheatley.
Since collaborating with Darren Aronofsky on "Pi" in 1998, when he was apparently sleeping on a sofa in New York City, Clint Mansell has barely stopped to breathe, firing out scores for "The Wrestler", "Black Swan", "Ghost in the Shell" and "Mute". On "In the Earth", Mansell joins forces with Ben Wheatley again, after working with him on "High-Rise", "Rebecca", and "Happy New Year, Colin Burstead". Mansell is in his element working on a horror score; the film is set outside Bristol and languishes in pandemic paranoia, spiked with more than a little of Wheatley's psychedelic English eccentricity.
Mansell's score conducts an atmosphere of appropriate dread, throbbing with analog tension and mimicking vintage John Carpenter scores like the ominous "Prince of Darkness" and Ennio Morricone collaboration "The Thing". Mansell spices things up by meeting creeping monosynth basslines and Carpenter-esque Prophet pads with choral vocals and overdriven oscillator burps on 'Spirit of the Woods', and recalls Mogwai's recent albums on the remarkably hopeful 'In The Earth I+II'.
Boomkat Product Review:
Clint Mansell impresses with another moody electronic movie score, this time in collaboration with eccentric "Field in England" director Ben Wheatley.
Since collaborating with Darren Aronofsky on "Pi" in 1998, when he was apparently sleeping on a sofa in New York City, Clint Mansell has barely stopped to breathe, firing out scores for "The Wrestler", "Black Swan", "Ghost in the Shell" and "Mute". On "In the Earth", Mansell joins forces with Ben Wheatley again, after working with him on "High-Rise", "Rebecca", and "Happy New Year, Colin Burstead". Mansell is in his element working on a horror score; the film is set outside Bristol and languishes in pandemic paranoia, spiked with more than a little of Wheatley's psychedelic English eccentricity.
Mansell's score conducts an atmosphere of appropriate dread, throbbing with analog tension and mimicking vintage John Carpenter scores like the ominous "Prince of Darkness" and Ennio Morricone collaboration "The Thing". Mansell spices things up by meeting creeping monosynth basslines and Carpenter-esque Prophet pads with choral vocals and overdriven oscillator burps on 'Spirit of the Woods', and recalls Mogwai's recent albums on the remarkably hopeful 'In The Earth I+II'.
Boomkat Product Review:
Clint Mansell impresses with another moody electronic movie score, this time in collaboration with eccentric "Field in England" director Ben Wheatley.
Since collaborating with Darren Aronofsky on "Pi" in 1998, when he was apparently sleeping on a sofa in New York City, Clint Mansell has barely stopped to breathe, firing out scores for "The Wrestler", "Black Swan", "Ghost in the Shell" and "Mute". On "In the Earth", Mansell joins forces with Ben Wheatley again, after working with him on "High-Rise", "Rebecca", and "Happy New Year, Colin Burstead". Mansell is in his element working on a horror score; the film is set outside Bristol and languishes in pandemic paranoia, spiked with more than a little of Wheatley's psychedelic English eccentricity.
Mansell's score conducts an atmosphere of appropriate dread, throbbing with analog tension and mimicking vintage John Carpenter scores like the ominous "Prince of Darkness" and Ennio Morricone collaboration "The Thing". Mansell spices things up by meeting creeping monosynth basslines and Carpenter-esque Prophet pads with choral vocals and overdriven oscillator burps on 'Spirit of the Woods', and recalls Mogwai's recent albums on the remarkably hopeful 'In The Earth I+II'.
Housed in a deluxe spined sleeve with double sided printed insert and download card.
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Boomkat Product Review:
Clint Mansell impresses with another moody electronic movie score, this time in collaboration with eccentric "Field in England" director Ben Wheatley.
Since collaborating with Darren Aronofsky on "Pi" in 1998, when he was apparently sleeping on a sofa in New York City, Clint Mansell has barely stopped to breathe, firing out scores for "The Wrestler", "Black Swan", "Ghost in the Shell" and "Mute". On "In the Earth", Mansell joins forces with Ben Wheatley again, after working with him on "High-Rise", "Rebecca", and "Happy New Year, Colin Burstead". Mansell is in his element working on a horror score; the film is set outside Bristol and languishes in pandemic paranoia, spiked with more than a little of Wheatley's psychedelic English eccentricity.
Mansell's score conducts an atmosphere of appropriate dread, throbbing with analog tension and mimicking vintage John Carpenter scores like the ominous "Prince of Darkness" and Ennio Morricone collaboration "The Thing". Mansell spices things up by meeting creeping monosynth basslines and Carpenter-esque Prophet pads with choral vocals and overdriven oscillator burps on 'Spirit of the Woods', and recalls Mogwai's recent albums on the remarkably hopeful 'In The Earth I+II'.
Alternative version with deluxe die-cut sleeve.
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Boomkat Product Review:
Clint Mansell impresses with another moody electronic movie score, this time in collaboration with eccentric "Field in England" director Ben Wheatley.
Since collaborating with Darren Aronofsky on "Pi" in 1998, when he was apparently sleeping on a sofa in New York City, Clint Mansell has barely stopped to breathe, firing out scores for "The Wrestler", "Black Swan", "Ghost in the Shell" and "Mute". On "In the Earth", Mansell joins forces with Ben Wheatley again, after working with him on "High-Rise", "Rebecca", and "Happy New Year, Colin Burstead". Mansell is in his element working on a horror score; the film is set outside Bristol and languishes in pandemic paranoia, spiked with more than a little of Wheatley's psychedelic English eccentricity.
Mansell's score conducts an atmosphere of appropriate dread, throbbing with analog tension and mimicking vintage John Carpenter scores like the ominous "Prince of Darkness" and Ennio Morricone collaboration "The Thing". Mansell spices things up by meeting creeping monosynth basslines and Carpenter-esque Prophet pads with choral vocals and overdriven oscillator burps on 'Spirit of the Woods', and recalls Mogwai's recent albums on the remarkably hopeful 'In The Earth I+II'.
Digipack CD.
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Boomkat Product Review:
Clint Mansell impresses with another moody electronic movie score, this time in collaboration with eccentric "Field in England" director Ben Wheatley.
Since collaborating with Darren Aronofsky on "Pi" in 1998, when he was apparently sleeping on a sofa in New York City, Clint Mansell has barely stopped to breathe, firing out scores for "The Wrestler", "Black Swan", "Ghost in the Shell" and "Mute". On "In the Earth", Mansell joins forces with Ben Wheatley again, after working with him on "High-Rise", "Rebecca", and "Happy New Year, Colin Burstead". Mansell is in his element working on a horror score; the film is set outside Bristol and languishes in pandemic paranoia, spiked with more than a little of Wheatley's psychedelic English eccentricity.
Mansell's score conducts an atmosphere of appropriate dread, throbbing with analog tension and mimicking vintage John Carpenter scores like the ominous "Prince of Darkness" and Ennio Morricone collaboration "The Thing". Mansell spices things up by meeting creeping monosynth basslines and Carpenter-esque Prophet pads with choral vocals and overdriven oscillator burps on 'Spirit of the Woods', and recalls Mogwai's recent albums on the remarkably hopeful 'In The Earth I+II'.
More from CLINT MANSELL:
-
CLINT MANSELL Rebecca (Music From The Netflix Film) Domino Recording Co / INVADA Records Early Electronic / Soundtracks- MP3
- FLAC
- WAV
- Colour LP
- CD
-
CLINT MANSELL Out of Blue (Original Motion Picture Soundtrack) Lakeshore Records / INVADA Records Early Electronic / Soundtracks
- MP3
- FLAC
- WAV
- Colour LP
-
CLINT MANSELL Happy New Year, Colin Burstead (Original Motion Picture Soundtrack) INVADA Records Early Electronic / Soundtracks
- Colour LP
-
CLINT MANSELL Black Mirror: San Junipero (Original Score) INVADA Records Early Electronic / Soundtracks
- Picture Disc LP
- Colour LP
- CD
-
CLINT MANSELL Black Swan: Original Soundtrack MONDO Early Electronic / Soundtracks
- 2LP Gatefold
More from INVADA Records:
-
TIM HECKER The North Water (Original Score) Invada Records UK / INVADA Records Early Electronic / Soundtracks
- MP3
- FLAC
- WAV
- LP (Black Vinyl)
- Colour LP
- CD
-
TVAM Double Lucifer INVADA Records Indie / Alternative
- MP3
- FLAC
- WAV
-
Nick Cave, Warren Ellis La Panthère Des Neiges (Original Soundtrack) INVADA Records Modern Classical / Ambient
- MP3
- FLAC
- WAV
- Colour LP
- Picture Disc LP
- CD
-
Hannah Peel The Midwich Cuckoos (Original Score) INVADA Records Early Electronic / Soundtracks
- MP3
- FLAC
- WAV
-
JONNY GREENWOOD The Power Of The Dog (Soundtrack From The Netflix Film) Invada Records UK / INVADA Records Early Electronic / Soundtracks
- MP3
- FLAC
- WAV
- LP (Black Vinyl)
- CD