Laurel Halo stakes an eagerly and widely awaited return with the beguiling 4.1 world techno dimensions of 'In Situ' for Honest Jon's after cutting her teeth with highly acclaimed albums and EPs for Hippos In Tanks (R.I.P.) and Hyperdub.
Arriving two years since the Ann Arbor-quartered musician began testing a new hardware set-up on 'Chance of Rain', Laurel has refined those slightly clunky experiments here with a fluidly dextrous approach to Afro-inspired, rhythmelodic drum programming taught by psychedelic jazz and cosmic electronica.
It's a mental playground of fantastic dancefloor geometries, blooming at every angle with refreshed ideas of alien scales and hieroglyphic drum patterns designed to be deciphered by bodies in motion and heads in flight.
With nods to Afrikan Sciences, Kerry Leimer and Actress, she commands her machines with a deceptively loose sense of control, encouraging them to chatter freely, coolly, resulting in the ingneous, midnight groove formations of 'Focus I' and the future primitive techno funk of 'Drift', beside the discombobulated topographies of 'Nah' and the footworking centrifuge, 'Leaves'.
Time will tell, but this may well be one of the 2015's most impressive, nuanced collections of new electronica. A massive recommendation!
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Laurel Halo stakes an eagerly and widely awaited return with the beguiling 4.1 world techno dimensions of 'In Situ' for Honest Jon's after cutting her teeth with highly acclaimed albums and EPs for Hippos In Tanks (R.I.P.) and Hyperdub.
Arriving two years since the Ann Arbor-quartered musician began testing a new hardware set-up on 'Chance of Rain', Laurel has refined those slightly clunky experiments here with a fluidly dextrous approach to Afro-inspired, rhythmelodic drum programming taught by psychedelic jazz and cosmic electronica.
It's a mental playground of fantastic dancefloor geometries, blooming at every angle with refreshed ideas of alien scales and hieroglyphic drum patterns designed to be deciphered by bodies in motion and heads in flight.
With nods to Afrikan Sciences, Kerry Leimer and Actress, she commands her machines with a deceptively loose sense of control, encouraging them to chatter freely, coolly, resulting in the ingneous, midnight groove formations of 'Focus I' and the future primitive techno funk of 'Drift', beside the discombobulated topographies of 'Nah' and the footworking centrifuge, 'Leaves'.
Time will tell, but this may well be one of the 2015's most impressive, nuanced collections of new electronica. A massive recommendation!
Laurel Halo stakes an eagerly and widely awaited return with the beguiling 4.1 world techno dimensions of 'In Situ' for Honest Jon's after cutting her teeth with highly acclaimed albums and EPs for Hippos In Tanks (R.I.P.) and Hyperdub.
Arriving two years since the Ann Arbor-quartered musician began testing a new hardware set-up on 'Chance of Rain', Laurel has refined those slightly clunky experiments here with a fluidly dextrous approach to Afro-inspired, rhythmelodic drum programming taught by psychedelic jazz and cosmic electronica.
It's a mental playground of fantastic dancefloor geometries, blooming at every angle with refreshed ideas of alien scales and hieroglyphic drum patterns designed to be deciphered by bodies in motion and heads in flight.
With nods to Afrikan Sciences, Kerry Leimer and Actress, she commands her machines with a deceptively loose sense of control, encouraging them to chatter freely, coolly, resulting in the ingneous, midnight groove formations of 'Focus I' and the future primitive techno funk of 'Drift', beside the discombobulated topographies of 'Nah' and the footworking centrifuge, 'Leaves'.
Time will tell, but this may well be one of the 2015's most impressive, nuanced collections of new electronica. A massive recommendation!
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Laurel Halo stakes an eagerly and widely awaited return with the beguiling 4.1 world techno dimensions of 'In Situ' for Honest Jon's after cutting her teeth with highly acclaimed albums and EPs for Hippos In Tanks (R.I.P.) and Hyperdub.
Arriving two years since the Ann Arbor-quartered musician began testing a new hardware set-up on 'Chance of Rain', Laurel has refined those slightly clunky experiments here with a fluidly dextrous approach to Afro-inspired, rhythmelodic drum programming taught by psychedelic jazz and cosmic electronica.
It's a mental playground of fantastic dancefloor geometries, blooming at every angle with refreshed ideas of alien scales and hieroglyphic drum patterns designed to be deciphered by bodies in motion and heads in flight.
With nods to Afrikan Sciences, Kerry Leimer and Actress, she commands her machines with a deceptively loose sense of control, encouraging them to chatter freely, coolly, resulting in the ingneous, midnight groove formations of 'Focus I' and the future primitive techno funk of 'Drift', beside the discombobulated topographies of 'Nah' and the footworking centrifuge, 'Leaves'.
Time will tell, but this may well be one of the 2015's most impressive, nuanced collections of new electronica. A massive recommendation!