Boomkat Product Review:
Double CD package collecting the two most recent Cremation Lily albums; ‘The Processes And Instruments of Normal People’ and ‘In England Now, Underwater’, previously only available on vinyl with the latter being sold out for a while. RIYL Leyland Kirby, Bellows, Helm...
"The Processes And Instruments of Normal People' was Recorded whilst living in Hastings and originally released as a double cassette on his Strange Rules label in 2017, The Processes… forms a trilogy of albums in the CL canon that were influenced by the life and atmospheres within British coastal towns. Composed using a rudimentary set-up of synth, drum machine and two modified walkmans, CL draws upon a broad range of influences from the underground electronic music spectrum.
Noise, tape music and ambient techno are referenced and align in a cohesive collection of tracks, flowing fluidly in sequence. Melancholic synth pads and deep kick drums intersect with crude field recordings and occasional bursts of feedback, evoking an uncertain claustrophobia. More like being pulled under than carried above. Features additional piano and violin by Theodore Cale Schafer, new mastering by John Hannon."
'In England Now, Underwater’ features Vast, expansive and introspective works utilising place-specific found sound on this second Cremation Lily LP for Alter. Contemplating mortality, illness and the perennial bleakness of British winter in a seaside town we find Zen Zsigo experimenting with piano, violin, synthesiser and walkman tape players. Layering field recordings of the Hastings shoreline atop druggy, stretched out 303 basslines and snippets of spoken word there seems to be an overarching thematic of memory and reflection at play.
From vignettes of crumbling glass and bittersweet drones through to sprawling, semi-rhythmical pieces (‘As a sea creature...’) it seems as if Zsigo is trawling the coast for fragments of its former glory. The end result of his study manages to echo the work of Yoran, Leyland Kirby and even Jacob Kirkegaard yet the rare moments where he lays bare his own vocal narrative seemingly transforms In England Now, Underwater into sonic diary territory. Mixing salt-water soaked cassette loops with haunting, minimalist piano motifs and warped recordings of crashing waves and bird noise an intense atmosphere of Ballard’s drowned world is evoked through sound.”