Finland’s promo bass music producer juggles footwork, drill and ice cold, cinematic electronics on his first new Desto EP since since his Fang Lillies link-up with Twwth for Signal Life.
His first solo outing in three years packs six cuts of squeaky clean but rude bass mutations, strafing from weightless footwork pressure in Flames thru to the percolated choral voices and crisp snap of Pulse Cathedral and what almost sounds like Derrick May doing juke in Don’t Lose Yourself.
Flipside, he hits the mark like TeeBee gone footwork with the slick Reese surges and technoid clarity of 504 Gateway Timeout, cutting sideways into the Acre or Visionist-alike designs of Do I Look Like I Give A Shit and then kills it dead, Salem hardstyles with Immortality.
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Finland’s promo bass music producer juggles footwork, drill and ice cold, cinematic electronics on his first new Desto EP since since his Fang Lillies link-up with Twwth for Signal Life.
His first solo outing in three years packs six cuts of squeaky clean but rude bass mutations, strafing from weightless footwork pressure in Flames thru to the percolated choral voices and crisp snap of Pulse Cathedral and what almost sounds like Derrick May doing juke in Don’t Lose Yourself.
Flipside, he hits the mark like TeeBee gone footwork with the slick Reese surges and technoid clarity of 504 Gateway Timeout, cutting sideways into the Acre or Visionist-alike designs of Do I Look Like I Give A Shit and then kills it dead, Salem hardstyles with Immortality.
Finland’s promo bass music producer juggles footwork, drill and ice cold, cinematic electronics on his first new Desto EP since since his Fang Lillies link-up with Twwth for Signal Life.
His first solo outing in three years packs six cuts of squeaky clean but rude bass mutations, strafing from weightless footwork pressure in Flames thru to the percolated choral voices and crisp snap of Pulse Cathedral and what almost sounds like Derrick May doing juke in Don’t Lose Yourself.
Flipside, he hits the mark like TeeBee gone footwork with the slick Reese surges and technoid clarity of 504 Gateway Timeout, cutting sideways into the Acre or Visionist-alike designs of Do I Look Like I Give A Shit and then kills it dead, Salem hardstyles with Immortality.
Finland’s promo bass music producer juggles footwork, drill and ice cold, cinematic electronics on his first new Desto EP since since his Fang Lillies link-up with Twwth for Signal Life.
His first solo outing in three years packs six cuts of squeaky clean but rude bass mutations, strafing from weightless footwork pressure in Flames thru to the percolated choral voices and crisp snap of Pulse Cathedral and what almost sounds like Derrick May doing juke in Don’t Lose Yourself.
Flipside, he hits the mark like TeeBee gone footwork with the slick Reese surges and technoid clarity of 504 Gateway Timeout, cutting sideways into the Acre or Visionist-alike designs of Do I Look Like I Give A Shit and then kills it dead, Salem hardstyles with Immortality.
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Finland’s promo bass music producer juggles footwork, drill and ice cold, cinematic electronics on his first new Desto EP since since his Fang Lillies link-up with Twwth for Signal Life.
His first solo outing in three years packs six cuts of squeaky clean but rude bass mutations, strafing from weightless footwork pressure in Flames thru to the percolated choral voices and crisp snap of Pulse Cathedral and what almost sounds like Derrick May doing juke in Don’t Lose Yourself.
Flipside, he hits the mark like TeeBee gone footwork with the slick Reese surges and technoid clarity of 504 Gateway Timeout, cutting sideways into the Acre or Visionist-alike designs of Do I Look Like I Give A Shit and then kills it dead, Salem hardstyles with Immortality.