Idealized
Lina Filipovich’s elegantly etheric transition from deconstructed classical to weirdo techno turns to darkroom dub techno variants on her excellent debut with Sheffield’s CPU - RIYL Dasha Rush, Ø, Peter Van Hoesen
Paris-based Belarussian artist Filipovich first breached the underground in 2021 with crafty reframing of Bach, Handel, Frescobaldi and other baroque greats for Time Released Sound, followed by a strong album of eerie mutant techno for Blank Minds. ‘Idealized’ forms her 3rd solo release and follows the concept techno approach of earlier outings with a finer-tuned embrace of the ‘floor that sits pretty among CPU’s milieu of machine slaved electro and techno producers. As with all Filipovich’s work, the seven tracks stir in extra musical influence from her parallel binds in painting, performance, and film, to produce absorbingly aerodynamic and resoundingly spatialized grooves that propel clubs as effectively as imaginations.
On her most ‘floor-dedicated suite, Filipovich patiently unfolds her pieces with an immaculate sense of deferred gratification, immersing one in the moment with a remarkable sense of proprioception and sound sensitivity, and appreciation of trippy bodies in motion. From the spherical throb and oozing textures shot thru with dry chord on ‘Physical’, thru the lip-bitingly strong darkroom canter of ‘Ultra Red’, to her cavernous ‘Noid’, via the offset undulations of ‘Hydra’, and burning urgency of ‘Dance Minor’ she nails a sound that we thought had been lost in translation by nippers looking for the brisk stuff, but is clearly alive and kicking in her studio.
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Lina Filipovich’s elegantly etheric transition from deconstructed classical to weirdo techno turns to darkroom dub techno variants on her excellent debut with Sheffield’s CPU - RIYL Dasha Rush, Ø, Peter Van Hoesen
Paris-based Belarussian artist Filipovich first breached the underground in 2021 with crafty reframing of Bach, Handel, Frescobaldi and other baroque greats for Time Released Sound, followed by a strong album of eerie mutant techno for Blank Minds. ‘Idealized’ forms her 3rd solo release and follows the concept techno approach of earlier outings with a finer-tuned embrace of the ‘floor that sits pretty among CPU’s milieu of machine slaved electro and techno producers. As with all Filipovich’s work, the seven tracks stir in extra musical influence from her parallel binds in painting, performance, and film, to produce absorbingly aerodynamic and resoundingly spatialized grooves that propel clubs as effectively as imaginations.
On her most ‘floor-dedicated suite, Filipovich patiently unfolds her pieces with an immaculate sense of deferred gratification, immersing one in the moment with a remarkable sense of proprioception and sound sensitivity, and appreciation of trippy bodies in motion. From the spherical throb and oozing textures shot thru with dry chord on ‘Physical’, thru the lip-bitingly strong darkroom canter of ‘Ultra Red’, to her cavernous ‘Noid’, via the offset undulations of ‘Hydra’, and burning urgency of ‘Dance Minor’ she nails a sound that we thought had been lost in translation by nippers looking for the brisk stuff, but is clearly alive and kicking in her studio.
Lina Filipovich’s elegantly etheric transition from deconstructed classical to weirdo techno turns to darkroom dub techno variants on her excellent debut with Sheffield’s CPU - RIYL Dasha Rush, Ø, Peter Van Hoesen
Paris-based Belarussian artist Filipovich first breached the underground in 2021 with crafty reframing of Bach, Handel, Frescobaldi and other baroque greats for Time Released Sound, followed by a strong album of eerie mutant techno for Blank Minds. ‘Idealized’ forms her 3rd solo release and follows the concept techno approach of earlier outings with a finer-tuned embrace of the ‘floor that sits pretty among CPU’s milieu of machine slaved electro and techno producers. As with all Filipovich’s work, the seven tracks stir in extra musical influence from her parallel binds in painting, performance, and film, to produce absorbingly aerodynamic and resoundingly spatialized grooves that propel clubs as effectively as imaginations.
On her most ‘floor-dedicated suite, Filipovich patiently unfolds her pieces with an immaculate sense of deferred gratification, immersing one in the moment with a remarkable sense of proprioception and sound sensitivity, and appreciation of trippy bodies in motion. From the spherical throb and oozing textures shot thru with dry chord on ‘Physical’, thru the lip-bitingly strong darkroom canter of ‘Ultra Red’, to her cavernous ‘Noid’, via the offset undulations of ‘Hydra’, and burning urgency of ‘Dance Minor’ she nails a sound that we thought had been lost in translation by nippers looking for the brisk stuff, but is clearly alive and kicking in her studio.
Lina Filipovich’s elegantly etheric transition from deconstructed classical to weirdo techno turns to darkroom dub techno variants on her excellent debut with Sheffield’s CPU - RIYL Dasha Rush, Ø, Peter Van Hoesen
Paris-based Belarussian artist Filipovich first breached the underground in 2021 with crafty reframing of Bach, Handel, Frescobaldi and other baroque greats for Time Released Sound, followed by a strong album of eerie mutant techno for Blank Minds. ‘Idealized’ forms her 3rd solo release and follows the concept techno approach of earlier outings with a finer-tuned embrace of the ‘floor that sits pretty among CPU’s milieu of machine slaved electro and techno producers. As with all Filipovich’s work, the seven tracks stir in extra musical influence from her parallel binds in painting, performance, and film, to produce absorbingly aerodynamic and resoundingly spatialized grooves that propel clubs as effectively as imaginations.
On her most ‘floor-dedicated suite, Filipovich patiently unfolds her pieces with an immaculate sense of deferred gratification, immersing one in the moment with a remarkable sense of proprioception and sound sensitivity, and appreciation of trippy bodies in motion. From the spherical throb and oozing textures shot thru with dry chord on ‘Physical’, thru the lip-bitingly strong darkroom canter of ‘Ultra Red’, to her cavernous ‘Noid’, via the offset undulations of ‘Hydra’, and burning urgency of ‘Dance Minor’ she nails a sound that we thought had been lost in translation by nippers looking for the brisk stuff, but is clearly alive and kicking in her studio.
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Lina Filipovich’s elegantly etheric transition from deconstructed classical to weirdo techno turns to darkroom dub techno variants on her excellent debut with Sheffield’s CPU - RIYL Dasha Rush, Ø, Peter Van Hoesen
Paris-based Belarussian artist Filipovich first breached the underground in 2021 with crafty reframing of Bach, Handel, Frescobaldi and other baroque greats for Time Released Sound, followed by a strong album of eerie mutant techno for Blank Minds. ‘Idealized’ forms her 3rd solo release and follows the concept techno approach of earlier outings with a finer-tuned embrace of the ‘floor that sits pretty among CPU’s milieu of machine slaved electro and techno producers. As with all Filipovich’s work, the seven tracks stir in extra musical influence from her parallel binds in painting, performance, and film, to produce absorbingly aerodynamic and resoundingly spatialized grooves that propel clubs as effectively as imaginations.
On her most ‘floor-dedicated suite, Filipovich patiently unfolds her pieces with an immaculate sense of deferred gratification, immersing one in the moment with a remarkable sense of proprioception and sound sensitivity, and appreciation of trippy bodies in motion. From the spherical throb and oozing textures shot thru with dry chord on ‘Physical’, thru the lip-bitingly strong darkroom canter of ‘Ultra Red’, to her cavernous ‘Noid’, via the offset undulations of ‘Hydra’, and burning urgency of ‘Dance Minor’ she nails a sound that we thought had been lost in translation by nippers looking for the brisk stuff, but is clearly alive and kicking in her studio.