Fourth release on Sullen Tone, the label owned and operated by Old Apparatus, pairs production from the group's own LTO with the dextrous wordplay of "(oc)cult" rapper, Mowgli. 'Gone To Seed' comes off like a possessed Trim and James Blake hookup, spilling magickal word-association off the dome against backdrop of concrète rhythms and off-kilter hooks; 'Morning On Mercury' kits Mowgli's brain-boggling flow with chamber-like keys and crumpled textures; 'Metal On Oxtongue' is the closest to conventional hip hop, and even then it's skewed with eerie vocoder and archetypal OA complexities; again, 'Front Page Expression' recalls james Blake in it's fractured rendering of rustling rhythms and mournful, noirish atmosphere.
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Fourth release on Sullen Tone, the label owned and operated by Old Apparatus, pairs production from the group's own LTO with the dextrous wordplay of "(oc)cult" rapper, Mowgli. 'Gone To Seed' comes off like a possessed Trim and James Blake hookup, spilling magickal word-association off the dome against backdrop of concrète rhythms and off-kilter hooks; 'Morning On Mercury' kits Mowgli's brain-boggling flow with chamber-like keys and crumpled textures; 'Metal On Oxtongue' is the closest to conventional hip hop, and even then it's skewed with eerie vocoder and archetypal OA complexities; again, 'Front Page Expression' recalls james Blake in it's fractured rendering of rustling rhythms and mournful, noirish atmosphere.
Fourth release on Sullen Tone, the label owned and operated by Old Apparatus, pairs production from the group's own LTO with the dextrous wordplay of "(oc)cult" rapper, Mowgli. 'Gone To Seed' comes off like a possessed Trim and James Blake hookup, spilling magickal word-association off the dome against backdrop of concrète rhythms and off-kilter hooks; 'Morning On Mercury' kits Mowgli's brain-boggling flow with chamber-like keys and crumpled textures; 'Metal On Oxtongue' is the closest to conventional hip hop, and even then it's skewed with eerie vocoder and archetypal OA complexities; again, 'Front Page Expression' recalls james Blake in it's fractured rendering of rustling rhythms and mournful, noirish atmosphere.
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Fourth release on Sullen Tone, the label owned and operated by Old Apparatus, pairs production from the group's own LTO with the dextrous wordplay of "(oc)cult" rapper, Mowgli. 'Gone To Seed' comes off like a possessed Trim and James Blake hookup, spilling magickal word-association off the dome against backdrop of concrète rhythms and off-kilter hooks; 'Morning On Mercury' kits Mowgli's brain-boggling flow with chamber-like keys and crumpled textures; 'Metal On Oxtongue' is the closest to conventional hip hop, and even then it's skewed with eerie vocoder and archetypal OA complexities; again, 'Front Page Expression' recalls james Blake in it's fractured rendering of rustling rhythms and mournful, noirish atmosphere.