Best known as the vocalist for Liaisons Dangereuses with Einsturzende Neubauten's Beate Bartel and DAF's Christo Haas, Krishna Goineau's "lost" analog synth cut-ups are collected on "I Need A Slow".
Sri Lanka-born Krishna Goineau is best known as a vocalist, but spent 2007 and 2008 at home with an arsenal of analog synthesizers, working on tracks that would be shelved until now. His voice is still a prominent feature on many of these tracks, but Goineau's productions are what sets this material apart from anything else we've heard from the Bureau B stable - there's a loose blueprint of industrial synth pop, but Goineau drives his sounds into truly abstract locales.
'Nadar' is a good example: the rhythms fragmented and choppy, vibrating against a whirring acid bassline and synths that sound almost inadvertently referential to Anatolian pop music. 'Poison Machine' continues the thought, adding robotic vocodered vocals and sickly synth pads, while 'Fritz À Paris' almost takes on the form of a low-light club thumper, disrupted by cut-n-paste vocal chops and surreal synths. Completely out there.
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Best known as the vocalist for Liaisons Dangereuses with Einsturzende Neubauten's Beate Bartel and DAF's Christo Haas, Krishna Goineau's "lost" analog synth cut-ups are collected on "I Need A Slow".
Sri Lanka-born Krishna Goineau is best known as a vocalist, but spent 2007 and 2008 at home with an arsenal of analog synthesizers, working on tracks that would be shelved until now. His voice is still a prominent feature on many of these tracks, but Goineau's productions are what sets this material apart from anything else we've heard from the Bureau B stable - there's a loose blueprint of industrial synth pop, but Goineau drives his sounds into truly abstract locales.
'Nadar' is a good example: the rhythms fragmented and choppy, vibrating against a whirring acid bassline and synths that sound almost inadvertently referential to Anatolian pop music. 'Poison Machine' continues the thought, adding robotic vocodered vocals and sickly synth pads, while 'Fritz À Paris' almost takes on the form of a low-light club thumper, disrupted by cut-n-paste vocal chops and surreal synths. Completely out there.
Best known as the vocalist for Liaisons Dangereuses with Einsturzende Neubauten's Beate Bartel and DAF's Christo Haas, Krishna Goineau's "lost" analog synth cut-ups are collected on "I Need A Slow".
Sri Lanka-born Krishna Goineau is best known as a vocalist, but spent 2007 and 2008 at home with an arsenal of analog synthesizers, working on tracks that would be shelved until now. His voice is still a prominent feature on many of these tracks, but Goineau's productions are what sets this material apart from anything else we've heard from the Bureau B stable - there's a loose blueprint of industrial synth pop, but Goineau drives his sounds into truly abstract locales.
'Nadar' is a good example: the rhythms fragmented and choppy, vibrating against a whirring acid bassline and synths that sound almost inadvertently referential to Anatolian pop music. 'Poison Machine' continues the thought, adding robotic vocodered vocals and sickly synth pads, while 'Fritz À Paris' almost takes on the form of a low-light club thumper, disrupted by cut-n-paste vocal chops and surreal synths. Completely out there.
Best known as the vocalist for Liaisons Dangereuses with Einsturzende Neubauten's Beate Bartel and DAF's Christo Haas, Krishna Goineau's "lost" analog synth cut-ups are collected on "I Need A Slow".
Sri Lanka-born Krishna Goineau is best known as a vocalist, but spent 2007 and 2008 at home with an arsenal of analog synthesizers, working on tracks that would be shelved until now. His voice is still a prominent feature on many of these tracks, but Goineau's productions are what sets this material apart from anything else we've heard from the Bureau B stable - there's a loose blueprint of industrial synth pop, but Goineau drives his sounds into truly abstract locales.
'Nadar' is a good example: the rhythms fragmented and choppy, vibrating against a whirring acid bassline and synths that sound almost inadvertently referential to Anatolian pop music. 'Poison Machine' continues the thought, adding robotic vocodered vocals and sickly synth pads, while 'Fritz À Paris' almost takes on the form of a low-light club thumper, disrupted by cut-n-paste vocal chops and surreal synths. Completely out there.
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Best known as the vocalist for Liaisons Dangereuses with Einsturzende Neubauten's Beate Bartel and DAF's Christo Haas, Krishna Goineau's "lost" analog synth cut-ups are collected on "I Need A Slow".
Sri Lanka-born Krishna Goineau is best known as a vocalist, but spent 2007 and 2008 at home with an arsenal of analog synthesizers, working on tracks that would be shelved until now. His voice is still a prominent feature on many of these tracks, but Goineau's productions are what sets this material apart from anything else we've heard from the Bureau B stable - there's a loose blueprint of industrial synth pop, but Goineau drives his sounds into truly abstract locales.
'Nadar' is a good example: the rhythms fragmented and choppy, vibrating against a whirring acid bassline and synths that sound almost inadvertently referential to Anatolian pop music. 'Poison Machine' continues the thought, adding robotic vocodered vocals and sickly synth pads, while 'Fritz À Paris' almost takes on the form of a low-light club thumper, disrupted by cut-n-paste vocal chops and surreal synths. Completely out there.
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Best known as the vocalist for Liaisons Dangereuses with Einsturzende Neubauten's Beate Bartel and DAF's Christo Haas, Krishna Goineau's "lost" analog synth cut-ups are collected on "I Need A Slow".
Sri Lanka-born Krishna Goineau is best known as a vocalist, but spent 2007 and 2008 at home with an arsenal of analog synthesizers, working on tracks that would be shelved until now. His voice is still a prominent feature on many of these tracks, but Goineau's productions are what sets this material apart from anything else we've heard from the Bureau B stable - there's a loose blueprint of industrial synth pop, but Goineau drives his sounds into truly abstract locales.
'Nadar' is a good example: the rhythms fragmented and choppy, vibrating against a whirring acid bassline and synths that sound almost inadvertently referential to Anatolian pop music. 'Poison Machine' continues the thought, adding robotic vocodered vocals and sickly synth pads, while 'Fritz À Paris' almost takes on the form of a low-light club thumper, disrupted by cut-n-paste vocal chops and surreal synths. Completely out there.