I'm In Love With A Dreadlocks
Soul Jazz herald a highly promising survey of Lovers Rock pioneers Brown Sugar - starring a young Caron Wheeler, later of Soul II Soul, and produced by Dennis Bovell - with a sweet highlight in original and instrumental
Notable not just as the formative vehicle of UK soul legend Caron Wheeler, the Brown Sugar trio she helmed with Pauline Catlin and Carol Simms helped set the template for the UK’s other great contribution to reggae (aside to steppers dub, of course) during their run of 1976-1980 singles produced by the mixing desk heavyweight, Dennis Bovell.
Whether you were there back in the day and knew and loved the sound, or came at it via Steve McQueen’s mesmerising Small Axe series in 2020, Lovers Rock is a quintessentially Black and British sound rooted in the Afro-Caribbean community and beloved by many outside it. ‘Im In Love With Dreadlocks’ is a sterling, if overlooked example of the sound at its righteous and mellifluous best, all swaying vocal harmonies and groove built for intimate dancing at Blues parties - often living rooms or basements in houses from London to Manchester. The instrumental here gives the lads something to dance a bit harder on, tuffening up the bass and shaking out the FX in infectious style and pattern.
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Soul Jazz herald a highly promising survey of Lovers Rock pioneers Brown Sugar - starring a young Caron Wheeler, later of Soul II Soul, and produced by Dennis Bovell - with a sweet highlight in original and instrumental
Notable not just as the formative vehicle of UK soul legend Caron Wheeler, the Brown Sugar trio she helmed with Pauline Catlin and Carol Simms helped set the template for the UK’s other great contribution to reggae (aside to steppers dub, of course) during their run of 1976-1980 singles produced by the mixing desk heavyweight, Dennis Bovell.
Whether you were there back in the day and knew and loved the sound, or came at it via Steve McQueen’s mesmerising Small Axe series in 2020, Lovers Rock is a quintessentially Black and British sound rooted in the Afro-Caribbean community and beloved by many outside it. ‘Im In Love With Dreadlocks’ is a sterling, if overlooked example of the sound at its righteous and mellifluous best, all swaying vocal harmonies and groove built for intimate dancing at Blues parties - often living rooms or basements in houses from London to Manchester. The instrumental here gives the lads something to dance a bit harder on, tuffening up the bass and shaking out the FX in infectious style and pattern.
Soul Jazz herald a highly promising survey of Lovers Rock pioneers Brown Sugar - starring a young Caron Wheeler, later of Soul II Soul, and produced by Dennis Bovell - with a sweet highlight in original and instrumental
Notable not just as the formative vehicle of UK soul legend Caron Wheeler, the Brown Sugar trio she helmed with Pauline Catlin and Carol Simms helped set the template for the UK’s other great contribution to reggae (aside to steppers dub, of course) during their run of 1976-1980 singles produced by the mixing desk heavyweight, Dennis Bovell.
Whether you were there back in the day and knew and loved the sound, or came at it via Steve McQueen’s mesmerising Small Axe series in 2020, Lovers Rock is a quintessentially Black and British sound rooted in the Afro-Caribbean community and beloved by many outside it. ‘Im In Love With Dreadlocks’ is a sterling, if overlooked example of the sound at its righteous and mellifluous best, all swaying vocal harmonies and groove built for intimate dancing at Blues parties - often living rooms or basements in houses from London to Manchester. The instrumental here gives the lads something to dance a bit harder on, tuffening up the bass and shaking out the FX in infectious style and pattern.
Soul Jazz herald a highly promising survey of Lovers Rock pioneers Brown Sugar - starring a young Caron Wheeler, later of Soul II Soul, and produced by Dennis Bovell - with a sweet highlight in original and instrumental
Notable not just as the formative vehicle of UK soul legend Caron Wheeler, the Brown Sugar trio she helmed with Pauline Catlin and Carol Simms helped set the template for the UK’s other great contribution to reggae (aside to steppers dub, of course) during their run of 1976-1980 singles produced by the mixing desk heavyweight, Dennis Bovell.
Whether you were there back in the day and knew and loved the sound, or came at it via Steve McQueen’s mesmerising Small Axe series in 2020, Lovers Rock is a quintessentially Black and British sound rooted in the Afro-Caribbean community and beloved by many outside it. ‘Im In Love With Dreadlocks’ is a sterling, if overlooked example of the sound at its righteous and mellifluous best, all swaying vocal harmonies and groove built for intimate dancing at Blues parties - often living rooms or basements in houses from London to Manchester. The instrumental here gives the lads something to dance a bit harder on, tuffening up the bass and shaking out the FX in infectious style and pattern.
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Soul Jazz herald a highly promising survey of Lovers Rock pioneers Brown Sugar - starring a young Caron Wheeler, later of Soul II Soul, and produced by Dennis Bovell - with a sweet highlight in original and instrumental
Notable not just as the formative vehicle of UK soul legend Caron Wheeler, the Brown Sugar trio she helmed with Pauline Catlin and Carol Simms helped set the template for the UK’s other great contribution to reggae (aside to steppers dub, of course) during their run of 1976-1980 singles produced by the mixing desk heavyweight, Dennis Bovell.
Whether you were there back in the day and knew and loved the sound, or came at it via Steve McQueen’s mesmerising Small Axe series in 2020, Lovers Rock is a quintessentially Black and British sound rooted in the Afro-Caribbean community and beloved by many outside it. ‘Im In Love With Dreadlocks’ is a sterling, if overlooked example of the sound at its righteous and mellifluous best, all swaying vocal harmonies and groove built for intimate dancing at Blues parties - often living rooms or basements in houses from London to Manchester. The instrumental here gives the lads something to dance a bit harder on, tuffening up the bass and shaking out the FX in infectious style and pattern.