I C U / Granite Cradle
The master of Italo house, Marco Passarani, meets NYC yung gun, Evan Michael, for a party-ready jackers’ duel on Cin Cin.
Passarani absolutely bosses the A-side with his percolated Linn drums, wiggly bass and virulent acid lines on I C U, then with pill-belly rave burn in the escalating rave chords and mean 303s of Bravocuore.
Brooklyn’s Evan Michael keeps his side up with some canny, feathered drum programming and intricate harmonic arrangement in the warehouse-primed Granite Cradle, and also at a slightly slower tempo with the nagging bleep coda and precision tooled sound design of Auxilio.
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The master of Italo house, Marco Passarani, meets NYC yung gun, Evan Michael, for a party-ready jackers’ duel on Cin Cin.
Passarani absolutely bosses the A-side with his percolated Linn drums, wiggly bass and virulent acid lines on I C U, then with pill-belly rave burn in the escalating rave chords and mean 303s of Bravocuore.
Brooklyn’s Evan Michael keeps his side up with some canny, feathered drum programming and intricate harmonic arrangement in the warehouse-primed Granite Cradle, and also at a slightly slower tempo with the nagging bleep coda and precision tooled sound design of Auxilio.
The master of Italo house, Marco Passarani, meets NYC yung gun, Evan Michael, for a party-ready jackers’ duel on Cin Cin.
Passarani absolutely bosses the A-side with his percolated Linn drums, wiggly bass and virulent acid lines on I C U, then with pill-belly rave burn in the escalating rave chords and mean 303s of Bravocuore.
Brooklyn’s Evan Michael keeps his side up with some canny, feathered drum programming and intricate harmonic arrangement in the warehouse-primed Granite Cradle, and also at a slightly slower tempo with the nagging bleep coda and precision tooled sound design of Auxilio.
The master of Italo house, Marco Passarani, meets NYC yung gun, Evan Michael, for a party-ready jackers’ duel on Cin Cin.
Passarani absolutely bosses the A-side with his percolated Linn drums, wiggly bass and virulent acid lines on I C U, then with pill-belly rave burn in the escalating rave chords and mean 303s of Bravocuore.
Brooklyn’s Evan Michael keeps his side up with some canny, feathered drum programming and intricate harmonic arrangement in the warehouse-primed Granite Cradle, and also at a slightly slower tempo with the nagging bleep coda and precision tooled sound design of Auxilio.
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The master of Italo house, Marco Passarani, meets NYC yung gun, Evan Michael, for a party-ready jackers’ duel on Cin Cin.
Passarani absolutely bosses the A-side with his percolated Linn drums, wiggly bass and virulent acid lines on I C U, then with pill-belly rave burn in the escalating rave chords and mean 303s of Bravocuore.
Brooklyn’s Evan Michael keeps his side up with some canny, feathered drum programming and intricate harmonic arrangement in the warehouse-primed Granite Cradle, and also at a slightly slower tempo with the nagging bleep coda and precision tooled sound design of Auxilio.