Trippy, Miami-compatible electro-house strut and raving hip-house breaks by Argentina’s Alejandro Beresi on Matias Aguayo’s label
Leading on from the rough & tumble rave of Mexico’s Galavision on Cómeme, Beresi keeps it slinky and diverse in-the-Latin-pocket on ‘Hyper Inflation’. His Parte 1 is a killer bit of dry drum machine crack alloyed to a spicy Shepard tone sure to twist heads in the dance, before the same drum machine pattern is recycled somewhere closer to Uwe Schmidt or Otto von NikNak’s and Soul Oddity’s Miami electro on ‘Parte 2 (Crisis Económica)’.
He comes on like 2 Bad Mice stepping off with Matias Aguayo in the cheeky breakbeat rave swivel of ‘HAUZ’, and slants the rave presets to nagging electro-acid in ‘Exstasis of Love’, with a fine, slow-mo, acidic sting in the tail entitled ‘It Hurts’.
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Trippy, Miami-compatible electro-house strut and raving hip-house breaks by Argentina’s Alejandro Beresi on Matias Aguayo’s label
Leading on from the rough & tumble rave of Mexico’s Galavision on Cómeme, Beresi keeps it slinky and diverse in-the-Latin-pocket on ‘Hyper Inflation’. His Parte 1 is a killer bit of dry drum machine crack alloyed to a spicy Shepard tone sure to twist heads in the dance, before the same drum machine pattern is recycled somewhere closer to Uwe Schmidt or Otto von NikNak’s and Soul Oddity’s Miami electro on ‘Parte 2 (Crisis Económica)’.
He comes on like 2 Bad Mice stepping off with Matias Aguayo in the cheeky breakbeat rave swivel of ‘HAUZ’, and slants the rave presets to nagging electro-acid in ‘Exstasis of Love’, with a fine, slow-mo, acidic sting in the tail entitled ‘It Hurts’.
Trippy, Miami-compatible electro-house strut and raving hip-house breaks by Argentina’s Alejandro Beresi on Matias Aguayo’s label
Leading on from the rough & tumble rave of Mexico’s Galavision on Cómeme, Beresi keeps it slinky and diverse in-the-Latin-pocket on ‘Hyper Inflation’. His Parte 1 is a killer bit of dry drum machine crack alloyed to a spicy Shepard tone sure to twist heads in the dance, before the same drum machine pattern is recycled somewhere closer to Uwe Schmidt or Otto von NikNak’s and Soul Oddity’s Miami electro on ‘Parte 2 (Crisis Económica)’.
He comes on like 2 Bad Mice stepping off with Matias Aguayo in the cheeky breakbeat rave swivel of ‘HAUZ’, and slants the rave presets to nagging electro-acid in ‘Exstasis of Love’, with a fine, slow-mo, acidic sting in the tail entitled ‘It Hurts’.
Trippy, Miami-compatible electro-house strut and raving hip-house breaks by Argentina’s Alejandro Beresi on Matias Aguayo’s label
Leading on from the rough & tumble rave of Mexico’s Galavision on Cómeme, Beresi keeps it slinky and diverse in-the-Latin-pocket on ‘Hyper Inflation’. His Parte 1 is a killer bit of dry drum machine crack alloyed to a spicy Shepard tone sure to twist heads in the dance, before the same drum machine pattern is recycled somewhere closer to Uwe Schmidt or Otto von NikNak’s and Soul Oddity’s Miami electro on ‘Parte 2 (Crisis Económica)’.
He comes on like 2 Bad Mice stepping off with Matias Aguayo in the cheeky breakbeat rave swivel of ‘HAUZ’, and slants the rave presets to nagging electro-acid in ‘Exstasis of Love’, with a fine, slow-mo, acidic sting in the tail entitled ‘It Hurts’.