Boomkat Product Review:
Sean Canty and Andy Votel explore new territory within the realms of broken music, mechanical composition, spoken-word and noise collage with the help of multi disciplinary artist and longtime cohort Rick Myers, feeding Pre-Cert's gothic ambience into more unnerving corridors. We’re very here for it.
Myers is Votel's longest running collaborator (and co-author of his very first releases in the mid-90’s) and alongside Sean Canty the trio find a genuine and naturalistic plain to create some of the collective's most bizarre and beautiful installations yet. Devised fast and loose via cassette overdubs between Manchester and Massachusetts, and further expanding the syncopated vocal work found in Myers' very limited "Obstacle #69: Sentences In A Magnetic Field" from 2019, the two longform pieces that make-up this release are narrated by Myers in a way that sounds like a forlorn John Cooper Clarke riding some abstracted, unheard and unfathomable b-cinematic sound design.
Inspiring an ongoing practice of automatic non-musical sound composition while drawing long term influences from lesser known sound-art projects, such as Milan Grygar's Acoustic Drawings in Prague or Hungarian sound poet Katalin Ladik, and Swiss-German mainstay Dieter Roth, this first soundset reduces the trios reactions with dense and elongated results, piloting this ongoing series under the name HUMAN ENGINEERING. This limited cassette release, housed in artwork based on Myers personal work, proceeds an upcoming vinyl project under the same name, while providing a welcome addition to each members catalogue via Pre-Cert, Popular Mechanics, Demdike Stare, Cacophonic and Rick's own printed work for Primary Information in America, Neives in Zurich and his own Northampton MA based Editions Muta forgery.