Wonderful synaesthetic stimuli from France Jobin, translating colour into aerated and textured sound for the ace Superpang series
Leading on from the beautiful morbid fixations of 2020’s ‘Death is Perfection, Everything Else is Relative’, and the dodgy, uncredited use of her music by a nameless artist, the Montreal-based Australian sound artist pursues her interest in colour and hexadecimal systems in the variegated parts of ‘Hues.’ Combining field recordings and sound processing, her three compositions intend to evoke the colours grey, yellow, and white with exactingly minimalist means, with each track titled according to an alphanumeric binary system.
As colour is purely perception based, we wouldn’t expect the results to ring the same effect with everyone - as with so much avant electronic music - but we can probably agree that these are some super immersive works. ‘A2A4A6’ blossoms gorgeous heart-in-mouth string movements with canny attention to amplitude envelopes, whereas the glowing, suspenseful tone of ‘F6E36B’ feels like lying back in warm shallow water, and ‘FFFFFF’ allows more gnawing, bitter granular tones to chew at its lushness. We’re kinda afeared to attribute a colour to each track and get it wrong (we can’t work out the binary titling) but suffice it to say it’s highly enjoyable music either way.
View more
Wonderful synaesthetic stimuli from France Jobin, translating colour into aerated and textured sound for the ace Superpang series
Leading on from the beautiful morbid fixations of 2020’s ‘Death is Perfection, Everything Else is Relative’, and the dodgy, uncredited use of her music by a nameless artist, the Montreal-based Australian sound artist pursues her interest in colour and hexadecimal systems in the variegated parts of ‘Hues.’ Combining field recordings and sound processing, her three compositions intend to evoke the colours grey, yellow, and white with exactingly minimalist means, with each track titled according to an alphanumeric binary system.
As colour is purely perception based, we wouldn’t expect the results to ring the same effect with everyone - as with so much avant electronic music - but we can probably agree that these are some super immersive works. ‘A2A4A6’ blossoms gorgeous heart-in-mouth string movements with canny attention to amplitude envelopes, whereas the glowing, suspenseful tone of ‘F6E36B’ feels like lying back in warm shallow water, and ‘FFFFFF’ allows more gnawing, bitter granular tones to chew at its lushness. We’re kinda afeared to attribute a colour to each track and get it wrong (we can’t work out the binary titling) but suffice it to say it’s highly enjoyable music either way.
Wonderful synaesthetic stimuli from France Jobin, translating colour into aerated and textured sound for the ace Superpang series
Leading on from the beautiful morbid fixations of 2020’s ‘Death is Perfection, Everything Else is Relative’, and the dodgy, uncredited use of her music by a nameless artist, the Montreal-based Australian sound artist pursues her interest in colour and hexadecimal systems in the variegated parts of ‘Hues.’ Combining field recordings and sound processing, her three compositions intend to evoke the colours grey, yellow, and white with exactingly minimalist means, with each track titled according to an alphanumeric binary system.
As colour is purely perception based, we wouldn’t expect the results to ring the same effect with everyone - as with so much avant electronic music - but we can probably agree that these are some super immersive works. ‘A2A4A6’ blossoms gorgeous heart-in-mouth string movements with canny attention to amplitude envelopes, whereas the glowing, suspenseful tone of ‘F6E36B’ feels like lying back in warm shallow water, and ‘FFFFFF’ allows more gnawing, bitter granular tones to chew at its lushness. We’re kinda afeared to attribute a colour to each track and get it wrong (we can’t work out the binary titling) but suffice it to say it’s highly enjoyable music either way.
Wonderful synaesthetic stimuli from France Jobin, translating colour into aerated and textured sound for the ace Superpang series
Leading on from the beautiful morbid fixations of 2020’s ‘Death is Perfection, Everything Else is Relative’, and the dodgy, uncredited use of her music by a nameless artist, the Montreal-based Australian sound artist pursues her interest in colour and hexadecimal systems in the variegated parts of ‘Hues.’ Combining field recordings and sound processing, her three compositions intend to evoke the colours grey, yellow, and white with exactingly minimalist means, with each track titled according to an alphanumeric binary system.
As colour is purely perception based, we wouldn’t expect the results to ring the same effect with everyone - as with so much avant electronic music - but we can probably agree that these are some super immersive works. ‘A2A4A6’ blossoms gorgeous heart-in-mouth string movements with canny attention to amplitude envelopes, whereas the glowing, suspenseful tone of ‘F6E36B’ feels like lying back in warm shallow water, and ‘FFFFFF’ allows more gnawing, bitter granular tones to chew at its lushness. We’re kinda afeared to attribute a colour to each track and get it wrong (we can’t work out the binary titling) but suffice it to say it’s highly enjoyable music either way.